organizations
Organizations in this activity group · 31
showing 20 of 31
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | JOSEPHINE HERRICK PROJECT INC Josephine Herrick Project empowers underrepresented communities through photography education, providing tools for self-expression, cultural communication, and… | NY | $517K | 3 | |
| 2 | NYC SALT INC NYC SALT INC engages underserved youth in New York City through photography and visual storytelling education. The organization offers school-year and summer w… | NY | $908K | 3 | |
| 3 | PHOTO START Nonprofit organization teaching photography, entrepreneurship, and leadership skills to youth aged 12 and older in underserved communities. Programs focus on c… | NY | $117K | 2 | |
| 4 | United Photo Industries Inc United Photo Industries Inc operates Photoville, a nonprofit producing large-scale public photography exhibitions and festivals to increase access to visual st… | NY | $1.8M | 2 | |
| 5 | 100cameras 100cameras equips youth ages 10–18 worldwide with photography and storytelling tools to process their experiences and build emotional resilience. Through a cus… | NY | $285K | 1 | |
| 6 | AFRICAN INTERNATIONAL COLLABORATIVE CENTER (AICC) INC African International Collaborative Center (AICC) empowers African immigrants and communities of color in the Bronx through culturally responsive programming. … | NY | $159K | 1 | |
| 7 | CHILDHOOD RESCUE PROJECT INC Childhood Rescue Project protects the culture of childhood through play-based interventions for children affected by displacement and trauma. The organization … | NY | $0 | 1 | |
| 8 | Center for Exploratory and Perceptual Arts Inc Contemporary photography and visual arts center based in Buffalo, NY, founded in 1974 as part of the Alternative Space Movement. CEPA supports artists through … | NY | $424K | 1 | |
| 9 | DUGGAL BIG PICTURE FOUNDATION Duggal Big Picture Foundation inspires, educates, and empowers children by introducing them to photography and visual arts at a young age. The organization aim… | NY | — | 1 | |
| 10 | EDDIE ADAMS WORKSHOP ORGANIZATION INC The Eddie Adams Workshop is a tuition-free, merit-based photography program held annually in Jeffersonville, NY, designed to support emerging photographers thr… | NY | $275K | 1 | |
| 11 | ENSLAVED AFRICANS RAIN GARDEN The Enslaved Africans Rain Garden is a public art initiative in Yonkers, NY, led by sculptor Vinnie Bagwell to honor the first enslaved Africans legally manumi… | NY | $49K | 1 | |
| 12 | FRIENDS OF ALICE AUSTEN HOUSE INC The Alice Austen House preserves and interprets the life, photographs, and historic home of pioneering American photographer Alice Austen (1866–1952). It foste… | NY | $550K | 1 | |
| 13 | Five Boroughs Foundation of Photography Inc Five Boroughs Foundation of Photography Inc is a Brooklyn-based nonprofit that provides photography education to underprivileged children. The organization ope… | NY | $0 | 1 | |
| 14 | Flower City Arts Center Inc Flower City Arts Center provides art education and studio access in ceramics, photography, printmaking, and book arts to community members of all ages in Roche… | NY | $1.1M | 1 | |
| 15 | GIRLS WHO AIM INC GIRLS WHO AIM INC is a nonprofit organization based in New York that focuses on supporting young girls through photography. The organization's mission is to as… | NY | — | 1 | |
| 16 | HUNTER HILLEL FOUNDATION Rita Levine Rabin Hillel at Hunter College supports Jewish students at Hunter College through community-building, mentorship, and Jewish life programming. The … | NY | $788K | 1 | |
| 17 | IMAGES FOR INCLUSION INC Images for Inclusion Inc is a New York-based nonprofit that organizes international seminars integrating Indigenous Science into climate change solutions. The … | NY | $90K | 1 | |
| 18 | INTERNATIONAL CENTER OF PHOTOGRAPHY The International Center of Photography (ICP) is a museum and school dedicated to photography and visual culture, founded in 1974 by photographer Cornell Capa.… | NY | $7.5M | 1 | |
| 19 | JUST FOCUS INC Just Focus Inc empowers at-risk youth in New York City through photography education, providing a creative outlet for self-expression and personal development.… | NY | $0 | 1 | |
| 20 | LARU BEYA COLLECTIVE INCORPORATED Laru Beya Collective is a nonprofit based in Far Rockaway, NY, focused on empowering historically excluded youth through surfing, water safety education, and c… | NY | $240K | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Arts-Based Youth Empowerment 8 orgsBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.FRIENDS OF ALICE AUSTEN HOUSE INCFive Boroughs Foundation of Photography IncJUST FOCUS INCPHOTO SAFE INC
- Storytelling for Social Change 4 orgsBy producing and strategically distributing documentary and narrative films that center authentic, lived-experience storytelling, organizations generate public awareness, empathy, and civic engagement, because emotionally resonant stories make systemic issues relatable and motivate audiences to act. This strategy unifies organizations that use film as a catalyst for social change by prioritizing narrative power, community collaboration, and targeted outreach. While some focus on youth voices, others emphasize filmmaker mentorship or community-led distribution, the shared belief is that impactful storytelling—when rooted in authenticity and paired with strategic engagement—can shift cultural narratives and drive measurable action. It differs from purely educational or service-based models by centering media creation as the primary lever for change.EDDIE ADAMS WORKSHOP ORGANIZATION INCINTERNATIONAL CENTER OF PHOTOGRAPHYTHE CHRIS HONDROS FUNDTHE EVERYDAY PROJECTS INC
- Mentorship-to-Leadership Pipeline 2 orgsBy pairing emerging journalists with experienced mentors and peer networks, we develop skilled, resilient journalism leaders from diverse backgrounds, because sustained relational support accelerates professional growth, builds field-specific competence, and strengthens commitment to ethical, community-rooted storytelling. This strategy centers on long-term, relationship-driven development to transform early-career and marginalized individuals into capable leaders in independent and investigative journalism. It distinguishes itself from one-off training or general capacity-building by emphasizing continuity, role modeling, and mutual accountability between mentors and mentees. The approach appears across organizations regardless of medium (print, video, digital) and is consistently tied to goals of diversifying the field, improving narrative quality, and increasing resilience in underrepresented communities.THE CHRIS HONDROS FUNDTHE EVERYDAY PROJECTS INC
- Sports-Based Youth Development 2 orgsBy integrating sports participation with academic and personal development programming, we improve educational, social, and behavioral outcomes in youth, because athletic engagement fosters discipline, belonging, and intrinsic motivation that transfer to non-athletic domains. This strategy uses sports as an entry point and structural framework to re-engage at-risk youth in education and positive social development. It distinguishes itself from standalone sports or tutoring programs by intentionally fusing athletic and non-athletic goals within a unified culture of accountability, mentorship, and restorative relationships—leveraging the motivational power of sports to build life skills, academic persistence, and identity formation.LARU BEYA COLLECTIVE INCORPORATEDWaves for Development International
- Advocacy Through Lived Experience 1 orgBy centering the leadership, stories, and expertise of individuals and communities directly affected by injustice, we produce more legitimate, resonant, and sustainable advocacy, because lived experience increases authenticity, builds public empathy, and strengthens accountability in human rights discourse. This strategy unifies diverse approaches across organizations by grounding advocacy in personal narrative, cultural identity, and grassroots agency. Unlike top-down or purely research-driven models, it treats marginalized voices not as subjects of intervention but as authoritative change agents—whether through visual storytelling, youth leadership, Indigenous self-determination, or survivor briefings at the UN. What distinguishes this approach is its consistent theory that legitimacy in human rights advocacy flows from proximity to harm, making inclusion a strategic imperative rather than just a value.IMAGES FOR INCLUSION INC
- Alumni-Led Continuity Model 1 orgBy engaging alumni as leaders and funders, organizations sustain institutional support and expand access to education, because former beneficiaries are motivated to reinvest in the institutions that shaped them. This strategy leverages alumni networks not just for fundraising, but as a self-reinforcing system of governance, mentorship, and financial support. Unlike one-time donation campaigns or external grant-based models, this approach builds long-term ownership and intergenerational commitment, ensuring continuity of mission and resources. It is distinct in its emphasis on identity-based giving—where personal experience fuels sustained investment in educational equity and institutional resilience.EDDIE ADAMS WORKSHOP ORGANIZATION INC
- Art as Emotional Catalyst 1 orgBy integrating art into education, advocacy, and public engagement, we produce deeper emotional resonance and sustained civic or behavioral change, because artistic expression accesses affective and moral dimensions that informational or technical appeals alone cannot reach. This strategy centers on art’s unique capacity to evoke emotion, foster identification, and inspire action by engaging people beyond rational or didactic modes. It is distinct from purely educational or policy-focused approaches, as it leverages aesthetic and sensory experiences to transform understanding, build empathy, and motivate engagement with social, environmental, or personal issues. While operational contexts vary—from classrooms to public installations—the shared theory is that art creates space for meaning-making that drives lasting change.FRIENDS OF ALICE AUSTEN HOUSE INC
- Art-Access as Engagement 1 orgBy lowering barriers to access—financial, physical, digital, and cultural—organizations increase public engagement with art, because inclusive access fosters broader participation, deepens personal connection, and expands the reach of artistic practice beyond traditional gatekeepers. This strategy centers on removing systemic obstacles to art participation—such as cost, location, format, and historical exclusion—to enable diverse audiences to engage meaningfully with artistic and cultural content. It unites practices like free admission, digital expansion, open programming, and inclusive design under a shared belief that access is foundational to relevance and equity in cultural engagement. Unlike purely curatorial or market-driven approaches, this strategy treats access not as a logistical detail but as a core mechanism of public empowerment and artistic impact.Center for Exploratory and Perceptual Arts Inc
- Artist-Centered Empowerment 1 orgBy placing artists at the core of governance, infrastructure, and program design, organizations foster sustainable artistic innovation and equitable access, because empowering creators with agency and resources ensures that artistic and community needs are authentically met. This strategy unifies diverse practices—such as artist-run governance, fiscal sponsorship, inclusive space provision, and peer-led development—under a shared belief that systemic change in the arts arises when artists, especially those from underrepresented backgrounds, are given decision-making power and holistic support. Unlike service-delivery or audience-centric models, this approach treats artists not as beneficiaries but as leaders and co-creators of cultural ecosystems, thereby transforming organizational structures to align with equity, sustainability, and creative autonomy.THE STUDIO MUSEUM IN HARLEM
- Arts for Social Change 1 orgBy using dance and artistic expression as tools for engagement and transformation, foster social change, equity, and community development, because art activates emotional resonance, challenges systemic inequities, and empowers marginalized voices in ways that traditional education or advocacy alone cannot. This strategy centers on leveraging the arts—not just as skill-building or performance—but as a deliberate mechanism for advancing social justice, inclusion, and personal or collective healing. It distinguishes itself from purely pedagogical or access-focused strategies by embedding advocacy, identity affirmation, and systemic critique into artistic practice, making art both the method and the message of change.INTERNATIONAL CENTER OF PHOTOGRAPHY
- Community-Embedded Capacity Building 1 orgBy embedding programs within local communities and systems through partnerships, peer networks, and adaptive design, organizations achieve sustainable impact because local ownership, cultural relevance, and shared responsibility increase adoption, trust, and long-term engagement. This strategy emphasizes co-creation and sustainability by grounding interventions in existing community structures—whether schools, families, faith systems, or professional networks—rather than imposing external models. It distinguishes itself from top-down or standardized approaches by prioritizing adaptation, relational trust, and the empowerment of local actors as leaders, trainers, and stewards of change.100cameras
- Community-Engaged Tourism 1 orgBy embedding tourism within local communities and leveraging resident-led, culturally authentic experiences, organizations foster sustainable economic development and cross-cultural understanding, because shared stewardship and personal connection align visitor engagement with community values and long-term place-based resilience. This strategy centers on transforming tourism from a transactional activity into a relational exchange by involving local residents as active agents—whether as hosts, guides, entrepreneurs, or cultural bearers. Unlike conventional tourism promotion or operational practices focused solely on visitor acquisition, this approach ensures that economic, cultural, and environmental benefits are distributed locally and that experiences are designed with, not just for, communities. It distinguishes itself from generic "sustainable tourism" by emphasizing mutual exchange, local ownership, and identity-based programming as core drivers of impact.Waves for Development International
- Cultural Preservation Through Artistic Practice 1 orgBy using live performance, education, and intergenerational collaboration in traditional arts, we preserve and revitalize endangered cultural traditions, because immersive artistic engagement sustains cultural memory, identity, and continuity across time and communities. This strategy centers on maintaining cultural heritage not through archival or academic means alone, but through active, living practice—especially performance and mentorship. It distinguishes itself from passive documentation or pop-culture outreach by emphasizing authenticity, continuity, and deep transmission of cultural knowledge via embodied art forms. While many organizations use art as a tool, this cluster specifically links the act of performing tradition to long-term cultural survival and relevance.THE STUDIO MUSEUM IN HARLEM
- Culturally Grounded Care 1 orgBy embedding services within shared cultural, religious, and communal frameworks, we improve engagement and well-being, because trust, dignity, and psychological safety emerge when support respects and affirms a person’s identity and belief system. This strategy centers on aligning interventions with the cultural and religious context of the target population—particularly Orthodox and traditional Jewish communities—to reduce stigma, increase relevance, and foster resilience. Unlike generic service models, it leverages shared language, values, rituals, and peer relationships as active ingredients in healing and engagement, making care feel less external and more self-determined. It differs from broader "culturally competent" approaches by actively integrating religious texts, practices, and communal leadership as core components of program design and theory of change.HUNTER HILLEL FOUNDATION
- Education and Empowerment 1 orgBy combining education with personal or communal empowerment, organizations produce resilient, effective advocates and leaders who can counter antisemitism and sustain Jewish identity, because knowledge alone is insufficient without the confidence, skills, and support structures that enable action. This strategy integrates rigorous learning—about Israel, antisemitism, or Jewish identity—with experiential, emotional, or leadership development to build agency. Unlike standalone education or security-focused approaches, it emphasizes that lasting impact comes from empowering individuals with both understanding and the personal or communal capacity to act, creating a multiplier effect across campuses and communities.HUNTER HILLEL FOUNDATION
- Experiential Learning for Transformation 1 orgBy engaging participants in direct, embodied experiences, we produce deep understanding and lasting behavioral change, because lived or simulated experience fosters internalization and empathy more effectively than abstract instruction. This strategy centers on using immersive, participatory methods—such as home-based care visits, cultural immersion, physical simulations, or reflective workshops—to make systemic inequities, historical trauma, or personal biases tangible and personally relevant. It distinguishes itself from purely didactic or policy-focused approaches by prioritizing emotional and somatic engagement as a catalyst for individual and collective change. While other strategies may focus on structural reform or service delivery, this approach targets transformation at the level of awareness, identity, and interpersonal dynamics.THE EVERYDAY PROJECTS INC
- Inclusive Historical Narrative 1 orgBy centering marginalized voices and underrepresented histories in storytelling and programming, we broaden public engagement and historical relevance, because inclusive narratives correct omissions and foster deeper community connection and ethical legitimacy. This strategy involves actively reinterpreting history to include communities historically excluded from dominant narratives—such as enslaved people, Indigenous nations, immigrants, and domestic workers—not merely as footnotes but as central contributors. It distinguishes itself from general education or preservation strategies by prioritizing narrative equity and truth-telling as a driver of public resonance, stewardship, and emotional investment in heritage sites.FRIENDS OF ALICE AUSTEN HOUSE INC
- Indigenous-Led Co-Creation 1 orgBy centering Indigenous leadership, knowledge systems, and self-determination in the design and implementation of programs, the organization produces sustainable, culturally resonant outcomes, because externally imposed solutions have historically failed due to their disregard for local sovereignty, epistemologies, and relational worldviews. This strategy unifies diverse initiatives—from ecological stewardship to storytelling and disaster recovery—under a shared theory of change: authentic, lasting transformation emerges only when Indigenous communities lead as decision-makers, not beneficiaries. It distinguishes itself from top-down development or even participatory models by insisting on structural sovereignty, rejecting extractive practices, and grounding legitimacy in cultural continuity, intergenerational wisdom, and rights-based frameworks like UNDRIP.IMAGES FOR INCLUSION INC
- Play-Based Learning 1 orgBy using play as the primary mode of learning, children develop cognitive, emotional, social, and academic skills, because play naturally aligns with developmental needs, fosters intrinsic motivation, and supports integrated, experiential growth. This strategy centers on child-led, hands-on play—often through sensory exploration, project-based activities, and experiential environments—as the core mechanism for holistic development. It distinguishes itself from didactic or rote instructional models by prioritizing engagement, curiosity, and emotional safety, with the shared belief that meaningful learning emerges through active, joyful interaction rather than direct instruction. While variations exist (e.g., play with language immersion or therapeutic goals), the unifying theory is that play is not ancillary but foundational to developmental progress.CHILDHOOD RESCUE PROJECT INC
- Recognition as Reinforcement 1 orgBy publicly recognizing journalistic excellence and ethical practice, organizations strengthen professional standards and institutional resilience, because visibility and peer validation incentivize high-impact work, reinforce norms, and counteract systemic decline. This strategy leverages awards, honors, and public acclaim not merely as ceremonial outcomes but as active tools to shape behavior, sustain morale, and model aspirational practices across journalism. Unlike capacity-building through training or direct legal support, this approach works culturally—elevating exemplars to solidify shared identity, encourage risk-taking in investigative reporting, and preserve legacy amid industry erosion. It is distinct in targeting the symbolic infrastructure of the profession to drive normative change.THE EVERYDAY PROJECTS INC