organizations
Organizations in this activity group · 160
showing 20 of 50
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | HOOK ARTS MEDIA INC Hook Arts Media empowers youth in Brooklyn through arts and media education programs that foster creative expression and civic engagement. The organization ser… | NY | $519K | 5 | |
| 2 | BY KIDS INC BYkids is a nonprofit that empowers youth aged 8–21 from around the world to create documentary films about pressing global issues, paired with professional fi… | NY | $460K | 4 | |
| 3 | Harlem Film School Inc Harlem Film School Inc provides filmmaking education to youth in New York City, focusing on directing, screenwriting, camera operation, and editing. The organi… | NY | $122K | 4 | |
| 4 | JLSC EDUCATIONAL TOUR BUS INC The John Lennon Educational Tour Bus is a nonprofit mobile production studio that provides free hands-on music and media education programs to students across … | NY | $601K | 4 | |
| 5 | CHARLIA FRANK INC Charlia Frank Inc. empowers underserved youth through free STEAM-based programs in creative arts, technology, and workforce development. Based in Poughkeepsie,… | NY | $93K | 3 | |
| 6 | STOCKADE WORKS INC Stockade Works is a nonprofit workforce development organization based in Kingston, NY, focused on training local residents for careers in film, television, an… | NY | $547K | 3 | |
| 7 | THE ANIMATION PROJECT INC The Animation Project nurtures the social and emotional growth of young people through digital art technology, combining creative arts therapy with animation t… | NY | $825K | 3 | |
| 8 | ASTORIA FILM FESTIVAL INC Astoria Film Festival provides film and media education programs for youth and young adults in New York City, with a focus on underrepresented communities. It … | NY | $180K | 2 | |
| 9 | BLACK GIRLS WILL GET LOVE INC Youth development organization based in Syracuse, NY, focused on empowering girls of color through media and creative arts programs. Offers film training, scre… | NY | $141K | 2 | |
| 10 | CRAIG NEWMARK GRADUATE SCHOOL OF JOURNALISM CUNY FOUNDATION INC The Craig Newmark Graduate School of Journalism at CUNY is a graduate journalism school offering master's degree programs in bilingual journalism, engagement j… | NY | $12.2M | 2 | |
| 11 | DOWNTOWN COMMUNITY TELEVISION CENTER INC DOWNTOWN COMMUNITY TELEVISION CENTER INC is a New York-based nonprofit that provides free and low-cost film production training and media resources to emerging… | NY | $6.6M | 2 | |
| 12 | FD-GJW FOUNDATION INC The FD-GJW Foundation Inc., operating as Hope Studio Middletown, provides free or low-cost access to a professional-grade production studio for young creators … | NY | $700K | 2 | |
| 13 | FILMAID INTERNATIONAL INC FilmAid International uses film and media to deliver life-saving information and psychological relief to refugees and marginalized communities worldwide. The o… | NY | $209 | 2 | |
| 14 | GLOBAL ACTION PROJECT INC Global Action Project empowers youth from low-income, immigrant, and LGBTQ+ communities to create media that advances social justice. Based in Brooklyn, NY, th… | NY | — | 2 | |
| 15 | HARVESTWORKS INC Harvestworks supports artists in creating new works using emerging technologies through training, consultation, and production support. Based in New York City,… | NY | $309K | 2 | |
| 16 | HG FAIRFIELD ARTS CENTER FOR THE ENVIRONMENT INC HG Fairfield Arts Center for the Environment Inc. integrates arts, culture, and environmental education to serve youth, veterans, Indigenous communities, and w… | NY | $4K | 2 | |
| 17 | JACOB BURNS FILM CENTER INC The Jacob Burns Film Center is a nonprofit cultural and education organization in Pleasantville, NY, operating a five-screen art house cinema and media arts ed… | NY | $8.2M | 2 | |
| 18 | MAYSLES INSTITUTE INC Maysles Documentary Center is a Harlem-based nonprofit dedicated to the exhibition and production of documentary films that inspire dialogue and action. Throug… | NY | $890K | 2 | |
| 19 | Manhattan Community Access Corporation Manhattan Community Access Corporation, operating as Manhattan Neighborhood Network (MNN), provides public access cable television channels and media productio… | NY | $6.5M | 2 | |
| 20 | RECESS ACTIVITIES INC Recess Activities Inc partners with artists and system-impacted youth aged 18–26 to build a more just and equitable creative community. Through its Assembly pr… | NY | $647K | 2 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Youth-Adult Co-Creation 21 orgsBy pairing youth with adult professionals in collaborative media production, we produce empowered youth voices and high-impact storytelling, because joint creation bridges skill gaps while preserving authenticity and deepens engagement through mentorship and mutual learning. This strategy centers on intergenerational co-creation, specifically between youth and experienced adults, to produce media that is both technically strong and emotionally authentic. Unlike top-down training or passive media consumption, this approach treats youth as equal creative partners, leveraging professional mentorship to elevate their stories while ensuring narrative ownership remains with lived experience. It distinguishes itself from broader media education models by emphasizing reciprocity, shared authorship, and the transformative potential of storytelling as both personal development and public advocacy.BLACK GIRLS WILL GET LOVE INCFUTURE NOW Media Foundation IncLARCHMONT-MAMARONECK COMMUNITY TELEVISION INCStaten Island Community Television Inc
- Arts-Based Youth Empowerment 19 orgsBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.IMOGEN ROCHE FOUNDATION INCPlaza Media Arts Center IncTHE LOWER EAST SIDE GIRLS CLUB OF NEW YORK INCYOUTH FX INC
- Integrated Support Model 14 orgsBy combining funding, mentorship, and network access within a single program, organizations increase the completion and impact of creative projects by underrepresented filmmakers, because holistic support addresses the interconnected systemic barriers of access, capital, and industry isolation. This strategy unifies multiple forms of assistance—financial, relational, and educational—into a cohesive pipeline that sustains creators from idea to screen. Unlike isolated interventions (e.g., grants alone or training workshops), this model treats underrepresentation as a structural issue requiring coordinated, long-term support across career stages. It appears across diverse organizations focused on equity in media, from documentary funding to youth training, and is distinguished by its emphasis on synergy between resources rather than standalone services.DOWNTOWN COMMUNITY TELEVISION CENTER INCOPEN STAGE PROJECT INCSTOCKADE WORKS INCSyracuse Film Center Inc
- Storytelling for Social Change 10 orgsBy producing and strategically distributing documentary and narrative films that center authentic, lived-experience storytelling, organizations generate public awareness, empathy, and civic engagement, because emotionally resonant stories make systemic issues relatable and motivate audiences to act. This strategy unifies organizations that use film as a catalyst for social change by prioritizing narrative power, community collaboration, and targeted outreach. While some focus on youth voices, others emphasize filmmaker mentorship or community-led distribution, the shared belief is that impactful storytelling—when rooted in authenticity and paired with strategic engagement—can shift cultural narratives and drive measurable action. It differs from purely educational or service-based models by centering media creation as the primary lever for change.BY KIDS INCLOS HEREDEROS INCNARRATIVE NATION INCRochester Community TV Inc
- Community-Driven Media Empowerment 9 orgsBy enabling community members to create and control their own media content, we strengthen civic engagement and democratic participation, because local ownership of storytelling fosters trust, inclusion, and authentic representation. This strategy centers on shifting media production power from institutions to communities by providing access to training, equipment, and broadcast platforms. Unlike traditional journalism models that prioritize professional detachment, this approach values lived experience, participatory creation, and barrier reduction—ensuring marginalized voices, youth, and underrepresented groups can shape public narratives. It unites organizations across public access television, youth media training, and community journalism under a shared belief that democratizing media infrastructure leads to more resilient, informed, and connected communities.LARCHMONT-MAMARONECK COMMUNITY TELEVISION INCPLEASANTVILLE COMMUNITY TELEVISION INCRochester Community TV IncStaten Island Community Television Inc
- Art-Integrated Community Engagement 7 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.BAILEY'S CAFE INCHAMPTONS TAKE 2 DOCUMENTARY FILM FESTIVAL INCLoisaida IncTHROUGHLINE ARTISTS INC
- Experiential Learning with Purpose 6 orgsBy immersing youth in real-world, production-based roles within journalism, media, or community-driven projects, we develop skilled, engaged, and socially conscious individuals, because hands-on experience combined with mission-driven work deepens learning, builds identity, and fosters agency. This strategy centers on active, practice-based education where learners gain competence and confidence by doing meaningful work that has tangible impact. It distinguishes itself from passive or purely academic models by integrating professional standards, ethical responsibility, and community relevance—ensuring that learning is not only skill-building but also identity-forming and civically oriented.CHARLIA FRANK INCCRAIG NEWMARK GRADUATE SCHOOL OF JOURNALISM CUNY FOUNDATION INCNEW FLEXHOOPS INCTHE SPECTRUM STUDENT PERIODICAL INC
- Pathways Through Integrated Training 6 orgsBy integrating technical skills, professional networks, and real-world experience into creative education, we produce workforce readiness and career entry for underrepresented youth, because combining hands-on learning with industry alignment bridges the gap between marginalized communities and competitive creative sectors. This strategy emphasizes a holistic approach to workforce development in the arts by weaving together skill-building, mentorship, paid experience, and industry access into a cohesive pipeline. Unlike standalone training programs, it relies on the synergistic effect of combining education with relational and structural supports—ensuring that talent from underserved backgrounds not only gains competence but also navigates into sustainable careers. What distinguishes it is the intentional integration of personal, professional, and systemic elements to create durable pathways rather than isolated opportunities.ASTORIA FILM FESTIVAL INCCLAIR AND JAN ART FOUNDATIONTHE ANIMATION PROJECT INCYouth Design Center Inc
- Creative Expression for Healing and Empowerment 5 orgsBy engaging individuals in creative expression through art, storytelling, and performance, we foster psychological healing, personal empowerment, and community resilience, because creative modalities provide accessible, non-verbal outlets for processing trauma, building agency, and strengthening social connection. This strategy centers creative practice—not as an end in itself, but as a therapeutic and transformative vehicle for emotional recovery, self-actualization, and collective well-being. It unites organizations that use art-based interventions across clinical, educational, and community settings, distinguishing itself from purely skill-building or awareness-focused approaches by emphasizing internal psychological shifts and external social belonging through expressive engagement.ARTOLUTION INCEARSAY INCFD-GJW FOUNDATION INCIMOGEN ROCHE FOUNDATION INC
- Holistic Youth Development 5 orgsBy integrating programming across multiple domains of youth development—such as academics, social-emotional learning, physical activity, and family or community engagement, we produce resilient, well-rounded individuals, because coordinated support across interconnected areas of life reinforces sustained growth and personal agency. This strategy emphasizes multifaceted, sustained engagement rather than isolated interventions, recognizing that young people thrive when their interrelated needs are addressed simultaneously. It distinguishes itself from narrower, single-focus models (e.g., academic tutoring or sports-only programs) by intentionally weaving together education, wellness, mentorship, and community connection to create compounding developmental benefits.100 BLACK MEN OF SYRACUSE INCCHARLIA FRANK INCIMOGEN ROCHE FOUNDATION INCWXXI PUBLIC BROADCASTING COUNCIL
- Mentorship-to-Leadership Pipeline 4 orgsBy pairing emerging journalists with experienced mentors and peer networks, we develop skilled, resilient journalism leaders from diverse backgrounds, because sustained relational support accelerates professional growth, builds field-specific competence, and strengthens commitment to ethical, community-rooted storytelling. This strategy centers on long-term, relationship-driven development to transform early-career and marginalized individuals into capable leaders in independent and investigative journalism. It distinguishes itself from one-off training or general capacity-building by emphasizing continuity, role modeling, and mutual accountability between mentors and mentees. The approach appears across organizations regardless of medium (print, video, digital) and is consistently tied to goals of diversifying the field, improving narrative quality, and increasing resilience in underrepresented communities.FEET IN 2 WORLDS INCNEW YORK VIDEOGAME CRITICS CIRCLE INCTHE VIDEO CONSORTIUM INCTHE VII FOUNDATION INC
- Arts-Integrated Experiential Learning 3 orgsBy embedding the arts into hands-on, real-world learning experiences, students develop deeper cognitive, emotional, and social understanding, because creative engagement activates multiple modes of perception and strengthens the connection between experience and meaning-making. This strategy unifies arts education with experiential and inquiry-based pedagogies, treating artistic practice not as an add-on but as a core method of knowing and understanding. It distinguishes itself from standalone arts instruction or traditional academic models by fusing creative expression with direct experience—whether through farm work, scientific observation, or dramatic exploration—to deepen learning across domains. The shared theory of action is that integrating the arts into experiential contexts enhances retention, identity formation, and engagement more effectively than passive or discipline-isolated approaches.KINESTHETIC INTELLIGENCE PLUS INCPUPPETRY IN PRACTICE INCQuest Youth Organization Inc
- Play-Based Learning 3 orgsBy using play as the primary mode of learning, children develop cognitive, emotional, social, and academic skills, because play naturally aligns with developmental needs, fosters intrinsic motivation, and supports integrated, experiential growth. This strategy centers on child-led, hands-on play—often through sensory exploration, project-based activities, and experiential environments—as the core mechanism for holistic development. It distinguishes itself from didactic or rote instructional models by prioritizing engagement, curiosity, and emotional safety, with the shared belief that meaningful learning emerges through active, joyful interaction rather than direct instruction. While variations exist (e.g., play with language immersion or therapeutic goals), the unifying theory is that play is not ancillary but foundational to developmental progress.CHILDSPLAY INTERNATIONAL INCCRAIG NEWMARK GRADUATE SCHOOL OF JOURNALISM CUNY FOUNDATION INCPUPPETRY IN PRACTICE INC
- Alumni-Led Continuity Model 2 orgsBy engaging alumni as leaders and funders, organizations sustain institutional support and expand access to education, because former beneficiaries are motivated to reinvest in the institutions that shaped them. This strategy leverages alumni networks not just for fundraising, but as a self-reinforcing system of governance, mentorship, and financial support. Unlike one-time donation campaigns or external grant-based models, this approach builds long-term ownership and intergenerational commitment, ensuring continuity of mission and resources. It is distinct in its emphasis on identity-based giving—where personal experience fuels sustained investment in educational equity and institutional resilience.Council for Unity IncSOCIAL ENTERPRISE AND TRAINING CENTER INC
- Art as Critical Inquiry 2 orgsBy using artistic practice to investigate power, history, and systemic issues, organizations foster critical consciousness and social change, because art enables non-linear, visceral understanding of abstract structures and opens space for alternative narratives. This strategy treats art not merely as expression or advocacy but as a form of research and questioning—a method to surface hidden dynamics, challenge dominant ideologies, and invite audiences into reflective engagement. Unlike instrumental approaches that use art to deliver pre-defined messages (e.g., awareness campaigns), this approach emphasizes open-ended exploration, ambiguity, and the artist’s role as a critical thinker. It distinguishes itself from purely educational or access-oriented models by prioritizing depth of inquiry over reach or skill transfer.BUFFALO MEDIA RESOURCES INCBUTTERFLY NOIR INC
- Community-Engaged Theater 2 orgsBy co-creating theater with community members and centering lived experience, we foster cultural resonance and collective ownership, because authentic representation builds trust and strengthens social bonds. This strategy involves producing theater through deep collaboration with communities—especially marginalized or underrepresented groups—by integrating their stories, voices, and participation into the artistic process. It goes beyond traditional performance by treating theater as a shared, participatory practice that validates identity, challenges dominant narratives, and expands access. Unlike conventional models that prioritize professional artistry alone, this approach values process as much as product, distinguishing it from both mainstream theater and general arts education initiatives.NAKED ANGELS LTDPUPPETRY IN PRACTICE INC
- Community-Led Systems Change 2 orgsBy centering community leadership, lived experience, and collective agency in design and decision-making, we produce sustainable and equitable social change because solutions rooted in local knowledge and power are more legitimate, adaptive, and effective at transforming systems. This strategy unifies a diverse set of organizations around a shared theory of change: lasting impact emerges not from top-down interventions, but from shifting power, resources, and authority to the communities most affected by injustice. It distinguishes itself from service-delivery or expert-driven models by prioritizing local ownership, relational trust, and systemic transformation—whether through survivor-led advocacy, faith-based collaboration, interdisciplinary co-creation, or intergenerational movement building. While operational expressions vary (e.g., legal advocacy, care infrastructure, or educational access), the core mechanism is consistent: empowering frontline voices as the primary agents of chSHARE FOR LIFE FOUNDATION INCSOME PEOPLE UNDERSTAND DIFFERENTLY SPUD INC
- Cultural Preservation Through Immersive Engagement 2 orgsBy creating immersive, participatory experiences in traditional arts, sports, and community events, strengthens cultural identity and intergenerational transmission, because active involvement fosters deeper connection and continuity than passive observation. This strategy centers on sustaining Irish and Scottish heritage by engaging people directly in living traditions—through dance, music, language, sports, and festivals—rather than preserving culture as static artifacts. What distinguishes it from other approaches is its emphasis on experiential participation as the engine of cultural continuity, uniting education, celebration, and community building around shared practice rather than ancestry alone. The belief across these organizations is that culture thrives not through preservation in isolation, but through dynamic, inclusive, and embodied engagement.DANCING CRANE INCUNFILMED SCHOOL INC
- Equitable Access Through Barrier Reduction 2 orgsBy removing financial, social, and systemic barriers to music education and artistic participation, organizations increase access and equity in the arts, because structural inequities—particularly those tied to cost, geography, disability, and background—disproportionately exclude underserved individuals and communities from meaningful engagement. This strategy unifies diverse programs that prioritize inclusion by directly addressing material and institutional obstacles such as tuition costs, lack of resources, disability-related access gaps, and socioeconomic exclusion. What distinguishes it from broader arts education strategies is its focus not just on delivering services, but on redesigning access models—through sliding-scale fees, targeted outreach, adaptive pedagogy, and community partnerships—to ensure participation is possible for historically marginalized groups. While other strategies may emphasize artistic excellence or professionalization, this approach centers equity as bHARLEM SCHOOL OF THE ARTS INCKids Creative Collective Inc
- Experiential Engagement in STEM 2 orgsBy immersing learners in hands-on, real-world STEM experiences, we deepen engagement and understanding, because active participation fosters cognitive retention, emotional connection, and identity formation in science. This strategy centers on using experiential learning—such as project-based work, invention, play, mentorship, and immersive environments—to make abstract STEM concepts tangible and personally relevant. It distinguishes itself from purely didactic or access-focused approaches by emphasizing the transformative power of doing, reflecting, and belonging in shaping long-term STEM interest and identity, particularly among underrepresented youth.FOUNDATION FOR IMPACT ON LITERACY AND LEARNING INCSANKOFA GLOBAL PROJECT INC