organizations
Organizations in this activity group · 37
showing 20 of 37
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | THE ONE CLUB FOR CREATIVITY INC The One Club for Creativity is a global nonprofit that champions excellence in advertising, design, and brand creativity through prestigious awards programs an… | NY | $12.6M | 4 | |
| 2 | NORTH AMERICA PHOTOGRAPHY ASSOCIATION North America Photography Association (napa) is a nonprofit organization that promotes artistic photography through international competitions and exhibitions.… | NY | $14K | 3 | |
| 3 | New York Press Photographers Assn Inc Professional association for press photographers in the New York region, focused on advancing the craft and recognizing excellence in photojournalism. The orga… | NY | $80K | 2 | |
| 4 | THE ARCHITECTURAL LEAGUE OF NEW YORK The Architectural League of New York is a nonprofit organization that supports transformative work in architecture, urban design, and the built environment. It… | NY | $2.3M | 2 | |
| 5 | AMAGANSETT VILLAGE IMPROVEMENT SOCIETY INC The Amagansett Village Improvement Society, founded in 1921, focuses on maintaining and enhancing public spaces in Amagansett, NY. The organization supports co… | NY | $152K | 1 | |
| 6 | AMERICAN INSTITUTE OF GRAPHIC ARTS American Institute of Graphic Arts (AIGA) advances design as a professional craft, strategic tool, and cultural force. The organization supports designers thro… | NY | $3.3M | 1 | |
| 7 | BOYS AND GIRLS CLUB OF HOLLAND INC The Boys & Girls Club of Holland is a youth development organization serving children in grades 2 through 12 in Holland, New York. It provides after-school and… | NY | $578K | 1 | |
| 8 | CENTER FOR PHOTOGRAPHY AT WOODSTOCK The Center for Photography at Woodstock (CPW) is a cultural organization in Kingston, NY, fostering creative and critical engagement with photography and visua… | NY | $1.4M | 1 | |
| 9 | CGCC FOUNDATION INC CGCC Foundation supports cross-cultural understanding between the United States and China through charitable initiatives, cultural programming, and research. T… | NY | $830K | 1 | |
| 10 | CIRCUMNAVIGATORS CLUB INC The Circumnavigators Club is an organization for individuals who have circumnavigated the globe, fostering connection and shared insights from global travel. T… | NY | $98K | 1 | |
| 11 | COOPERSTOWN ART ASSOCIATION INC The Cooperstown Art Association, founded in 1928, is a nonprofit arts organization based in Cooperstown, NY, dedicated to advancing public interest in fine and… | NY | $612K | 1 | |
| 12 | EDDIE ADAMS WORKSHOP ORGANIZATION INC The Eddie Adams Workshop is a tuition-free, merit-based photography program held annually in Jeffersonville, NY, designed to support emerging photographers thr… | NY | $275K | 1 | |
| 13 | ERIE CANALWAY HERITAGE FUND INC Erie Canalway Heritage Fund Inc. works to preserve the heritage of the Erie Canalway National Heritage Corridor, promote it as a world-class tourism destinatio… | NY | $2.9M | 1 | |
| 14 | FENIMORE ART MUSEUM Fenimore Art Museum is an art museum located in Cooperstown, New York, dedicated to preserving and exhibiting American fine art, folk art, and American Indian … | NY | $24.0M | 1 | |
| 15 | GIVOLOGY Givology is a 100% volunteer-run nonprofit that supports education in the developing world by connecting donors with grassroots projects and student scholarshi… | NY | $58K | 1 | |
| 16 | Hilton Apple Festival Inc Hilton Apple Festival Inc organizes an annual community festival in Hilton, NY, featuring local artisans, farmers, and crafters. The event includes educational… | NY | $36K | 1 | |
| 17 | INTERNATIONAL CENTER OF PHOTOGRAPHY The International Center of Photography (ICP) is a museum and school dedicated to photography and visual culture, founded in 1974 by photographer Cornell Capa.… | NY | $7.5M | 1 | |
| 18 | IROQUOIS-EMPIRE VOLLEYBALL ASSOCIATION INC Nonprofit volleyball association serving upstate New York by administering USA Volleyball-sanctioned programs for junior and adult players, coaches, and offici… | NY | $720K | 1 | |
| 19 | KOREAN-AMERICAN CONTEMPORARY ARTS LTD Korean American Contemporary Arts, Ltd. (KACAL) is a nonprofit arts organization founded in 1999 that supports Korean American artists through exhibitions, per… | NY | $9K | 1 | |
| 20 | LEFFERTS TIDE MILL SANCTUARY INC Lefferts Tide Mill & Preserve is a nonprofit dedicated to preserving the 18th-century Van Wyck-Lefferts Tide Mill in Lloyd Harbor, New York, one of the best-pr… | NY | $67K | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Storytelling for Social Change 4 orgsBy producing and strategically distributing documentary and narrative films that center authentic, lived-experience storytelling, organizations generate public awareness, empathy, and civic engagement, because emotionally resonant stories make systemic issues relatable and motivate audiences to act. This strategy unifies organizations that use film as a catalyst for social change by prioritizing narrative power, community collaboration, and targeted outreach. While some focus on youth voices, others emphasize filmmaker mentorship or community-led distribution, the shared belief is that impactful storytelling—when rooted in authenticity and paired with strategic engagement—can shift cultural narratives and drive measurable action. It differs from purely educational or service-based models by centering media creation as the primary lever for change.EDDIE ADAMS WORKSHOP ORGANIZATION INCGIVOLOGYINTERNATIONAL CENTER OF PHOTOGRAPHYNORTH AMERICA PHOTOGRAPHY ASSOCIATION
- Arts for Social Change 3 orgsBy using dance and artistic expression as tools for engagement and transformation, foster social change, equity, and community development, because art activates emotional resonance, challenges systemic inequities, and empowers marginalized voices in ways that traditional education or advocacy alone cannot. This strategy centers on leveraging the arts—not just as skill-building or performance—but as a deliberate mechanism for advancing social justice, inclusion, and personal or collective healing. It distinguishes itself from purely pedagogical or access-focused strategies by embedding advocacy, identity affirmation, and systemic critique into artistic practice, making art both the method and the message of change.INTERNATIONAL CENTER OF PHOTOGRAPHYNORTH AMERICA PHOTOGRAPHY ASSOCIATIONSOCIETY OF PUBLICATION DESIGNERS INC
- Community-Centered Engagement 3 orgsBy creating inclusive, accessible, and participatory community spaces and events, organizations foster sustained engagement and collective ownership, because shared experiences in trusted environments build social cohesion and lower barriers to participation. This strategy emphasizes place-based, relationship-driven programming that invites diverse populations to co-create and co-lead activities, whether through cultural events, environmental stewardship, or skill-building. Unlike top-down service models, it relies on mutual contribution, intergenerational connection, and low-barrier access to cultivate belonging. What distinguishes it from similar approaches is its integration of physical space, recurring events, and community agency as core drivers of impact.KOREAN-AMERICAN CONTEMPORARY ARTS LTDORIGAMI USA INCTHE BRYN MAWR CLUB OF THE CITY OF NEW YORK
- Community-Driven Stewardship 2 orgsBy centering local communities in conservation design and implementation, we achieve durable environmental outcomes, because programs rooted in community ownership, cultural values, and shared benefits are more sustainable, equitable, and effective. This strategy emphasizes participatory governance, local leadership, and culturally appropriate practices across diverse conservation contexts—from urban greenspaces to rural landscapes. It distinguishes itself from top-down or technocratic approaches by prioritizing trust, long-term engagement, and the integration of social and ecological goals, ensuring that both people and ecosystems benefit. While methods vary (e.g., education, easements, habitat certification), the core theory of change consistently links local agency to ecological resilience.AMAGANSETT VILLAGE IMPROVEMENT SOCIETY INCWILTON WILDLIFE PRESERVE AND PARK INC
- Community-Led Systems Change 2 orgsBy centering community leadership, lived experience, and collective agency in design and decision-making, we produce sustainable and equitable social change because solutions rooted in local knowledge and power are more legitimate, adaptive, and effective at transforming systems. This strategy unifies a diverse set of organizations around a shared theory of change: lasting impact emerges not from top-down interventions, but from shifting power, resources, and authority to the communities most affected by injustice. It distinguishes itself from service-delivery or expert-driven models by prioritizing local ownership, relational trust, and systemic transformation—whether through survivor-led advocacy, faith-based collaboration, interdisciplinary co-creation, or intergenerational movement building. While operational expressions vary (e.g., legal advocacy, care infrastructure, or educational access), the core mechanism is consistent: empowering frontline voices as the primary agents of chCGCC FOUNDATION INCLake Placid Forum for the Arts & Humanities Inc
- 100% Direct Funding Model 1 orgBy ensuring 100% of donor contributions go directly to beneficiaries or research through separate funding of overhead, the organization maximizes donor trust and impact efficiency, because donors perceive greater transparency and value when their gifts are fully applied to the cause. This strategy unifies organizations that structurally separate operational costs from program funding—using alternative sources like board-funded overhead, volunteer labor, or designated grants—to guarantee that public donations are fully directed toward mission delivery. It distinguishes itself from general efficiency models by making full donor-dollar impact a core promise and trust-building mechanism, rather than just an operational outcome.GIVOLOGY
- Alumni-Led Continuity Model 1 orgBy engaging alumni as leaders and funders, organizations sustain institutional support and expand access to education, because former beneficiaries are motivated to reinvest in the institutions that shaped them. This strategy leverages alumni networks not just for fundraising, but as a self-reinforcing system of governance, mentorship, and financial support. Unlike one-time donation campaigns or external grant-based models, this approach builds long-term ownership and intergenerational commitment, ensuring continuity of mission and resources. It is distinct in its emphasis on identity-based giving—where personal experience fuels sustained investment in educational equity and institutional resilience.EDDIE ADAMS WORKSHOP ORGANIZATION INC
- Art for Social Cohesion 1 orgBy using artistic expression as a shared, nonverbal language across cultural, ethnic, or national lines, we build mutual understanding and reduce societal division, because creative collaboration fosters empathy, transcends linguistic barriers, and humanizes difference in ways that discourse alone cannot. This strategy centers art not merely as cultural programming but as an active mechanism for social change—specifically to bridge divides in divided societies or across diaspora communities. It is distinct from general arts education or performance missions in that it intentionally leverages the emotional resonance and symbolic power of art to create spaces for dialogue, healing, and collective identity formation across deep differences.Lake Placid Forum for the Arts & Humanities Inc
- Art-Access as Engagement 1 orgBy lowering barriers to access—financial, physical, digital, and cultural—organizations increase public engagement with art, because inclusive access fosters broader participation, deepens personal connection, and expands the reach of artistic practice beyond traditional gatekeepers. This strategy centers on removing systemic obstacles to art participation—such as cost, location, format, and historical exclusion—to enable diverse audiences to engage meaningfully with artistic and cultural content. It unites practices like free admission, digital expansion, open programming, and inclusive design under a shared belief that access is foundational to relevance and equity in cultural engagement. Unlike purely curatorial or market-driven approaches, this strategy treats access not as a logistical detail but as a core mechanism of public empowerment and artistic impact.SOCIETY OF ILLUSTRATORS INC
- Art-Integrated Community Engagement 1 orgBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.SOCIETY OF ILLUSTRATORS INC
- Artist Support Platform 1 orgBy providing accessible, curated platforms for underrepresented and emerging artists to showcase and sell original work, the organization increases artist visibility, professional development, and public engagement in the arts, because structured access to exhibition and market opportunities enables sustainable artistic practice and challenges exclusionary gatekeeping in the art world. This strategy centers on creating institutional pathways for artists who lack commercial representation or mainstream recognition, using curation, open applications, and quality standards to balance inclusivity with artistic integrity. Unlike general arts programming, it specifically links artist livelihoods to public engagement by positioning the organization as a bridge between marginalized creators and broader audiences. The shared theory of action emphasizes platform-building—not just event production—as a lever for systemic inclusion in cultural ecosystems.Hilton Apple Festival Inc
- Artist-Centered Empowerment 1 orgBy placing artists at the core of governance, infrastructure, and program design, organizations foster sustainable artistic innovation and equitable access, because empowering creators with agency and resources ensures that artistic and community needs are authentically met. This strategy unifies diverse practices—such as artist-run governance, fiscal sponsorship, inclusive space provision, and peer-led development—under a shared belief that systemic change in the arts arises when artists, especially those from underrepresented backgrounds, are given decision-making power and holistic support. Unlike service-delivery or audience-centric models, this approach treats artists not as beneficiaries but as leaders and co-creators of cultural ecosystems, thereby transforming organizational structures to align with equity, sustainability, and creative autonomy.SOHOPHOTO FOUNDATION INC
- Artist-as-Educator Model 1 orgBy employing practicing artists as educators, we enhance student engagement and artistic development, because lived creative experience fosters authentic learning and inspires deeper connection to the art form. This strategy centers the working artist as both teacher and role model, integrating real-world practice into education to increase relevance and motivation. It distinguishes itself from traditional academic instruction by prioritizing mentorship, professional authenticity, and experiential learning over standardized curricula. While several organizations implement variations—such as artist-to-artist teaching, individualized mentorship, or community-based workshops—the shared belief is that direct access to active artists strengthens educational impact, creative identity, and community engagement.SOCIETY OF ILLUSTRATORS INC
- Bilingualism as Cognitive Foundation 1 orgBy immersing students in dual-language instruction across the curriculum, we develop bilingualism, cognitive flexibility, and academic achievement, because sustained, content-integrated language learning strengthens executive function, cross-cultural understanding, and long-term neural development. This strategy centers on using bilingual education not merely as a language acquisition tool but as a foundational mechanism for broader cognitive, cultural, and academic growth. Unlike standalone language programs, it embeds dual-language instruction throughout daily learning, treating multilingualism as a driver of intellectual development rather than an add-on. It is distinct from transitional bilingual models by maintaining both languages as co-equal mediums of instruction across grade levels and subjects.NOBLE TREE PUBLISHING INC
- Child-Centered Holistic Development 1 orgBy centering the child’s autonomy, developmental needs, and lived context in integrated, nurturing environments, we produce holistic cognitive, emotional, and social growth, because children learn best when education aligns with their natural curiosity, individual pace, and family ecosystem. This strategy unifies diverse approaches—play-based learning, family partnership, individualized support, and integrated services—around a shared belief in child-led, developmentally appropriate engagement. It distinguishes itself from standardized or academically rigid models by prioritizing emotional security, creativity, and tailored experiences as foundational to long-term learning and equity, particularly for vulnerable and underrepresented populations.NOBLE TREE PUBLISHING INC
- Collective Decision-Making for Community Ownership 1 orgBy involving community members in funding decisions and resource allocation, we increase local ownership and trust in philanthropy, because participatory processes strengthen accountability, align support with community-identified needs, and deepen engagement. This strategy centers democratic participation—through voting, pooled giving, or grassroots input—as a mechanism to ensure philanthropy reflects local values and priorities. It distinguishes itself from top-down or expert-driven models by treating community voice as central to legitimacy and impact, fostering sustained engagement and more responsive grantmaking. While operational tactics vary (e.g., events, endowments, volunteerism), the shared theory is that inclusion in decision-making drives both equity and effectiveness.GIVOLOGY
- Community-Led Response 1 orgBy partnering with local leaders and organizations to design and deliver programs, we produce more effective, culturally appropriate, and sustainable outcomes, because communities possess the contextual knowledge, trust networks, and lived experience necessary to identify and address their own needs. This strategy prioritizes local agency over external direction, distinguishing it from top-down or donor-driven models. It appears across diverse contexts—from refugee aid to education and mental health—but consistently centers the principle that solutions co-created with affected communities are more relevant, dignified, and resilient. While operational practices like volunteer deployment or funding mechanisms vary, the shared theory of change is that local leadership is the critical catalyst for impact.GIVOLOGY
- Consortium Amplification Model 1 orgBy leveraging formalized collaboration across multiple institutions to pool resources, share infrastructure, and coordinate outreach, organizations amplify impact beyond individual capacity, because collective action increases scale, efficiency, and visibility while preserving institutional autonomy. This strategy centers on creating or operating within a consortium structure—whether for research, education, recruitment, or advocacy—to achieve outcomes that would be unattainable by isolated actors. It distinguishes itself from simple partnerships through its emphasis on sustained, systemic coordination, shared governance, and mutual reinforcement of goals, enabling everything from cost containment and expanded access to innovation and public engagement at scale.STUDY NEW YORK INC
- Cultural Exchange for Mutual Understanding 1 orgBy facilitating structured cultural exchange experiences, organizations foster mutual understanding and reduce intergroup barriers, because direct, sustained engagement across cultural differences builds empathy, trust, and shared identity. This strategy centers on using immersive, reciprocal interactions—such as student exchanges, joint projects, or shared cultural practices—as a mechanism to break down stereotypes and build lasting cross-cultural relationships. Unlike one-off diversity workshops or passive exposure, this approach emphasizes deep, experiential engagement that transforms abstract notions of "otherness" into personal connections. It is distinct from purely educational or advocacy-based strategies because it relies on relationship-building as the primary vehicle for change.CGCC FOUNDATION INC
- Decentralized Leadership with Central Support 1 orgBy combining decentralized local leadership with centralized coordination and infrastructure, the organization scales community-driven initiatives while maintaining responsiveness and ownership, because local autonomy ensures cultural relevance and engagement, while central systems enable efficiency, resource access, and consistency. This strategy balances grassroots empowerment with organizational coherence, enabling local leaders to design and lead programs while relying on shared systems, mentorship, or infrastructure from a central body. It distinguishes itself from purely top-down or fully autonomous models by intentionally integrating local ownership with strategic support, creating a scalable yet adaptive approach across diverse communities and issue areas.NEW YORK ASSOCIATION FOR PUPIL TRANSPORTATION