organizations
Organizations in this activity group · 105
showing 20 of 50
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | ARTS MID-HUDSON INC Arts Mid-Hudson supports and strengthens the arts ecosystem in the Mid-Hudson Valley region of New York. The organization provides technical assistance, fiscal… | NY | $2.0M | 5 | |
| 2 | Genesee-Orleanse Regional Arts Council Genesee-Orleans Regional Arts Council (GO ART!) fosters cultural engagement in Genesee and Orleans counties, New York, by offering a diverse range of adult art… | NY | $938K | 3 | |
| 3 | ST LAWRENCE COUNTY ARTS COUNCIL St. Lawrence County Arts Council is a nonprofit membership organization based in Potsdam, NY, dedicated to promoting cultural activities and supporting the art… | NY | $893K | 3 | |
| 4 | DOWNTOWN BROOKLYN ARTS ALLIANCE INC Downtown Brooklyn Arts Alliance (DBAA) is a collaborative network connecting cultural organizations in Downtown Brooklyn. It facilitates information sharing, j… | NY | $119K | 2 | |
| 5 | GENESEE VALLEY COUNCIL ON THE ARTS INC Arts council serving Livingston and Monroe Counties in New York, operating as the official arts council for Livingston County. The organization promotes cultur… | NY | $902K | 2 | |
| 6 | GLEN CONSERVANCY LTD GLEN CONSERVANCY LTD is a nonprofit organization based in Glen, Montgomery County, NY, focused on preserving the historic, cultural, and rural character of the… | NY | $47K | 2 | |
| 7 | ISLIP ARTS COUNCIL INC The Islip Arts Council, founded in 1974, is a nonprofit arts organization based in Bay Shore, NY, dedicated to presenting, producing, and promoting high-qualit… | NY | $447K | 2 | |
| 8 | JOINED ARTISTS MUSICIANS & SINGERS INC Joined Artists, Musicians & Singers, Inc. (JAMS) is a Syracuse-based nonprofit that enhances access to culturally diverse arts and music in Central New York. T… | NY | $74K | 2 | |
| 9 | PATCHOGUE ARTS COUNCIL INC The Patchogue Arts Council supports and promotes contemporary art through exhibitions, public art projects, and community-focused programming across Long Islan… | NY | $605K | 2 | |
| 10 | PUTNAM ARTS COUNCIL Putnam Arts Council is a nonprofit arts service organization founded in 1963 that promotes and fosters the visual, performing, and literary arts in Putnam Coun… | NY | $248K | 2 | |
| 11 | 10013 FOUNNDATION 10013 Foundation is a nonprofit dedicated to preserving and celebrating the history of the Tribeca neighborhood in New York City through visual arts. It suppor… | NY | $3K | 1 | |
| 12 | 440 STATE STREET 440 STATE STREET is a nonprofit organization based in Schenectady, NY, dedicated to fostering cultural activities in downtown Schenectady and the broader Capit… | NY | $100K | 1 | |
| 13 | AMERICAN MUSIC FESTIVAL OF SAG HARBOR INC Nonprofit organization based in Sag Harbor, New York, dedicated to promoting live music and cultural arts through community engagement. Organizes events and pe… | NY | $115K | 1 | |
| 14 | AMIGOS DEL MUSEO DEL BARRIO INC EL MUSEO DEL BARRIO El Museo del Barrio, founded in 1969 in East Harlem, preserves and promotes the artistic heritage of Puerto Ricans and all Latin Americans in the United States… | NY | $6.6M | 1 | |
| 15 | ART LEAGUE OF NASSAU COUNTY INC Art League of Nassau County is a nonprofit organization based in Mineola, NY, that promotes and sponsors visual arts through educational programs and events. I… | NY | $13K | 1 | |
| 16 | ARTS AND ARCHITECTURE CONSERVANCY AT SAINT PETER'S INC ARTS AND ARCHITECTURE CONSERVANCY AT SAINT PETER'S INC promotes the arts in Midtown Manhattan, focusing on cultural and architectural preservation. The organiz… | NY | $137K | 1 | |
| 17 | ARTS COUNCIL OF ROCKLAND INC The Arts Council of Rockland supports artists in Rockland County, NY through professional development workshops and direct funding. It offers free online and i… | NY | $154K | 1 | |
| 18 | ASSOCIATES OF THE ART COMMISSIONINC The Associates of the Art Commission Inc. is a nonprofit organization based in New York City dedicated to fostering public appreciation and civic engagement wi… | NY | — | 1 | |
| 19 | Albany District Chapter of The LINKS INC The Albany District Chapter of The Links, Incorporated is an organization of African American women dedicated to advancing educational, civic, and cultural ini… | NY | $79K | 1 | |
| 20 | American Friends of Sarabande Inc American Friends of Sarabande Inc supports emerging creatives in the arts by raising awareness and funds in the U.S. for the Sarabande Foundation’s programs. I… | NY | $42K | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Art-Integrated Community Engagement 16 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.BxArts Factory IncLEWISTON COUNCIL ON THE ARTS INCPRATTSVILLE ART PROJECT INCSPARLKE ON STAGE INC
- Unrestricted Artist Support 7 orgsBy providing unrestricted financial grants and removing systemic barriers to resources, artists gain agency and sustainability in their creative practice, because economic autonomy enables risk-taking, resilience, and long-term artistic development. This strategy centers on empowering individual artists through direct, flexible funding and complementary support structures—such as fiscal sponsorship, emergency aid, or wellness services—that prioritize trust and self-determination. Unlike project-specific or institutionally mediated funding models, it treats the artist as the primary unit of investment, emphasizing personal agency over prescribed outcomes. It is distinct in its rejection of conditional funding, instead operating on the belief that creative vitality emerges most authentically when artists control the means and direction of their work.ARTS MID-HUDSON INCAmerican Friends of Sarabande IncMohawk Valley Center for the Arts IncTHE LIGHTHOUSE WORKS INC
- Arts-Based Youth Empowerment 3 orgsBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.HENRY STREET SETTLEMENTMonroe County School Music Association IncSPARLKE ON STAGE INC
- Collaborative Ecosystem Building 3 orgsBy fostering interconnected, peer-driven networks and removing structural barriers to resources, we enable sustainable artistic and community development, because diverse, decentralized collaboration amplifies innovation, resilience, and equity more effectively than isolated individual effort. This strategy centers on creating conditions where creative growth emerges from mutual support, shared access, and cross-disciplinary or intergenerational exchange rather than top-down programming. It distinguishes itself by prioritizing relational infrastructure—networks, communities, and participatory models—alongside material support, recognizing that long-term impact depends on both resource accessibility and the social fabric that sustains it. Unlike one-off grants or single-artwork funding, this approach invests in the ecosystem itself as the engine of change.ARTS COUNCIL OF ROCKLAND INCBLUE MOUNTAIN INCLONG ISLAND ARTS ALLIANCE INC
- Decentralized Regranting for Equity 3 orgsBy redistributing funding through local actors and community-led decision-making, we expand equitable access to the arts and strengthen culturally relevant programming, because communities are best positioned to identify their own creative needs and opportunities. This strategy centers on shifting power and resources away from centralized institutions toward grassroots artists and organizations, particularly in rural or underserved areas. It distinguishes itself from top-down funding models by emphasizing local control, inclusion of marginalized voices, and responsiveness to cultural specificity—enabling not just broader access but deeper community ownership of the arts ecosystem.GLEN CONSERVANCY LTDST LAWRENCE COUNTY ARTS COUNCILTHE ARTS COUNCIL OF THE SOUTHERN FINGER LAKES INC
- Equitable Access Through Barrier Reduction 3 orgsBy removing financial, social, and systemic barriers to music education and artistic participation, organizations increase access and equity in the arts, because structural inequities—particularly those tied to cost, geography, disability, and background—disproportionately exclude underserved individuals and communities from meaningful engagement. This strategy unifies diverse programs that prioritize inclusion by directly addressing material and institutional obstacles such as tuition costs, lack of resources, disability-related access gaps, and socioeconomic exclusion. What distinguishes it from broader arts education strategies is its focus not just on delivering services, but on redesigning access models—through sliding-scale fees, targeted outreach, adaptive pedagogy, and community partnerships—to ensure participation is possible for historically marginalized groups. While other strategies may emphasize artistic excellence or professionalization, this approach centers equity as bDUTCHESS COUNTY MUSIC EDUCATORS ASSOCIATIONNiagara County Music Educators AssociatiSOUTHAMPTON ARTISTS ASSOCIATION IN
- Immersive Engagement 3 orgsBy using sensory-rich, experiential, and interactive methods to present history, increase public engagement and deepen understanding of the past, because immersive experiences foster emotional connection, cognitive retention, and personal relevance. This strategy centers on creating tangible, multi-sensory encounters with history—through reenactments, hands-on activities, primary sources, or multimedia storytelling—to transform passive audiences into active participants. It distinguishes itself from purely didactic or access-based approaches by prioritizing emotional resonance and experiential learning as pathways to historical empathy and stewardship. While related strategies like open access or community governance focus on equity or inclusion in participation, this approach emphasizes the mode of engagement as the catalyst for meaning-making.AMIGOS DEL MUSEO DEL BARRIO INC EL MUSEO DEL BARRIOCAYUGA COUNTY CONVENTION AND VISITORS BUREAUSaratoga Automobile Museum
- Adaptive Reuse for Community Value 2 orgsBy repurposing historic buildings for community-oriented uses, the organization ensures long-term preservation and public benefit, because continued use generates economic sustainability, public engagement, and cultural relevance. This strategy centers on transforming underutilized or deteriorated historic structures into functional spaces that serve contemporary community needs—such as arts centers, studios, or educational facilities—thereby ensuring their physical and cultural survival. Unlike preservation through static conservation or legal designation alone, this approach actively integrates historic assets into the social and economic life of the community, making preservation self-reinforcing. It distinguishes itself from other strategies by prioritizing functional continuity over mere structural retention, creating a feedback loop where community use justifies and funds ongoing stewardship.CHERRY VALLEY ARTWORKS INCGLEN CONSERVANCY LTD
- Arts-Integrated Experiential Learning 2 orgsBy embedding the arts into hands-on, real-world learning experiences, students develop deeper cognitive, emotional, and social understanding, because creative engagement activates multiple modes of perception and strengthens the connection between experience and meaning-making. This strategy unifies arts education with experiential and inquiry-based pedagogies, treating artistic practice not as an add-on but as a core method of knowing and understanding. It distinguishes itself from standalone arts instruction or traditional academic models by fusing creative expression with direct experience—whether through farm work, scientific observation, or dramatic exploration—to deepen learning across domains. The shared theory of action is that integrating the arts into experiential contexts enhances retention, identity formation, and engagement more effectively than passive or discipline-isolated approaches.FLUSHING COUNCIL ON CULTURE AND THE ARTSMohawk Valley Center for the Arts Inc
- Community-Led Systems Change 2 orgsBy centering community leadership, lived experience, and collective agency in design and decision-making, we produce sustainable and equitable social change because solutions rooted in local knowledge and power are more legitimate, adaptive, and effective at transforming systems. This strategy unifies a diverse set of organizations around a shared theory of change: lasting impact emerges not from top-down interventions, but from shifting power, resources, and authority to the communities most affected by injustice. It distinguishes itself from service-delivery or expert-driven models by prioritizing local ownership, relational trust, and systemic transformation—whether through survivor-led advocacy, faith-based collaboration, interdisciplinary co-creation, or intergenerational movement building. While operational expressions vary (e.g., legal advocacy, care infrastructure, or educational access), the core mechanism is consistent: empowering frontline voices as the primary agents of chHENRY STREET SETTLEMENTLake Placid Forum for the Arts & Humanities Inc
- Cultural Preservation Through Artistic Practice 2 orgsBy using live performance, education, and intergenerational collaboration in traditional arts, we preserve and revitalize endangered cultural traditions, because immersive artistic engagement sustains cultural memory, identity, and continuity across time and communities. This strategy centers on maintaining cultural heritage not through archival or academic means alone, but through active, living practice—especially performance and mentorship. It distinguishes itself from passive documentation or pop-culture outreach by emphasizing authenticity, continuity, and deep transmission of cultural knowledge via embodied art forms. While many organizations use art as a tool, this cluster specifically links the act of performing tradition to long-term cultural survival and relevance.CATSKILL MOUNTAIN ARTISANS GUILDThe Re--Thread Project Inc
- Destination Marketing for Economic Growth 2 orgsBy promoting a region as an attractive travel destination through strategic marketing and storytelling, increase visitor volume and spending, because positive destination perception drives traveler decision-making and stimulates local economic activity. This strategy centers on using coordinated, narrative-driven promotion to shape public perception of a region as a desirable place to visit, with the explicit goal of generating economic impact through tourism. It distinguishes itself from experiential or infrastructure-focused strategies by prioritizing image creation and market positioning as the primary lever for change, rather than on-the-ground amenities or programming.CAYUGA COUNTY CONVENTION AND VISITORS BUREAUSCHROON LAKE CHAMBER OF COMMERCE
- Integrated Artist Support 2 orgsBy combining financial support with mentorship, professional development, and systemic access, organizations foster sustainable artistic careers, because holistic interventions address both immediate needs and long-term structural barriers to success. This strategy unifies diverse programs under a common theory of change: that artists thrive when economic relief is paired with relational and institutional support. Unlike isolated grants or training programs, this approach targets multiple dimensions of vulnerability—financial, social, and structural—simultaneously, creating compounding benefits. It distinguishes itself from narrower operational practices by emphasizing integration across services to build resilience, equity, and career continuity, particularly for underrepresented or emerging artists.BROOME COUNTY ARTS COUNCILST LAWRENCE COUNTY ARTS COUNCIL
- Activity-Based Community Building 1 orgBy embedding social connection and personal development within structured physical activities, organizations foster inclusive community engagement and individual growth, because shared physical experiences create accessible, low-barrier entry points for relationship-building and sustained participation. This strategy leverages fitness, sports, and recreational events not just for health outcomes, but as intentional platforms for fostering belonging, resilience, and collective identity. What distinguishes it from purely programmatic or service-delivery models is its reliance on experiential participation—running, adaptive sports, or group fitness—as a conduit for deeper social and emotional outcomes, uniting diverse individuals around common goals and shared effort.FRIENDS OF THE EASTCHESTER PUBLIC LIBRARY
- Advocacy Through Empowered Communities 1 orgBy empowering families, parents, and communities to lead advocacy efforts, we achieve systemic change for child well-being, because collective action rooted in lived experience increases political accountability, strengthens support systems, and ensures that policies are responsive and sustainable. This strategy centers on building the capacity of caregivers and community members to advocate effectively for children's needs, distinguishing it from top-down or expert-driven policy change. It emphasizes participation, education, and organizing as tools to shift power dynamics and create equitable systems, uniting diverse organizations—from PTAs to child development nonprofits—around a shared belief that those closest to the issues should lead the solutions.NEW YORK STATE CONGRESS OF PARENTS AND TEACHERSINC
- Art for Social Cohesion 1 orgBy using artistic expression as a shared, nonverbal language across cultural, ethnic, or national lines, we build mutual understanding and reduce societal division, because creative collaboration fosters empathy, transcends linguistic barriers, and humanizes difference in ways that discourse alone cannot. This strategy centers art not merely as cultural programming but as an active mechanism for social change—specifically to bridge divides in divided societies or across diaspora communities. It is distinct from general arts education or performance missions in that it intentionally leverages the emotional resonance and symbolic power of art to create spaces for dialogue, healing, and collective identity formation across deep differences.Lake Placid Forum for the Arts & Humanities Inc
- Art-Access as Engagement 1 orgBy lowering barriers to access—financial, physical, digital, and cultural—organizations increase public engagement with art, because inclusive access fosters broader participation, deepens personal connection, and expands the reach of artistic practice beyond traditional gatekeepers. This strategy centers on removing systemic obstacles to art participation—such as cost, location, format, and historical exclusion—to enable diverse audiences to engage meaningfully with artistic and cultural content. It unites practices like free admission, digital expansion, open programming, and inclusive design under a shared belief that access is foundational to relevance and equity in cultural engagement. Unlike purely curatorial or market-driven approaches, this strategy treats access not as a logistical detail but as a core mechanism of public empowerment and artistic impact.The Folkus Project Incorporated
- Artist-Centered Equity Development 1 orgBy centering underrepresented artists in creative development and leadership opportunities, we advance equity in the arts, because systemic exclusion is best addressed by shifting resources, visibility, and decision-making power directly to marginalized voices. This strategy prioritizes the creative agency, lived experience, and professional growth of historically excluded artists—particularly Black, Indigenous, women, trans, and gender-nonconforming individuals—not as beneficiaries but as central architects of artistic work. It differs from general diversity initiatives by rejecting tokenism and instead restructuring development models (e.g., residencies, casting, dramaturgy) to be driven by the needs, aesthetics, and narratives of these artists, thereby transforming both individual careers and institutional norms.ARTS MID-HUDSON INC
- Artistic Mentorship Through Immersive Practice 1 orgBy embedding emerging artists in immersive, mentored performance and training environments with established professionals, we accelerate artistic development and professional integration, because direct collaboration in intensive, supportive settings deepens skill acquisition, confidence, and field cohesion. This strategy centers on transforming artistic education through hands-on, relational learning models that go beyond classroom instruction. It emphasizes sustained interaction with master artists in real-world performance contexts—such as side-by-side ensembles, residential intensives, or collaborative rehearsals—which creates pathways for technical growth, professional identity formation, and long-term field sustainability. Unlike passive learning or one-off workshops, this approach leverages continuity, mentorship, and shared artistic purpose to cultivate both individual talent and collective cultural vitality.Niagara County Music Educators Associati
- Capacity Building Through Development 1 orgBy providing training, resources, and career-stage-appropriate support, we strengthen artists' professional sustainability and creative output, because equipping individuals with skills, autonomy, and structural tools enables long-term resilience and innovation in the arts. This strategy centers on enhancing individual and organizational capability within the arts through targeted development interventions such as workshops, grants, residencies, business coaching, and educational programming. It distinguishes itself from purely access-oriented or awareness-raising strategies by focusing on sustained growth—building not just opportunity, but the internal capacity to seize and expand upon it. While other approaches may prioritize audience reach or cultural representation, this model invests directly in the artist’s trajectory, treating professional development as foundational to field-wide vitality.American Friends of Sarabande Inc