organizations
Organizations in this activity group · 51
showing 20 of 50
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | CONCERTS IN MOTION INC Concerts in Motion provides live music performances to older adults, veterans, Holocaust survivors, individuals with disabilities, those experiencing mental il… | NY | $1.4M | 3 | |
| 2 | SING FOR YOUR SENIORS INC Sing For Your Seniors is a nonprofit that brings professional performing artists to seniors in need through live musical performances. The organization serves … | NY | $55K | 3 | |
| 3 | SING FOR HOPE INC Sing for Hope is a nonprofit arts organization founded in New York City after 9/11 that brings music and the arts to underserved communities. It provides creat… | NY | $1.4M | 2 | |
| 4 | AMERICAN GUILD OF VARIETY ARTISTS WELFARE TRUST FUND The American Guild of Variety Artists (AGVA) is a labor union representing performers in live variety entertainment, including singers, dancers, comedians, cir… | NY | $2.0M | 1 | |
| 5 | AMERICAN SONGBOOK ASSOCIATION INC The American Songbook Association (ASA) is a nonprofit dedicated to preserving and promoting American popular music, the Great American Songbook, and cabaret. … | NY | $143K | 1 | |
| 6 | AMHERST MALE GLEE CLUB INC DBA Red Blazer Men's Chorus The Red Blazer Men's Chorus, originally founded as the Amherst Male Glee Club in 1948, is a male choral ensemble based in Williamsville, NY. The group performs… | NY | $58K | 1 | |
| 7 | ANSONIA MUSIC OUTREACH ORGANIZATION INC Nonprofit organization based in New York City that provides free classical music concerts, workshops, and educational programs to underserved populations, with… | NY | $228K | 1 | |
| 8 | ARS CHORALIS INC Ars Choralis Inc is a community choir based in Woodstock, NY, dedicated to performing choral music with thematic programs that explore peace, unity, social jus… | NY | $88K | 1 | |
| 9 | BENEVOLENT AND PROTECTIVE ORDER 141 National fraternal organization with local lodges across the United States that engages in charitable activities, community service, and veteran support. The o… | NY | $0 | 1 | |
| 10 | CAFFE LENA INC Caffè Lena is a nonprofit folk music venue and educational organization based in Saratoga Springs, NY, recognized as the longest continuously operating folk mu… | NY | $1.7M | 1 | |
| 11 | CLC FOUNDATION INC CLC Foundation Inc. is a nonprofit organization based in Warwick, NY, established in 1992 to improve quality of life for individuals with disabilities. It oper… | NY | $2.5M | 1 | |
| 12 | CONSCIENTIOUS MUSICAL REVUES Conscientious Musical Revues (CMR) increases access to quality performing arts for low-income, African American, and Latino communities in New York City. The o… | NY | $158K | 1 | |
| 13 | DOWNTOWN MUSIC AT GRACE INC Downtown Music at Grace presents free, high-quality concerts in White Plains, NY, featuring professional musicians from diverse genres including classical, jaz… | NY | $131K | 1 | |
| 14 | FORUM FOR CULTURAL ENGAGEMENT The Forum for Cultural Engagement (FCE) is a cultural diplomacy organization founded by singer-songwriter Mary McBride in 2014. It produces interdisciplinary p… | NY | $724K | 1 | |
| 15 | GERMANIA OF POUGHKEEPSIE INC Germania of Poughkeepsie Inc., founded in 1850, is dedicated to preserving and promoting German and German-American heritage through music, dance, and cultural… | NY | $396K | 1 | |
| 16 | GREENWICH VILLAGE ORCHESTRA LTD The Greenwich Village Orchestra is a community-based symphony ensemble based in New York City, active since 1986. It performs high-quality orchestral concerts … | NY | $107K | 1 | |
| 17 | HOFF-BARTHELSON MUSIC SCHOOL Hoff-Barthelson Music School provides music education for students of all ages and skill levels through private lessons, group classes, and performance program… | NY | $4.5M | 1 | |
| 18 | I GIULLARI DI PIAZZA INC I GIULLARI DI PIAZZA INC is a nonprofit performing arts company dedicated to preserving and promoting Italian folk music and theater. The organization produces… | NY | $128K | 1 | |
| 19 | IMISHPACHA INC iMishpacha is a grassroots nonprofit organization serving Russian-speaking Jewish families in Brooklyn, NY, with a focus on strengthening Jewish identity and c… | NY | $200K | 1 | |
| 20 | JAZZ DRAMA PROGRAM Jazz Power Initiative is a New York City-based nonprofit that provides tuition-free jazz arts education to middle and high school students through its Jazz Pow… | NY | $834K | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Accessible Arts Engagement 6 orgsBy removing structural, financial, and cultural barriers to classical music through inclusive programming and community-integrated formats, increase public engagement and broaden audience diversity, because accessibility and relatability foster meaningful connection to the art form. This strategy unifies efforts to democratize access to classical music by reimagining where, how, and by whom it is performed. It emphasizes lowering perceived elitism through free or donation-based concerts, informal venues, multilingual support, youth involvement, and representation of underrepresented composers. Unlike strategies focused solely on artistic excellence or education, this approach treats accessibility as the core mechanism for cultural change.AMHERST MALE GLEE CLUB INC DBA Red Blazer Men's ChorusANSONIA MUSIC OUTREACH ORGANIZATION INCNEWBURGH MUSIC CHAMBER INCROCHESTER PHILHARMONIC ORCHESTRA INC
- Creative Expression for Healing and Empowerment 3 orgsBy engaging individuals in creative expression through art, storytelling, and performance, we foster psychological healing, personal empowerment, and community resilience, because creative modalities provide accessible, non-verbal outlets for processing trauma, building agency, and strengthening social connection. This strategy centers creative practice—not as an end in itself, but as a therapeutic and transformative vehicle for emotional recovery, self-actualization, and collective well-being. It unites organizations that use art-based interventions across clinical, educational, and community settings, distinguishing itself from purely skill-building or awareness-focused approaches by emphasizing internal psychological shifts and external social belonging through expressive engagement.I GIULLARI DI PIAZZA INCLIFE ENERGY FOUNDATION INCWEST FALLS CENTER FOR THE ARTS
- Art-Integrated Community Engagement 2 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.CAFFE LENA INCCONSCIENTIOUS MUSICAL REVUES
- Arts-Based Engagement for Cognitive and Emotional Well-Being 2 orgsBy using creative arts modalities such as music, dance, and visual art to foster active participation, improve cognitive function, emotional regulation, and social connection among older adults and individuals with dementia, because artistic expression accesses deep neural pathways, preserves personhood, and enables meaningful engagement even when verbal or cognitive abilities are diminished. This strategy centers on the therapeutic and connective power of the arts to support populations facing cognitive decline, isolation, or physical limitations. Unlike passive entertainment or clinical interventions alone, this approach emphasizes personal agency, emotional resonance, and inclusivity—adapting artistic experiences to individual ability levels and life histories. It is distinct in its focus on co-creation, sensory activation, and intergenerational or relational exchange, positioning the arts not just as therapy but as a vehicle for dignity, memory, and community belonging.BENEVOLENT AND PROTECTIVE ORDER 141SING FOR YOUR SENIORS INC
- Arts-Based Youth Empowerment 2 orgsBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.AMERICAN SONGBOOK ASSOCIATION INCHOFF-BARTHELSON MUSIC SCHOOL
- Equitable Access Through Barrier Reduction 2 orgsBy removing financial, social, and systemic barriers to music education and artistic participation, organizations increase access and equity in the arts, because structural inequities—particularly those tied to cost, geography, disability, and background—disproportionately exclude underserved individuals and communities from meaningful engagement. This strategy unifies diverse programs that prioritize inclusion by directly addressing material and institutional obstacles such as tuition costs, lack of resources, disability-related access gaps, and socioeconomic exclusion. What distinguishes it from broader arts education strategies is its focus not just on delivering services, but on redesigning access models—through sliding-scale fees, targeted outreach, adaptive pedagogy, and community partnerships—to ensure participation is possible for historically marginalized groups. While other strategies may emphasize artistic excellence or professionalization, this approach centers equity as bPIANO ON PARK INCROCKLAND CONSERVATORY OF MUSIC
- Inclusive Participation Model 2 orgsBy lowering barriers to entry through non-auditioned, skill-inclusive programming and accessible learning supports, organizations foster broader community engagement and artistic development, because inclusivity in practice affirms the musical and personal potential of all individuals regardless of background or experience. This strategy centers on democratizing access to choral and musical participation by systematically removing structural, financial, technical, and social barriers. What distinguishes it from more selective or elite models is its foundational belief that artistic excellence and community belonging are not mutually exclusive—rather, they are co-produced through diverse participation, peer support, and scaffolded learning. While some organizations emphasize cultural preservation or performance quality, this shared approach prioritizes equity of access as the primary engine of both artistic vitality and social impact.SPEBSQSA Inc - Rochester Chapter M025WESTCHESTER CHORAL SOCIETY INC
- Intimate Experience Model 2 orgsBy hosting chamber music performances in intimate, acoustically refined, or sensorially rich settings, audiences develop deeper emotional and intellectual engagement with the music, because physical closeness, atmospheric design, and sensory immersion amplify the perceived authenticity, emotional resonance, and accessibility of classical art forms. This strategy centers on manipulating the context of performance—through venue size, acoustic quality, lighting, or multisensory elements—to transform how audiences experience and connect with chamber music. Unlike broader access or education-focused strategies, it relies on deepening impact through presence, atmosphere, and immediacy, treating the performance environment as an active agent in meaning-making rather than a passive container.CAFFE LENA INCTHE LYRIC CHAMBER MUSIC SOCIETY OF NEW YORK INC
- Representation as Inclusion 2 orgsBy centering underrepresented composers and diverse cultural voices in programming and commissions, we expand access and equity in classical music, because visibility and inclusion in performance validate marginalized contributions and redefine the canon as culturally expansive. This strategy unifies efforts across orchestras, choirs, and chamber ensembles to challenge historical exclusion in classical music by intentionally elevating women, composers of color, and global traditions. Unlike strategies focused solely on venue accessibility or educational outreach, this approach treats artistic representation itself as the mechanism for cultural change—transforming who is heard, whose stories are valued, and who feels they belong in classical music spaces.NEWBURGH MUSIC CHAMBER INCROCHESTER PHILHARMONIC ORCHESTRA INC
- Student-Centered Creative Engagement 2 orgsBy centering instruction on individual student needs, creative exploration, and personal expression, we produce deeper musical engagement and holistic development, because learning that honors identity, agency, and emotional resonance fosters sustained motivation and transformative growth. This strategy integrates personalized pedagogy, creative ownership, and mentorship to make music education emotionally meaningful and developmentally impactful. It distinguishes itself from purely technical or performance-driven models by prioritizing the student’s voice, identity, and lived experience as central to artistic and personal growth.HOFF-BARTHELSON MUSIC SCHOOLROCKLAND CONSERVATORY OF MUSIC
- Adaptive Sports for Holistic Development 1 orgBy using adaptive sports as a structured, inclusive intervention, organizations foster physical, social, and emotional development in individuals with disabilities, because participation in ability-appropriate athletic activities builds confidence, belonging, and personal resilience. This strategy centers on leveraging sports—adapted for accessibility—not just for physical rehabilitation but as a comprehensive vehicle for psychosocial growth, inclusion, and identity formation. Unlike general recreation programs, it intentionally integrates therapeutic, educational, or community-building goals into athletic experiences, creating transformative outcomes that extend beyond the playing field. The shared theory of action across these organizations is that sport, when thoughtfully adapted, becomes a powerful catalyst for holistic well-being and social integration.BENEVOLENT AND PROTECTIVE ORDER 141
- Art-Access as Engagement 1 orgBy lowering barriers to access—financial, physical, digital, and cultural—organizations increase public engagement with art, because inclusive access fosters broader participation, deepens personal connection, and expands the reach of artistic practice beyond traditional gatekeepers. This strategy centers on removing systemic obstacles to art participation—such as cost, location, format, and historical exclusion—to enable diverse audiences to engage meaningfully with artistic and cultural content. It unites practices like free admission, digital expansion, open programming, and inclusive design under a shared belief that access is foundational to relevance and equity in cultural engagement. Unlike purely curatorial or market-driven approaches, this strategy treats access not as a logistical detail but as a core mechanism of public empowerment and artistic impact.DOWNTOWN MUSIC AT GRACE INC
- Art-Based Empowerment 1 orgBy engaging individuals with developmental disabilities in structured, affirming artistic practices, we foster self-expression, confidence, and social inclusion, because creative participation validates personal agency, builds identity, and challenges societal stigma. This strategy centers art not as therapy alone, but as a transformative medium for empowerment and public recognition. It distinguishes itself from purely clinical or vocational models by prioritizing identity development and societal integration through creative expression, positioning individuals as contributors and artists rather than passive recipients of services.CLC FOUNDATION INC
- Artist-Centered Empowerment 1 orgBy placing artists at the core of governance, infrastructure, and program design, organizations foster sustainable artistic innovation and equitable access, because empowering creators with agency and resources ensures that artistic and community needs are authentically met. This strategy unifies diverse practices—such as artist-run governance, fiscal sponsorship, inclusive space provision, and peer-led development—under a shared belief that systemic change in the arts arises when artists, especially those from underrepresented backgrounds, are given decision-making power and holistic support. Unlike service-delivery or audience-centric models, this approach treats artists not as beneficiaries but as leaders and co-creators of cultural ecosystems, thereby transforming organizational structures to align with equity, sustainability, and creative autonomy.CAFFE LENA INC
- Artistic Excellence Through Hybrid Ensembles 1 orgBy combining professional and avocational musicians in performance ensembles, organizations achieve high artistic quality and broad community engagement, because the integration of technical expertise with communal passion elevates both performance standards and audience connection. This strategy centers on blending skilled professionals with dedicated amateur singers to maintain rigorous artistic output while fostering inclusive participation. Unlike models that prioritize either elite performance or purely community-based singing, this approach leverages the synergy between professional artistry and grassroots involvement to enhance cultural credibility and accessibility simultaneously. It is distinct from pure education or advocacy strategies, as it positions ensemble composition itself as the primary vehicle for both artistic and social impact.WESTCHESTER CHORAL SOCIETY INC
- Artistic Mastery Through Collaborative Immersion 1 orgBy embedding students in collaborative, immersive musical experiences that integrate technical training with community engagement, we develop advanced artistic proficiency and personal growth, because deep learning and identity formation occur most powerfully through sustained, socially connected creative practice. This strategy unites diverse music education approaches that prioritize ensemble work, personalized mentorship, and holistic development within rich artistic environments. Unlike models focused solely on individual achievement or technical drills, this approach leverages collaboration, performance, and belonging as core drivers of both musical excellence and socio-emotional growth. It is distinguished by a shared belief that artistic mastery emerges not in isolation but through relational, experiential, and inclusive practices that connect skill-building to community and identity.HOFF-BARTHELSON MUSIC SCHOOL
- Capacity Building Through Development 1 orgBy providing training, resources, and career-stage-appropriate support, we strengthen artists' professional sustainability and creative output, because equipping individuals with skills, autonomy, and structural tools enables long-term resilience and innovation in the arts. This strategy centers on enhancing individual and organizational capability within the arts through targeted development interventions such as workshops, grants, residencies, business coaching, and educational programming. It distinguishes itself from purely access-oriented or awareness-raising strategies by focusing on sustained growth—building not just opportunity, but the internal capacity to seize and expand upon it. While other approaches may prioritize audience reach or cultural representation, this model invests directly in the artist’s trajectory, treating professional development as foundational to field-wide vitality.CONSCIENTIOUS MUSICAL REVUES
- Client-Choice Model 1 orgBy allowing clients to select their own food and services, we increase dignity and reduce waste, because autonomy fosters trust, engagement, and appropriate utilization of resources. This strategy centers client agency by replacing top-down distribution with self-directed selection, whether through digital platforms or in-person choice-based models. It is distinct from standard food assistance because it treats dignity and personal choice as core drivers of effectiveness, not just logistical outcomes, thereby increasing utilization and reducing stigma across diverse populations.THE ANGEL NYACK INC
- Community-Engaged Preservation 1 orgBy involving communities in preservation through education, events, and participatory stewardship, organizations ensure long-term cultural continuity and institutional legitimacy, because public ownership and emotional connection increase commitment to sustaining heritage. This strategy centers on activating community agency and emotional investment as core drivers of preservation sustainability. Unlike top-down or purely technical approaches, it treats heritage not just as physical infrastructure but as living culture, sustained through active use, storytelling, and inclusive participation. It distinguishes itself by prioritizing social legitimacy and grassroots ownership over architectural fidelity or legal designation alone, integrating programming, education, and civic function to embed heritage into daily community life.THE ANGEL NYACK INC
- Community-Supported Sustainability 1 orgBy securing financial and participatory support from local donors, sponsors, and community members, organizations sustain arts programming and deepen engagement, because collective investment fosters ownership, long-term commitment, and cultural resilience. This strategy centers on building stable, mission-aligned support through community-driven funding and involvement, enabling long-term programming in the arts. It distinguishes itself from purely institutional or government-dependent models by emphasizing local stewardship and shared responsibility as core to sustainability. While mechanisms like subscriptions, donations, sponsorships, and public funding appear across the examples, the unifying belief is that community-anchored support—whether financial or participatory—creates durable engagement and cultural continuity.AMHERST MALE GLEE CLUB INC DBA Red Blazer Men's Chorus