organizations
Organizations in this activity group · 29
showing 20 of 29
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | BROOKLYNONE PRODUCTIONS INC BROOKLYNONE PRODUCTIONS INC is a nonprofit organization based in Brooklyn, New York, dedicated to enriching the arts. The organization supports arts and cultur… | NY | $193K | 2 | |
| 2 | LARCHMONT-MAMARONECK COMMUNITY TELEVISION INC LMC Media operates a community television and digital media platform serving Larchmont and Mamaroneck, NY. It empowers residents to create original content by … | NY | $1.2M | 2 | |
| 3 | TRISKELION ARTS-KICK-STANDANCE INC Triskelion Arts-Kick-Standance Inc is a Brooklyn-based nonprofit providing affordable rehearsal, class, and performance space for the performing arts. The orga… | NY | $580K | 2 | |
| 4 | ARTS AT THE PALACE INC Arts At The Palace is a rural arts and cultural center in Hamilton, NY, dedicated to cultivating creative capacity through programming in the arts and communit… | NY | $151K | 1 | |
| 5 | BIRDS NEST FOUNDATION INC Birds Nest Foundation Inc is a New York-based nonprofit that provides video production and web-enabled content to charitable organizations. It supports causes … | NY | $119K | 1 | |
| 6 | BUILDING BEATS INCORPORATED Building Beats Incorporated provides music and technology programs that teach entrepreneurial, leadership, and life skills to underserved youth. Through hands-… | NY | $785K | 1 | |
| 7 | CENTER FOR INTERNATIONAL MEDIA ACTION INC Center for International Media Action (CIMA) supports community radio and media access initiatives globally, with a focus on technical engineering, policy advo… | NY | $66K | 1 | |
| 8 | CENTER FOR PHOTOGRAPHY AT WOODSTOCK The Center for Photography at Woodstock (CPW) is a cultural organization in Kingston, NY, fostering creative and critical engagement with photography and visua… | NY | $1.4M | 1 | |
| 9 | CLAIR AND JAN ART FOUNDATION Art-focused nonprofit supporting emerging artists in music, film, and fashion through mentorship, event production, and access to creative resources. Provides … | NY | $66K | 1 | |
| 10 | CORNELL MEDIA GUILD Student-run media organization at Cornell University providing hands-on training in radio broadcasting, music production, and media business operations. Operat… | NY | $58K | 1 | |
| 11 | CULTUREHUB INC Culturehub is a center for art and technology that fosters global connections through telematic performances, digital installations, and educational programs. … | NY | $846K | 1 | |
| 12 | FEINBERG GRADUATE SCHOOL OF THE WEIZMANN INSTITUTE OF SCIENCE The Feinberg Graduate School of the Weizmann Institute of Science is a graduate-level academic institution dedicated to training future scientific leaders in t… | NY | $201.3M | 1 | |
| 13 | FOOTHILLS PERFORMING ARTS CENTER Foothills Performing Arts & Civic Center operates a multi-venue arts and conference facility in Oneonta, NY, hosting live performances, film screenings, music … | NY | $664K | 1 | |
| 14 | HISTORIC PALACE INC Historic Palace Inc operates the Lockport Palace Theatre, a restored 1923 venue in Lockport, NY, dedicated to preserving historic architecture while hosting li… | NY | $994K | 1 | |
| 15 | HUDSY COMMUNITY PROJECT INC HUDSY Community Project Inc. is a nonprofit film production company based in Kingston, NY, dedicated to educating and connecting communities through visual sto… | NY | $215K | 1 | |
| 16 | INTERNATIONAL ALLIANCE THEATRICAL UNION LOCAL 306 Union representing theatrical and audio/visual technicians in New York City, with a history dating back to 1913. Represents projectionists, A/V staff, and fron… | NY | $1.4M | 1 | |
| 17 | JOHN JERMAIN MEMORIAL LIBRARY Public library serving Sag Harbor, New York, providing free access to books, digital resources, and community programs. Offers services including homebound del… | NY | $3.3M | 1 | |
| 18 | KINGSTON MUSIC INITIATIVE INC TEMPO Kingston is a performing arts center in Kingston, NY, transforming a historic 1867 church into a multipurpose creative space for music, dance, and commun… | NY | $915K | 1 | |
| 19 | LOCAL SOUND COLLABORATIVE INC Local Sound Collaborative Inc supports Rochester, New York's music and art communities through direct financial support for artists, music education programs f… | NY | $137K | 1 | |
| 20 | MA-YI FILIPINO THEATRE ENSEMBLE INC DBA MA-YI THEATER COMPANY Ma-Yi Theater Company, founded in 1989, is a New York-based nonprofit theater organization dedicated to developing and producing innovative plays by Asian Amer… | NY | $1.4M | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Community-Driven Media Empowerment 5 orgsBy enabling community members to create and control their own media content, we strengthen civic engagement and democratic participation, because local ownership of storytelling fosters trust, inclusion, and authentic representation. This strategy centers on shifting media production power from institutions to communities by providing access to training, equipment, and broadcast platforms. Unlike traditional journalism models that prioritize professional detachment, this approach values lived experience, participatory creation, and barrier reduction—ensuring marginalized voices, youth, and underrepresented groups can shape public narratives. It unites organizations across public access television, youth media training, and community journalism under a shared belief that democratizing media infrastructure leads to more resilient, informed, and connected communities.CENTER FOR INTERNATIONAL MEDIA ACTION INCLARCHMONT-MAMARONECK COMMUNITY TELEVISION INCStaten Island Community Television IncWXXI PUBLIC BROADCASTING COUNCIL
- Integrated Support Model 3 orgsBy combining funding, mentorship, and network access within a single program, organizations increase the completion and impact of creative projects by underrepresented filmmakers, because holistic support addresses the interconnected systemic barriers of access, capital, and industry isolation. This strategy unifies multiple forms of assistance—financial, relational, and educational—into a cohesive pipeline that sustains creators from idea to screen. Unlike isolated interventions (e.g., grants alone or training workshops), this model treats underrepresentation as a structural issue requiring coordinated, long-term support across career stages. It appears across diverse organizations focused on equity in media, from documentary funding to youth training, and is distinguished by its emphasis on synergy between resources rather than standalone services.HUDSY COMMUNITY PROJECT INCROOFTOP FILMS INCSyracuse Film Center Inc
- Youth-Adult Co-Creation 3 orgsBy pairing youth with adult professionals in collaborative media production, we produce empowered youth voices and high-impact storytelling, because joint creation bridges skill gaps while preserving authenticity and deepens engagement through mentorship and mutual learning. This strategy centers on intergenerational co-creation, specifically between youth and experienced adults, to produce media that is both technically strong and emotionally authentic. Unlike top-down training or passive media consumption, this approach treats youth as equal creative partners, leveraging professional mentorship to elevate their stories while ensuring narrative ownership remains with lived experience. It distinguishes itself from broader media education models by emphasizing reciprocity, shared authorship, and the transformative potential of storytelling as both personal development and public advocacy.CORNELL MEDIA GUILDLARCHMONT-MAMARONECK COMMUNITY TELEVISION INCStaten Island Community Television Inc
- Art-Integrated Community Engagement 2 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.KINGSTON MUSIC INITIATIVE INCMA-YI FILIPINO THEATRE ENSEMBLE INC DBA MA-YI THEATER COMPANY
- Artist-Centered Empowerment 2 orgsBy placing artists at the core of governance, infrastructure, and program design, organizations foster sustainable artistic innovation and equitable access, because empowering creators with agency and resources ensures that artistic and community needs are authentically met. This strategy unifies diverse practices—such as artist-run governance, fiscal sponsorship, inclusive space provision, and peer-led development—under a shared belief that systemic change in the arts arises when artists, especially those from underrepresented backgrounds, are given decision-making power and holistic support. Unlike service-delivery or audience-centric models, this approach treats artists not as beneficiaries but as leaders and co-creators of cultural ecosystems, thereby transforming organizational structures to align with equity, sustainability, and creative autonomy.ARTS AT THE PALACE INCCENTER FOR INTERNATIONAL MEDIA ACTION INC
- Artist-Centered Incubation 2 orgsBy providing sustained creative support, resources, and developmental platforms to emerging and underrepresented artists, we enable the creation and refinement of innovative theatrical works, because structured artistic incubation increases the likelihood of artistic viability, audience resonance, and long-term cultural impact. This strategy centers on empowering artists—particularly early-career or marginalized voices—through long-term investment in their creative process, including commissions, residencies, mentorship, and safe spaces for experimentation. Unlike strategies focused solely on production or audience access, this approach treats artist development as the primary engine of innovation and social impact in theater. It distinguishes itself by prioritizing process over product, fostering work that might not otherwise emerge in risk-averse mainstream ecosystems.MA-YI FILIPINO THEATRE ENSEMBLE INC DBA MA-YI THEATER COMPANYNEW DANCE ALLIANCE INC
- Collaborative Ecosystem Building 2 orgsBy fostering interconnected, peer-driven networks and removing structural barriers to resources, we enable sustainable artistic and community development, because diverse, decentralized collaboration amplifies innovation, resilience, and equity more effectively than isolated individual effort. This strategy centers on creating conditions where creative growth emerges from mutual support, shared access, and cross-disciplinary or intergenerational exchange rather than top-down programming. It distinguishes itself by prioritizing relational infrastructure—networks, communities, and participatory models—alongside material support, recognizing that long-term impact depends on both resource accessibility and the social fabric that sustains it. Unlike one-off grants or single-artwork funding, this approach invests in the ecosystem itself as the engine of change.HUDSY COMMUNITY PROJECT INCTRISKELION ARTS-KICK-STANDANCE INC
- Pathways Through Integrated Training 2 orgsBy integrating technical skills, professional networks, and real-world experience into creative education, we produce workforce readiness and career entry for underrepresented youth, because combining hands-on learning with industry alignment bridges the gap between marginalized communities and competitive creative sectors. This strategy emphasizes a holistic approach to workforce development in the arts by weaving together skill-building, mentorship, paid experience, and industry access into a cohesive pipeline. Unlike standalone training programs, it relies on the synergistic effect of combining education with relational and structural supports—ensuring that talent from underserved backgrounds not only gains competence but also navigates into sustainable careers. What distinguishes it is the intentional integration of personal, professional, and systemic elements to create durable pathways rather than isolated opportunities.BUILDING BEATS INCORPORATEDCLAIR AND JAN ART FOUNDATION
- Unrestricted Artist Support 2 orgsBy providing unrestricted financial grants and removing systemic barriers to resources, artists gain agency and sustainability in their creative practice, because economic autonomy enables risk-taking, resilience, and long-term artistic development. This strategy centers on empowering individual artists through direct, flexible funding and complementary support structures—such as fiscal sponsorship, emergency aid, or wellness services—that prioritize trust and self-determination. Unlike project-specific or institutionally mediated funding models, it treats the artist as the primary unit of investment, emphasizing personal agency over prescribed outcomes. It is distinct in its rejection of conditional funding, instead operating on the belief that creative vitality emerges most authentically when artists control the means and direction of their work.CLAIR AND JAN ART FOUNDATIONLOCAL SOUND COLLABORATIVE INC
- Affordable Space Provision 1 orgBy providing affordable access to rehearsal, performance, and creative spaces, we enable sustained artistic production and community engagement, because cost barriers are a primary constraint on artist participation and organizational sustainability. This strategy centers on reducing financial barriers to physical infrastructure as a lever for systemic change in the arts ecosystem. Unlike programs focused solely on funding or training, this approach treats space itself as a foundational resource—its affordability and stability directly enabling artistic development, organizational resilience, and inclusive access. Multiple organizations implement variations of this model through nonprofit real estate development, sliding-scale rentals, work-exchange agreements, and partnerships that prioritize long-term tenancy over profit-driven market rates.TRISKELION ARTS-KICK-STANDANCE INC
- Art for Social Cohesion 1 orgBy using artistic expression as a shared, nonverbal language across cultural, ethnic, or national lines, we build mutual understanding and reduce societal division, because creative collaboration fosters empathy, transcends linguistic barriers, and humanizes difference in ways that discourse alone cannot. This strategy centers art not merely as cultural programming but as an active mechanism for social change—specifically to bridge divides in divided societies or across diaspora communities. It is distinct from general arts education or performance missions in that it intentionally leverages the emotional resonance and symbolic power of art to create spaces for dialogue, healing, and collective identity formation across deep differences.FOOTHILLS PERFORMING ARTS CENTER
- Artist Residency as Incubator 1 orgBy providing artists with time, space, and flexible support in a protected environment, we foster innovative and authentic artistic development, because removing external pressures and structural barriers enables deep creative risk-taking and long-term experimentation. This strategy centers on creating incubatory conditions—through residencies and dedicated studios—where artists can focus intensely on their practice without commercial, financial, or logistical constraints. It distinguishes itself from other support models by emphasizing sustained, holistic investment in the artist rather than discrete project funding or market-linked outcomes, fostering both individual growth and broader cultural innovation.TRISKELION ARTS-KICK-STANDANCE INC
- Artist-Centered Equity Development 1 orgBy centering underrepresented artists in creative development and leadership opportunities, we advance equity in the arts, because systemic exclusion is best addressed by shifting resources, visibility, and decision-making power directly to marginalized voices. This strategy prioritizes the creative agency, lived experience, and professional growth of historically excluded artists—particularly Black, Indigenous, women, trans, and gender-nonconforming individuals—not as beneficiaries but as central architects of artistic work. It differs from general diversity initiatives by rejecting tokenism and instead restructuring development models (e.g., residencies, casting, dramaturgy) to be driven by the needs, aesthetics, and narratives of these artists, thereby transforming both individual careers and institutional norms.LOCAL SOUND COLLABORATIVE INC
- Artistic Mentorship Through Immersive Practice 1 orgBy embedding emerging artists in immersive, mentored performance and training environments with established professionals, we accelerate artistic development and professional integration, because direct collaboration in intensive, supportive settings deepens skill acquisition, confidence, and field cohesion. This strategy centers on transforming artistic education through hands-on, relational learning models that go beyond classroom instruction. It emphasizes sustained interaction with master artists in real-world performance contexts—such as side-by-side ensembles, residential intensives, or collaborative rehearsals—which creates pathways for technical growth, professional identity formation, and long-term field sustainability. Unlike passive learning or one-off workshops, this approach leverages continuity, mentorship, and shared artistic purpose to cultivate both individual talent and collective cultural vitality.WILLIAMSBURG MUSIC CENTER INCORPORATED
- Arts-Based Youth Empowerment 1 orgBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.MA-YI FILIPINO THEATRE ENSEMBLE INC DBA MA-YI THEATER COMPANY
- Centering Marginalized Voices 1 orgBy elevating and centering the lived experiences, narratives, and leadership of Black girls and women of color in programming, advocacy, and storytelling, organizations produce individual empowerment and systemic change, because authentic representation fosters identity validation, builds collective agency, and ensures that solutions emerge from those most impacted by oppression. This strategy unifies diverse practices—from media creation and storytelling to trauma-informed advocacy and intergenerational leadership—around a shared belief that marginalized communities must lead their own liberation. It distinguishes itself from top-down or service-only models by insisting that equity is achieved not just through support, but through ceding narrative and decision-making power to those historically excluded. The approach appears across program types, from arts-based empowerment to legal advocacy, revealing a deep commitment to voice, authorship, and self-determination as levers of transfARTS AT THE PALACE INC
- Collective Bargaining Leverage 1 orgBy negotiating binding agreements between unions and employers, organizations secure stable, equitable benefits for members, because collective bargaining institutionalizes worker power and creates enforceable financial and programmatic commitments. This strategy centers on using union-negotiated contracts as a legal and financial mechanism to guarantee access to health, welfare, retirement, and educational benefits. Unlike ad hoc or voluntary employer programs, this approach embeds benefits directly into labor agreements, ensuring dedicated funding and long-term sustainability. What distinguishes it is the enforceable, rights-based framework—benefits are not discretionary but are instead codified through structured labor relations, making them more reliable and member-controlled.INTERNATIONAL ALLIANCE THEATRICAL UNION LOCAL 306
- Collective Bargaining Power 1 orgBy organizing workers into unified bargaining units, unions secure improved wages, benefits, and working conditions, because collective negotiation increases worker leverage relative to employers. This strategy centers on the core labor principle that individual workers lack sufficient power to influence employers, but when united, they can negotiate enforceable contracts and systemic improvements. It distinguishes itself from service-oriented or charitable models by focusing on structural power shifts rather than individual aid, and underpins most other union activities like organizing, political advocacy, and grievance enforcement.INTERNATIONAL ALLIANCE THEATRICAL UNION LOCAL 306
- Collective Voice and Structured Dialogue 1 orgBy establishing formal collective bargaining and dispute resolution mechanisms, unions produce stable, equitable, and harmonious labor relations because structured dialogue institutionalizes worker voice, enforces accountability, and prevents conflict escalation. This strategy centers on using codified processes—like collective bargaining, arbitration, and conciliation—to create predictable, rights-based labor-management interactions. Unlike ad hoc advocacy or unilateral action, it relies on mutual recognition of procedures to resolve disputes and negotiate improvements, distinguishing it from strategies focused solely on protest, direct service, or individual representation. The shared belief is that systemic stability and fairness emerge from institutionalized cooperation grounded in enforceable agreements.INTERNATIONAL ALLIANCE THEATRICAL UNION LOCAL 306
- Community-Centered Learning 1 orgBy positioning the library as a responsive, inclusive, and shared community space, increase engagement in literacy and lifelong learning, because trusted local institutions that reflect community identity and needs foster greater participation and ownership across diverse populations. This strategy emphasizes transforming libraries into dynamic, community-owned hubs where programming, access, and design are shaped by local contexts, cultures, and barriers. It distinguishes itself from purely instructional or resource-distribution models by prioritizing relational trust, collective experience, and structural equity as drivers of engagement. While other strategies focus on content delivery or behavioral incentives, this approach treats the library’s role as a social and cultural anchor that sustains learning through belonging.JOHN JERMAIN MEMORIAL LIBRARY