organizations
Organizations in this activity group · 41
showing 20 of 41
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | QUOGUE JUNIOR THEATER TROUPE INC Quogue Junior Theater Troupe stages summer theater productions for youth in Quogue, New York and the surrounding community. The organization runs two age-based… | NY | $227K | 3 | |
| 2 | A MAGICAL JOURNEY THRU STAGES INC A Magical Journey Thru Stages Inc. is a nonprofit youth theater organization based in Rochester, NY, providing performance and technical theater education to s… | NY | $601K | 2 | |
| 3 | UNITY STAGE COMPANY INC Unity Stage Company Inc is a Queens, NY-based nonprofit theater organization that provides youth musical theater programs for children and teens. The organizat… | NY | $83K | 2 | |
| 4 | A BETTER JAMAICA INC A Better Jamaica strengthens communities in southeast Queens, New York through cultural, educational, and civic programs. The organization runs initiatives inc… | NY | $452K | 1 | |
| 5 | ABUNDANCE ACADEMY OF THE ARTS INC Abundance Academy of the Arts Inc is a Brooklyn-based nonprofit arts organization offering comprehensive dance, theater, vocal, and music instruction for youth… | NY | $175K | 1 | |
| 6 | AHRC HOME CARE SERVICES INC AHRC New York City is a nonprofit organization providing comprehensive services for individuals with intellectual and developmental disabilities across New Yor… | NY | $353K | 1 | |
| 7 | AMERICAN FRIENDS OF CHICKEN SHED INC Nonprofit supporting inclusive theater and arts education for young people of all backgrounds and abilities. Produces immersive musical performances and educat… | NY | $733K | 1 | |
| 8 | Actionplay Incorporated Actionplay Incorporated is a Brooklyn-based nonprofit theater organization founded in 2011 that creates inclusive performance opportunities for actors of all a… | NY | $179K | 1 | |
| 9 | BE A FRIEND PROJECT INC Be A Friend Project is a youth-led nonprofit organization that combats bullying by connecting kids through empathy, education, and the arts. The organization m… | NY | $298K | 1 | |
| 10 | BEACON PERFORMING ARTS CENTER LTD Beacon Performing Arts Center is a nonprofit educational theater company in Beacon, NY, founded in 2017 by professional theater artists. It offers performing a… | NY | $493K | 1 | |
| 11 | BROADWAY FOR ARTS EDUCATION INC Broadway for Arts Education Inc provides arts education programs to underserved youth in New York City, India, Haiti, and the Galapagos Islands. The organizati… | NY | $587K | 1 | |
| 12 | BROWN SCHOOL Brown School is a private school in Schenectady, NY, serving students from preschool through high school. The school offers a comprehensive academic program gr… | NY | $3.0M | 1 | |
| 13 | CATSKILL MOUNTAIN SHAKESPEARE LTD Professional theater company based in the Catskills, producing modern interpretations of Shakespeare for regional audiences and tourists. Presents an annual ou… | NY | $85K | 1 | |
| 14 | CENTER FOR THE ARTS AT ITHACA INC The Hangar Theatre, operated by the Center for the Arts at Ithaca Inc, produces professional theatre performances and educational programs in Ithaca, NY. It se… | NY | $1.2M | 1 | |
| 15 | CIRCLE IN THE SQUARE THEATRE SCHOOL INC Circle in the Square Theatre School is a New York City-based performing arts conservatory that trains students in theatre skills. It operates a new works resid… | NY | $2.1M | 1 | |
| 16 | CNY ARTS CENTER INC Community arts center in Fulton, NY offering training and programming in visual, literary, and performing arts for all ages. Provides art classes, youth theate… | NY | $461K | 1 | |
| 17 | DIRECTIONS FOR OUR YOUTH INC Nonprofit organization based in the Bronx, NY that delivers after-school, summer, and young adult programs in partnership with New York City public schools. Fo… | NY | $6.7M | 1 | |
| 18 | DODGE-PRATT NORTHAM ART & COMMUNITY CENTER INC Community arts center in Boonville, NY, offering youth and adult programs in visual arts, music, and theater. Provides studio space, exhibitions, and workshops… | NY | $91K | 1 | |
| 19 | ELMWOOD COMMUNITY PLAYHOUSE INC Elmwood Community Playhouse Inc is a local theater company based in Nyack, NY, dedicated to producing live performances and fostering community engagement thro… | NY | $275K | 1 | |
| 20 | Endicott Performing Arts Center Inc Community theater and performing arts organization based in Endicott, NY, offering productions, workshops, and performances for children and adults. Provides t… | NY | $360K | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Arts-Based Youth Empowerment 14 orgsBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.Endicott Performing Arts Center IncPIED PIPER CHILDRENS THEATRE OF NYC INCSMITHTOWN PERFORMING ARTS COUNCIL INCTADA THEATRE AND DANCE ALLIANCE INC
- Community-Engaged Theater 4 orgsBy co-creating theater with community members and centering lived experience, we foster cultural resonance and collective ownership, because authentic representation builds trust and strengthens social bonds. This strategy involves producing theater through deep collaboration with communities—especially marginalized or underrepresented groups—by integrating their stories, voices, and participation into the artistic process. It goes beyond traditional performance by treating theater as a shared, participatory practice that validates identity, challenges dominant narratives, and expands access. Unlike conventional models that prioritize professional artistry alone, this approach values process as much as product, distinguishing it from both mainstream theater and general arts education initiatives.ELMWOOD COMMUNITY PLAYHOUSE INCLITTLE THEATRE OF JAMESTOWN INCPIED PIPER CHILDRENS THEATRE OF NYC INCSchenectady Civic Players Inc
- Art-Access as Engagement 3 orgsBy lowering barriers to access—financial, physical, digital, and cultural—organizations increase public engagement with art, because inclusive access fosters broader participation, deepens personal connection, and expands the reach of artistic practice beyond traditional gatekeepers. This strategy centers on removing systemic obstacles to art participation—such as cost, location, format, and historical exclusion—to enable diverse audiences to engage meaningfully with artistic and cultural content. It unites practices like free admission, digital expansion, open programming, and inclusive design under a shared belief that access is foundational to relevance and equity in cultural engagement. Unlike purely curatorial or market-driven approaches, this strategy treats access not as a logistical detail but as a core mechanism of public empowerment and artistic impact.CATSKILL MOUNTAIN SHAKESPEARE LTDEndicott Performing Arts Center IncPARK PLAYHOUSE INC
- Art-Integrated Community Engagement 3 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.Endicott Performing Arts Center IncSPARLKE ON STAGE INCSTARRY NIGHT THEATRE INC
- Artist-Centered Incubation 2 orgsBy providing sustained creative support, resources, and developmental platforms to emerging and underrepresented artists, we enable the creation and refinement of innovative theatrical works, because structured artistic incubation increases the likelihood of artistic viability, audience resonance, and long-term cultural impact. This strategy centers on empowering artists—particularly early-career or marginalized voices—through long-term investment in their creative process, including commissions, residencies, mentorship, and safe spaces for experimentation. Unlike strategies focused solely on production or audience access, this approach treats artist development as the primary engine of innovation and social impact in theater. It distinguishes itself by prioritizing process over product, fostering work that might not otherwise emerge in risk-averse mainstream ecosystems.CENTER FOR THE ARTS AT ITHACA INCFOUNDATION FOR THE OPEN EYE INC
- Contemporary Reinterpretation for Relevance 2 orgsBy reinterpreting classic works through contemporary, inclusive, and socially reflective lenses, we deepen audience engagement and cultural resonance, because modernized narratives and diverse representations make timeless themes more accessible and emotionally salient to today’s audiences. This strategy involves updating canonical or historical texts—through casting, setting, genre, or context—to reflect current social realities, identities, and anxieties. It distinguishes itself from mere modernization by embedding intentional equity goals, civic inquiry, and audience relevance into the artistic process, transforming familiar stories into dynamic vehicles for reflection and connection. While some organizations focus on education or access, this approach centers artistic reinvention as the primary lever for inclusion, engagement, and social impact.CATSKILL MOUNTAIN SHAKESPEARE LTDELMWOOD COMMUNITY PLAYHOUSE INC
- Equitable Access Through Barrier Reduction 2 orgsBy removing financial, social, and systemic barriers to music education and artistic participation, organizations increase access and equity in the arts, because structural inequities—particularly those tied to cost, geography, disability, and background—disproportionately exclude underserved individuals and communities from meaningful engagement. This strategy unifies diverse programs that prioritize inclusion by directly addressing material and institutional obstacles such as tuition costs, lack of resources, disability-related access gaps, and socioeconomic exclusion. What distinguishes it from broader arts education strategies is its focus not just on delivering services, but on redesigning access models—through sliding-scale fees, targeted outreach, adaptive pedagogy, and community partnerships—to ensure participation is possible for historically marginalized groups. While other strategies may emphasize artistic excellence or professionalization, this approach centers equity as bBEACON PERFORMING ARTS CENTER LTDCNY ARTS CENTER INC
- Family-School Partnership 2 orgsBy fostering collaboration between families and educators, improve student outcomes, because aligned support systems across home and school environments reinforce learning, accountability, and holistic development. This strategy centers on building intentional, structured partnerships between schools and families to create a unified ecosystem of support for students. It goes beyond one-way communication or occasional involvement, emphasizing co-creation, shared decision-making, and consistent reinforcement of academic and behavioral expectations across settings. What distinguishes it from mere outreach is its foundational belief that family engagement is not ancillary but essential to educational success—making families active agents in the educational process rather than passive recipients.RICHARD S SHERMAN GREAT NECK NORTH MIDDLE SCHOOL PTO INCVALENCE COLLEGE PREPARATORY CHARTER SCHOOL
- Immersive Resonance 2 orgsBy dissolving the barrier between performer and audience through intimate, sensory-rich, and participatory staging, deepen emotional and civic engagement, because proximity—physical, emotional, and aesthetic—intensifies presence, empathy, and personal connection to narrative. This strategy unifies diverse theatrical forms—from minimalist staging to circus fusion and site-specific performance—around a shared belief that artistic impact is maximized when audiences are drawn into the world of the play as co-experiencers rather than passive observers. Unlike traditional or didactic theater models, Immersive Resonance prioritizes embodied, multi-sensory engagement as a pathway to deeper understanding of self, society, and story, making it distinct from strategies focused solely on content relevance or access.FOUNDATION FOR THE OPEN EYE INCRHINEBECK PERFORMING ARTS INC
- Inclusive Participation Model 2 orgsBy removing systemic barriers to access and centering diverse voices in casting, storytelling, and leadership, we foster equitable engagement and authentic artistic expression, because inclusion at all levels of production deepens community belonging and challenges dominant cultural narratives. This strategy unifies organizations that prioritize equity not as an add-on but as a core design principle in theatrical production. It goes beyond diversity in casting to include financial accessibility, participant-driven storytelling, anti-oppressive practices, and shared artistic leadership—creating a holistic ecosystem where marginalized individuals are not just included but empowered as creators and leaders. What distinguishes this approach from others is its consistent emphasis on structural change (e.g., eliminating auditions, open submissions, pay-what-you-can models) to enable genuine inclusion, rather than symbolic representation.PARK PLAYHOUSE INCThe New Deal Creative Arts Center Inc
- Theater as Civic Dialogue 2 orgsBy using theater to explore social issues and center marginalized voices, organizations foster civic engagement and public reflection, because live, narrative-driven experiences create emotionally resonant spaces for critical discourse and collective meaning-making. This strategy unifies diverse theatrical approaches—such as verbatim storytelling, satirical critique, immersive staging, and community-centered narratives—around a shared belief in theater’s power to function as a public forum. Unlike operational models focused solely on access or artist development, this strategy emphasizes theater’s role in shaping democratic culture through deliberate engagement with societal questions, identity, and ethical inquiry. What distinguishes it is its focus on the audience not just as spectator but as participant in a broader process of social reflection and dialogue.CENTER FOR THE ARTS AT ITHACA INCTi-Ahwaga Community Players Inc
- Art for Social Cohesion 1 orgBy using artistic expression as a shared, nonverbal language across cultural, ethnic, or national lines, we build mutual understanding and reduce societal division, because creative collaboration fosters empathy, transcends linguistic barriers, and humanizes difference in ways that discourse alone cannot. This strategy centers art not merely as cultural programming but as an active mechanism for social change—specifically to bridge divides in divided societies or across diaspora communities. It is distinct from general arts education or performance missions in that it intentionally leverages the emotional resonance and symbolic power of art to create spaces for dialogue, healing, and collective identity formation across deep differences.FOOTHILLS PERFORMING ARTS CENTER
- Art-Based Empowerment 1 orgBy engaging individuals with developmental disabilities in structured, affirming artistic practices, we foster self-expression, confidence, and social inclusion, because creative participation validates personal agency, builds identity, and challenges societal stigma. This strategy centers art not as therapy alone, but as a transformative medium for empowerment and public recognition. It distinguishes itself from purely clinical or vocational models by prioritizing identity development and societal integration through creative expression, positioning individuals as contributors and artists rather than passive recipients of services.AHRC HOME CARE SERVICES INC
- Arts-Integrated Experiential Learning 1 orgBy embedding the arts into hands-on, real-world learning experiences, students develop deeper cognitive, emotional, and social understanding, because creative engagement activates multiple modes of perception and strengthens the connection between experience and meaning-making. This strategy unifies arts education with experiential and inquiry-based pedagogies, treating artistic practice not as an add-on but as a core method of knowing and understanding. It distinguishes itself from standalone arts instruction or traditional academic models by fusing creative expression with direct experience—whether through farm work, scientific observation, or dramatic exploration—to deepen learning across domains. The shared theory of action is that integrating the arts into experiential contexts enhances retention, identity formation, and engagement more effectively than passive or discipline-isolated approaches.THE CUE THEATRE INC
- Community-Based Healing 1 orgBy fostering connection, shared experience, and relational engagement within communities, individuals achieve healing and resilience, because belonging and mutual support are foundational to emotional, spiritual, and psychological recovery. This strategy centers on the transformative power of community as a container for healing across diverse contexts—spiritual, traumatic, cultural, or existential. It unites organizations that prioritize relationship-building, collective storytelling, and culturally resonant practices over clinical or top-down interventions, emphasizing sustained, trust-based engagement. What distinguishes it is its rejection of isolated treatment models in favor of communal belonging as both the method and goal of change.BE A FRIEND PROJECT INC
- Community-Ownership Model 1 orgBy embedding events in local communities through volunteer engagement, shared decision-making, and accessible participation, organizations foster sustained civic investment and cultural continuity, because collective ownership increases public commitment, reduces operational costs, and strengthens long-term resilience. This strategy centers on building community-led events where residents are not just attendees but active participants in planning, volunteering, and shaping the event’s direction. Unlike top-down or professionally managed models, it leverages local identity, labor, and partnerships to create culturally relevant, financially sustainable initiatives that endure across generations. What distinguishes it is the intentional design of inclusion—not as outreach, but as co-ownership—transforming cultural events into vehicles for civic agency and intergenerational continuity.LITTLE THEATRE OF JAMESTOWN INC
- Equitable Access Through Financial Inclusion 1 orgBy removing financial barriers through need-based scholarships and direct funding, increase equitable access to high-quality theater education and training, because economic constraints are a primary obstacle to participation in the arts, particularly for underrepresented and marginalized youth. This strategy centers on expanding access to arts education by directly addressing socioeconomic barriers that limit participation. While many organizations offer arts programming, this approach explicitly links equity goals to financial support mechanisms—such as scholarships, work-study programs, and tuition assistance—ensuring that low-income and BIPOC youth can fully engage. It differs from purely pedagogical or artistic development strategies by treating access as a foundational precondition for impact, not an afterthought.PIED PIPER CHILDRENS THEATRE OF NYC INC
- Equity Through Structural Integration 1 orgBy embedding equity, inclusion, and anti-racism principles into governance, programming, and organizational practice, the organization produces more just and representative arts ecosystems, because systemic change requires institutionalizing values across all levels of operation rather than relying on ad hoc or individual efforts. This strategy involves a deliberate, institution-wide integration of equity frameworks—such as anti-racism, trauma-informed practice, and inclusive governance—into the foundational structures of an organization. Unlike standalone access programs or one-time diversity initiatives, this approach ensures that equity is not peripheral but central to decision-making, artistic production, and community engagement. It distinguishes itself by targeting the root architecture of organizational power, aiming for sustained cultural and systemic transformation rather than temporary or symbolic change.TADA THEATRE AND DANCE ALLIANCE INC
- Experience-Centric Engagement 1 orgBy designing performances and audience interactions as immersive, emotionally resonant, or uniquely themed experiences, organizations increase audience engagement and loyalty, because distinctive and memorable events foster deeper personal connection to the art and reduce perceived barriers to participation. This strategy unifies approaches that prioritize the qualitative nature of the audience experience—through unconventional venues, storytelling, thematic immersion, or emotional intimacy—to transform passive attendance into active engagement. Unlike strategies focused solely on cost reduction or volunteer logistics, this approach treats the artistic and sensory design of the event itself as the primary driver of accessibility and impact, leveraging novelty, authenticity, and emotional resonance to broaden appeal and sustain involvement.Schenectady Civic Players Inc
- Family and Peer Empowerment 1 orgBy equipping families and individuals with disabilities with knowledge, advocacy skills, and decision-making authority, we improve developmental, educational, and life outcomes, because lived experience and caregiver engagement enable more effective navigation of systems and personalized, dignified support. This strategy centers on building internal capacity within families and individuals through education, skill-building, and leadership opportunities, distinguishing it from top-down service models. It integrates peer-led support, self-direction, and rights-based advocacy across life domains—from education to employment—unifying diverse programs under a shared belief that empowerment, not just service delivery, drives lasting change.AHRC HOME CARE SERVICES INC