organizations
Organizations in this activity group · 162
showing 20 of 50
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | MUSIC IS ART Music is Art is a Buffalo-based nonprofit founded in 2003 by Robby Takac to strengthen the Western New York creative community through music. The organization … | NY | $235K | 3 | |
| 2 | SCHROON LAKE ARTS COUNCIL INC Community-based arts organization in Schroon Lake, New York, dedicated to enriching local life through free cultural programming. Organizes live music concerts… | NY | $23K | 3 | |
| 3 | CLARENCE CONCERT ASSOCIATION INC Nonprofit organization presenting a free summer concert series in Clarence, New York, featuring the professional Clarence Summer Orchestra and guest ensembles.… | NY | $84K | 2 | |
| 4 | WHITE PLAINS DOWNTOWN DISTRICT MANAGEMENT ASSOCIATION INC The White Plains Downtown District Management Association operates the Downtown White Plains Business Improvement District, enhancing the area's vibrancy throu… | NY | $1.3M | 2 | |
| 5 | 34th Street Partnership Inc 34th Street Partnership Inc is a nonprofit business improvement district that enhances the commercial and public environment along Manhattan's 34th Street corr… | NY | $17.0M | 1 | |
| 6 | 6 ON THE SQUARE INC 6 On The Square Inc is a nonprofit performing arts venue in Oxford, New York, dedicated to presenting live acoustic music in an intimate listening environment.… | NY | $57K | 1 | |
| 7 | A BETTER JAMAICA INC A Better Jamaica strengthens communities in southeast Queens, New York through cultural, educational, and civic programs. The organization runs initiatives inc… | NY | $452K | 1 | |
| 8 | A PLACE FOR JAZZ LTD A Place for Jazz Ltd is a nonprofit organization based in Schenectady, NY, that presents live jazz concerts and promotes jazz education. The organization hosts… | NY | $70K | 1 | |
| 9 | AFRICAN CULTURAL CENTER OF BUFFALO INC African American Cultural Center of Buffalo, founded in 1958, promotes and preserves African and African American heritage through arts, education, and cultura… | NY | $528K | 1 | |
| 10 | AFRO-LATIN JAZZ ALLIANCE OF NEW YORK INC Arts organization based in New York City dedicated to preserving and performing Afro Latin jazz, with a focus on education, community engagement, and cultural … | NY | $5.1M | 1 | |
| 11 | ALLIANCE FOR FLUSHING MEADOWS CORONA PARK CORPORATION The Alliance for Flushing Meadows Corona Park Corporation supports NYC Parks in preserving, maintaining, and improving Flushing Meadows Corona Park in Queens, … | NY | $643K | 1 | |
| 12 | ARTS ON THE LAKE INC Arts on the Lake Inc is a community-based nonprofit organization founded in 2006 to support and promote the visual and performing arts in Kent, NY. The organiz… | NY | $103K | 1 | |
| 13 | ARTSWESTCHESTER INC ArtsWestchester promotes the arts across Westchester County, New York, through community education programs and county-wide arts marketing. It delivers artist-… | NY | $6.2M | 1 | |
| 14 | ASHOKAN CENTER INC The Ashokan Center is a nonprofit organization based in Olivebridge, NY, operating on 385 acres in the Catskill Mountains. It fosters community and learning th… | NY | $5.4M | 1 | |
| 15 | ATHENS PERFORMING ARTS CORPORATION Athens Performing Arts Corporation produces a free summer concert series in Athens, NY, bringing live music of diverse genres to the community at the Riverfron… | NY | $74K | 1 | |
| 16 | BALLARD PARK FOUNDATION LTD Ballard Park Foundation Ltd maintains a public park in Westport, New York, centered on the historic site of the Westport Inn. The organization manages year-rou… | NY | $143K | 1 | |
| 17 | BARGEMUSIC LTD BARGEMUSIC LTD is a New York City-based nonprofit that presents chamber music concerts, primarily in Brooklyn, with a mission to enhance the cultural life of t… | NY | $740K | 1 | |
| 18 | BASILICA ARTS INC Basilica Arts Inc is a multidisciplinary arts center in Hudson, NY, operating as Basilica Hudson. It produces experimental, large-scale sound and music festiva… | NY | $456K | 1 | |
| 19 | BEATRIX FARRAND GARDEN ASSOC INC The Beatrix Farrand Garden Association stewards the historic Beatrix Farrand Garden at Bellefield in Hyde Park, NY, the earliest surviving residential design b… | NY | $105K | 1 | |
| 20 | BEMUS BAY POPS INC The Chautauqua Lake Pops is a nonprofit organization based in Bemus Point, NY, that produces outdoor concert series on a floating stage on Chautauqua Lake. It … | NY | $11K | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Art-Integrated Community Engagement 17 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.CAROGA ARTS COLLECTIVE INCCENTRAL TERMINAL RESTORATION CORPInlet Area Business AssociationLEWISTON COUNCIL ON THE ARTS INC
- Art-Access as Engagement 14 orgsBy lowering barriers to access—financial, physical, digital, and cultural—organizations increase public engagement with art, because inclusive access fosters broader participation, deepens personal connection, and expands the reach of artistic practice beyond traditional gatekeepers. This strategy centers on removing systemic obstacles to art participation—such as cost, location, format, and historical exclusion—to enable diverse audiences to engage meaningfully with artistic and cultural content. It unites practices like free admission, digital expansion, open programming, and inclusive design under a shared belief that access is foundational to relevance and equity in cultural engagement. Unlike purely curatorial or market-driven approaches, this strategy treats access not as a logistical detail but as a core mechanism of public empowerment and artistic impact.BARGEMUSIC LTDCLARENCE CONCERT ASSOCIATION INCPAPPY MARTIN LEGACY JAZZ COLLECTIVE INCTHE REGINA OPERA COMPANY INC
- Community-Centered Engagement 6 orgsBy creating inclusive, accessible, and participatory community spaces and events, organizations foster sustained engagement and collective ownership, because shared experiences in trusted environments build social cohesion and lower barriers to participation. This strategy emphasizes place-based, relationship-driven programming that invites diverse populations to co-create and co-lead activities, whether through cultural events, environmental stewardship, or skill-building. Unlike top-down service models, it relies on mutual contribution, intergenerational connection, and low-barrier access to cultivate belonging. What distinguishes it from similar approaches is its integration of physical space, recurring events, and community agency as core drivers of impact.EAST HAMPTON VILLAGE FOUNDATIONFRIENDS OF MITCHELL PARK INCJAZZ PASSENGERS MUSIC PROJECTS INCONTARIO BEACH PARK PROGRAM COMMITTEE INC
- Community-Driven Stewardship 6 orgsBy centering local communities in conservation design and implementation, we achieve durable environmental outcomes, because programs rooted in community ownership, cultural values, and shared benefits are more sustainable, equitable, and effective. This strategy emphasizes participatory governance, local leadership, and culturally appropriate practices across diverse conservation contexts—from urban greenspaces to rural landscapes. It distinguishes itself from top-down or technocratic approaches by prioritizing trust, long-term engagement, and the integration of social and ecological goals, ensuring that both people and ecosystems benefit. While methods vary (e.g., education, easements, habitat certification), the core theory of change consistently links local agency to ecological resilience.ALLIANCE FOR FLUSHING MEADOWS CORONA PARK CORPORATIONHAMPTON BAYS BEAUTIFICATION ASSOCIATION INCJackson Heights Beautification GroupRIVERSIDE PARK CONSERVANCY INC
- Accessible Arts Engagement 5 orgsBy removing structural, financial, and cultural barriers to classical music through inclusive programming and community-integrated formats, increase public engagement and broaden audience diversity, because accessibility and relatability foster meaningful connection to the art form. This strategy unifies efforts to democratize access to classical music by reimagining where, how, and by whom it is performed. It emphasizes lowering perceived elitism through free or donation-based concerts, informal venues, multilingual support, youth involvement, and representation of underrepresented composers. Unlike strategies focused solely on artistic excellence or education, this approach treats accessibility as the core mechanism for cultural change.Glens Falls Symphony Orchestra IncHUNTINGTON MENS CHORUS INCQUEENS SYMPHONY ORCHESTRA C-O QUEENS COLLEGETHE REGINA OPERA COMPANY INC
- Community-Engaged Preservation 5 orgsBy involving communities in preservation through education, events, and participatory stewardship, organizations ensure long-term cultural continuity and institutional legitimacy, because public ownership and emotional connection increase commitment to sustaining heritage. This strategy centers on activating community agency and emotional investment as core drivers of preservation sustainability. Unlike top-down or purely technical approaches, it treats heritage not just as physical infrastructure but as living culture, sustained through active use, storytelling, and inclusive participation. It distinguishes itself by prioritizing social legitimacy and grassroots ownership over architectural fidelity or legal designation alone, integrating programming, education, and civic function to embed heritage into daily community life.ALLIANCE FOR FLUSHING MEADOWS CORONA PARK CORPORATIONDensmore Church IncONTARIO BEACH PARK PROGRAM COMMITTEE INCSARATOGA COUNTY HISTORY CENTER
- Cultural Engagement Through Jazz 5 orgsBy using jazz as a medium for performance, education, and community programming, organizations foster cultural preservation, social connection, and individual transformation, because immersive and accessible engagement with jazz builds collective identity, intergenerational continuity, and emotional resonance. This strategy centers on jazz not merely as music but as a living cultural practice that connects history, identity, and community well-being. Unlike generic arts programming, it emphasizes authenticity, inclusivity, and the genre’s unique social and spiritual dimensions—leveraging improvisation, collaboration, and historical consciousness as tools for education, healing, and civic metaphor. What distinguishes this approach is its consistent theory that deep cultural engagement through a specific art form produces both artistic sustainability and broader social impact.CALEDONIAN PIPES & DRUM OF BUFFALONorwood Village Green Concert Series IncPAPPY MARTIN LEGACY JAZZ COLLECTIVE INCSUNSET PARK SCHOOL OF MUSIC INC
- Community-Engaged Placemaking 4 orgsBy activating public spaces through community-co-created events and inclusive design, increase foot traffic, economic vitality, and civic pride, because shared ownership and experiential engagement foster belonging and sustained investment in place. This strategy centers on transforming underutilized urban spaces into vibrant, socially inclusive destinations by combining temporary pedestrianization, cultural programming, and participatory planning. Unlike top-down revitalization or purely operational improvements (e.g., sanitation or security), it relies on deep community involvement and event-driven activation to create emotional attachment and economic momentum. What distinguishes it from similar strategies is its dual focus on both physical space and social process—using events not just for promotion, but as mechanisms for co-creation and long-term stewardship.BUFFALO PLACE INCInlet Area Business AssociationTIMES SQUARE DISTRICT MANAGEMENT ASSOCIATIONWHITE PLAINS DOWNTOWN DISTRICT MANAGEMENT ASSOCIATION INC
- Destination Marketing for Economic Growth 4 orgsBy promoting a region as an attractive travel destination through strategic marketing and storytelling, increase visitor volume and spending, because positive destination perception drives traveler decision-making and stimulates local economic activity. This strategy centers on using coordinated, narrative-driven promotion to shape public perception of a region as a desirable place to visit, with the explicit goal of generating economic impact through tourism. It distinguishes itself from experiential or infrastructure-focused strategies by prioritizing image creation and market positioning as the primary lever for change, rather than on-the-ground amenities or programming.CLAYTON CHAMBER OF COMMERCE INCCORTLAND COUNTY CONVENTION AND VISITORS BUREAU INCLAKE PLACID CHAMBER OF COMMERCE INCSCHROON LAKE CHAMBER OF COMMERCE
- Equitable Access Through Barrier Reduction 4 orgsBy removing financial, social, and systemic barriers to music education and artistic participation, organizations increase access and equity in the arts, because structural inequities—particularly those tied to cost, geography, disability, and background—disproportionately exclude underserved individuals and communities from meaningful engagement. This strategy unifies diverse programs that prioritize inclusion by directly addressing material and institutional obstacles such as tuition costs, lack of resources, disability-related access gaps, and socioeconomic exclusion. What distinguishes it from broader arts education strategies is its focus not just on delivering services, but on redesigning access models—through sliding-scale fees, targeted outreach, adaptive pedagogy, and community partnerships—to ensure participation is possible for historically marginalized groups. While other strategies may emphasize artistic excellence or professionalization, this approach centers equity as bEDWARD HOPPER HOUSE MUSEUM AND STUDY CEN TERNEW VINE INCRIVERTOWNS ARTS COUNCIL INCSPORTSMENS AMERICANA MUSIC FOUNDATION INC
- Network-Driven Development 4 orgsBy building interconnected business and community networks, the chamber strengthens regional economic vitality and resilience, because relationships foster trust, collaboration, shared advocacy, and local economic circulation that amplify individual and collective success. This strategy centers on leveraging peer connections, cross-sector partnerships, and member-driven engagement to stimulate economic growth. Unlike top-down economic development models, it relies on horizontal relationship-building to increase referrals, resilience, and regional cohesion. What distinguishes it is its emphasis on social capital as infrastructure—using networking not just for visibility, but as a core engine for systemic economic development.PORT CHESTER-RYE BROOK CHAMBER OF COMMERCE INCSAUGERTIES AREA CHAMBER OR COMMERCESCHROON LAKE CHAMBER OF COMMERCETHE SLEEPY HOLLOW TARRYTOWN CHAMBER OF COMMERC INC
- Perpetual Endowment Model 4 orgsBy establishing and stewarding permanent endowments, organizations ensure long-term financial sustainability and consistent grantmaking capacity, because preserved principal generates reliable, self-sustaining income streams that insulate programming from annual fundraising volatility. This strategy centers on building lasting financial resilience through endowed capital that is preserved in perpetuity, with only a portion of investment returns distributed annually. It distinguishes itself from short-term fundraising or project-specific models by prioritizing intergenerational responsibility, mission continuity, and strategic independence, enabling organizations to weather economic fluctuations and maintain consistent support for community needs.HARPER HOUSE MUSIC FOUNDATION INCHUNTINGTON MENS CHORUS INCLOCAL SOUND COLLABORATIVE INCTHE LAKE PLACID SINFONIETTA INC
- Adaptive Reuse for Community Value 3 orgsBy repurposing historic buildings for community-oriented uses, the organization ensures long-term preservation and public benefit, because continued use generates economic sustainability, public engagement, and cultural relevance. This strategy centers on transforming underutilized or deteriorated historic structures into functional spaces that serve contemporary community needs—such as arts centers, studios, or educational facilities—thereby ensuring their physical and cultural survival. Unlike preservation through static conservation or legal designation alone, this approach actively integrates historic assets into the social and economic life of the community, making preservation self-reinforcing. It distinguishes itself from other strategies by prioritizing functional continuity over mere structural retention, creating a feedback loop where community use justifies and funds ongoing stewardship.CELEBRATE ST JAMES PAST-PRESENT- FUTURE INCCENTRAL TERMINAL RESTORATION CORPKLINKHART HALL ARTS CENTER INC
- Artistic Mentorship Through Immersive Practice 3 orgsBy embedding emerging artists in immersive, mentored performance and training environments with established professionals, we accelerate artistic development and professional integration, because direct collaboration in intensive, supportive settings deepens skill acquisition, confidence, and field cohesion. This strategy centers on transforming artistic education through hands-on, relational learning models that go beyond classroom instruction. It emphasizes sustained interaction with master artists in real-world performance contexts—such as side-by-side ensembles, residential intensives, or collaborative rehearsals—which creates pathways for technical growth, professional identity formation, and long-term field sustainability. Unlike passive learning or one-off workshops, this approach leverages continuity, mentorship, and shared artistic purpose to cultivate both individual talent and collective cultural vitality.CAROGA ARTS COLLECTIVE INCMUSIC IS ARTTHE LAKE PLACID SINFONIETTA INC
- Arts-Based Youth Empowerment 3 orgsBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.JAZZ PASSENGERS MUSIC PROJECTS INCMUSIC IS ARTSPORTSMENS AMERICANA MUSIC FOUNDATION INC
- Community-Ownership Model 3 orgsBy embedding events in local communities through volunteer engagement, shared decision-making, and accessible participation, organizations foster sustained civic investment and cultural continuity, because collective ownership increases public commitment, reduces operational costs, and strengthens long-term resilience. This strategy centers on building community-led events where residents are not just attendees but active participants in planning, volunteering, and shaping the event’s direction. Unlike top-down or professionally managed models, it leverages local identity, labor, and partnerships to create culturally relevant, financially sustainable initiatives that endure across generations. What distinguishes it is the intentional design of inclusion—not as outreach, but as co-ownership—transforming cultural events into vehicles for civic agency and intergenerational continuity.6 ON THE SQUARE INCFESTIVALS FREDONIA INCVALATIE COMMUNITY THEATRE INC
- Cultural Preservation Through Immersive Engagement 3 orgsBy creating immersive, participatory experiences in traditional arts, sports, and community events, strengthens cultural identity and intergenerational transmission, because active involvement fosters deeper connection and continuity than passive observation. This strategy centers on sustaining Irish and Scottish heritage by engaging people directly in living traditions—through dance, music, language, sports, and festivals—rather than preserving culture as static artifacts. What distinguishes it from other approaches is its emphasis on experiential participation as the engine of cultural continuity, uniting education, celebration, and community building around shared practice rather than ancestry alone. The belief across these organizations is that culture thrives not through preservation in isolation, but through dynamic, inclusive, and embodied engagement.CALEDONIAN PIPES & DRUM OF BUFFALOSWAMP IN THE CITY INCTHE AMERICAN-SCOTTISH FOUNDATION INC
- Culture-Led Revitalization 3 orgsBy leveraging cultural assets and community-engaged artistic practices, organizations drive economic development and neighborhood revitalization, because shared cultural identity fosters community pride, attracts investment, and increases public and private sector engagement. This strategy centers culture and the arts as primary catalysts for urban renewal and community well-being, distinguishing it from purely economic or top-down development models. It emphasizes participatory processes, historical continuity, and place-based storytelling to create locally rooted, sustainable change. Unlike generic beautification or sanitation efforts, this approach integrates identity, creativity, and collective ownership as core drivers of transformation.34th Street Partnership IncBUFFALO FUNK FEST FOUNDATIONFRIENDS OF THE CULTURAL CENTER INC DBA SOUTHAMPTON CULTURAL CENTER
- Experience-Based Destination Development 3 orgsBy designing and promoting immersive, locally-rooted experiences, we increase visitor engagement and regional economic impact, because meaningful, multi-sensory participation fosters longer stays, repeat visitation, and deeper emotional connection to place. This strategy centers on transforming tourism from passive sightseeing into active cultural, sensory, and emotional engagement by curating themed itineraries, leveraging local heritage, and emphasizing authenticity. It distinguishes itself from generic destination marketing by prioritizing narrative, personalization, and community-based authenticity over broad promotional tactics. Unlike simple infrastructure or advertising investments, this approach treats the visitor experience itself as the core economic and social intervention.CLAYTON CHAMBER OF COMMERCE INCCORTLAND COUNTY CONVENTION AND VISITORS BUREAU INCFESTIVALS FREDONIA INC
- Experiential Agricultural Engagement 3 orgsBy hosting community-based agricultural fairs and hands-on events, we increase public understanding and engagement in farming and rural life, because experiential, event-based learning fosters deeper knowledge retention and stronger community connections than passive education methods. This strategy leverages large-scale, tradition-rooted events—especially annual fairs—as immersive educational platforms that combine entertainment, competition, and direct interaction with agriculture. It distinguishes itself from classroom-based or media-driven outreach by prioritizing sensory, participatory experiences that appeal across age groups and foster intergenerational learning. The shared belief across organizations is that engagement through lived experience drives both individual learning and collective stewardship of agricultural practices.Essex County Agricultural Society IncFRANKLIN COUNTY AGRICULTURAL SOCIETYULSTER COUNTY AGRICULTURAL SOCIETY INC