organizations
Organizations in this activity group · 118
showing 20 of 50
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | MuCCC Inc Theater and community cultural center in Rochester, NY, founded in 2009 to provide performance space for artists without permanent venues. Presents diverse the… | NY | $59K | 3 | |
| 2 | RA THEATRE CORP RA THEATRE CORP, operating as The RAT NYC, is a Brooklyn-based performance venue that provides affordable rental space for independent artists, theater groups,… | NY | $119K | 3 | |
| 3 | CHARLES R WOOD THEATER INC The Charles R. Wood Theater is a nonprofit performing arts center in Glens Falls, NY, dedicated to promoting cultural and artistic endeavors. It operates a 294… | NY | $430K | 2 | |
| 4 | CHENANGO COUNTY COUNCIL OF THE ARTS The Chenango County Council of the Arts supports life-enriching art in the greater Chenango region by managing gallery exhibitions, hosting live performances i… | NY | $193K | 2 | |
| 5 | KINGSTON MUSIC INITIATIVE INC TEMPO Kingston is a performing arts center in Kingston, NY, transforming a historic 1867 church into a multipurpose creative space for music, dance, and commun… | NY | $915K | 2 | |
| 6 | LA MAMA EXPERIMENTAL THEATRE CLUB INC La MaMa Experimental Theatre Club, founded in 1961 by Ellen Stewart, is a pioneering Off-Off-Broadway theater and cultural hub in New York City dedicated to su… | NY | $5.3M | 2 | |
| 7 | SHADOWLAND ARTISTS INC SHADOWLAND ARTISTS INC is a nonprofit theater company based in Ellenville, NY, operating as Shadowland Stages. It produces professional theatrical performances… | NY | $1.1M | 2 | |
| 8 | WESTHAMPTON BEACH PERFORMING ARTS CENTER Westhampton Beach Performing Arts Center is a nonprofit arts organization founded in 1997 that presents performing arts, music, dance, comedy, and cinema year-… | NY | $7.8M | 2 | |
| 9 | 24 BOND ARTS CENTER INC 24 Bond Arts Center is a nonprofit theater organization based in New York City that supports living playwrights and artists committed to honest, free expressio… | NY | $109K | 1 | |
| 10 | 29TH STREET REPERTORY THEATRE INC 29th Street Repertory Theatre is an Off-Broadway theater company based in New York City dedicated to producing intense, visceral works that challenge performer… | NY | $65K | 1 | |
| 11 | 6 ON THE SQUARE INC 6 On The Square Inc is a nonprofit performing arts venue in Oxford, New York, dedicated to presenting live acoustic music in an intimate listening environment.… | NY | $57K | 1 | |
| 12 | 710 MAIN STREET INC Performing arts center operating a three-theatre campus in downtown Buffalo, NY, presenting Broadway tours, local productions, and international performances. … | NY | $1.5M | 1 | |
| 13 | ALLIANCE FOR MUSIC PERFORMANCE IN TROY INC The Alliance for Music Performance in Troy Inc. owns and operates the historic Troy Savings Bank Music Hall in Troy, New York, maintaining it as a multidiscipl… | NY | — | 1 | |
| 14 | AMAS MUSICAL THEATRE INC Amas Musical Theatre is a New York City-based nonprofit theater company dedicated to the creation and professional production of new American musicals that cel… | NY | $904K | 1 | |
| 15 | AMERICAN FRIENDS OF OLD CITY CHARITIES C/O AVERY GROSS Nonprofit organization supporting the development and accessibility of the Jewish Quarter in Jerusalem's Old City. Primary project is the Byron and Dorothy Ger… | NY | $60K | 1 | |
| 16 | ARS NOVA THEATER I INC Ars Nova is a New York City-based nonprofit theater company dedicated to discovering, developing, and launching emerging artists in theater, music, and comedy.… | NY | $3.2M | 1 | |
| 17 | ARTS AT THE PALACE INC Arts At The Palace is a rural arts and cultural center in Hamilton, NY, dedicated to cultivating creative capacity through programming in the arts and communit… | NY | $151K | 1 | |
| 18 | ARTS ON SITE NYC INC Arts On Site NYC is a women-led nonprofit that supports artists across disciplines by providing affordable studio rentals, performance space in Manhattan's Eas… | NY | $245K | 1 | |
| 19 | ATHENS CULTURAL ARTS CENTER INC The Athens Cultural Arts Center is a community-based arts organization in Athens, NY, fostering appreciation of art and culture through exhibitions, performanc… | NY | $213K | 1 | |
| 20 | BARDAVON 1869 OPERA HOUSE Performing arts presenter in the Hudson Valley that hosts live theater, music, dance, and film events at historic venues in Poughkeepsie and Kingston, NY. Offe… | NY | $3.8M | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Art-Integrated Community Engagement 13 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.CHARLES R WOOD THEATER INCEndicott Performing Arts Center IncTHE BRONX RIVER ARTS CENTER INCTHE PALACE PERFORMING ARTS CENTER INC
- Community-Engaged Preservation 10 orgsBy involving communities in preservation through education, events, and participatory stewardship, organizations ensure long-term cultural continuity and institutional legitimacy, because public ownership and emotional connection increase commitment to sustaining heritage. This strategy centers on activating community agency and emotional investment as core drivers of preservation sustainability. Unlike top-down or purely technical approaches, it treats heritage not just as physical infrastructure but as living culture, sustained through active use, storytelling, and inclusive participation. It distinguishes itself by prioritizing social legitimacy and grassroots ownership over architectural fidelity or legal designation alone, integrating programming, education, and civic function to embed heritage into daily community life.BARDAVON 1869 OPERA HOUSEOld First Preservation and Community Foundation IncSTATE THEATRE OF ITHACA INCTOWN HALL FOUNDATION INC
- Arts-Based Youth Empowerment 8 orgsBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.Endicott Performing Arts Center IncROYAL FAMILY PRODUCTIONS INCThe David Hochstein Memorial Music School IncWESTHAMPTON BEACH PERFORMING ARTS CENTER
- Art-Access as Engagement 7 orgsBy lowering barriers to access—financial, physical, digital, and cultural—organizations increase public engagement with art, because inclusive access fosters broader participation, deepens personal connection, and expands the reach of artistic practice beyond traditional gatekeepers. This strategy centers on removing systemic obstacles to art participation—such as cost, location, format, and historical exclusion—to enable diverse audiences to engage meaningfully with artistic and cultural content. It unites practices like free admission, digital expansion, open programming, and inclusive design under a shared belief that access is foundational to relevance and equity in cultural engagement. Unlike purely curatorial or market-driven approaches, this strategy treats access not as a logistical detail but as a core mechanism of public empowerment and artistic impact.CHARLES R WOOD THEATER INCEndicott Performing Arts Center IncTHE ROXBURY ARTS GROUP INCTHE SECOND STAGE THEATRE INC
- Community-Engaged Theater 6 orgsBy co-creating theater with community members and centering lived experience, we foster cultural resonance and collective ownership, because authentic representation builds trust and strengthens social bonds. This strategy involves producing theater through deep collaboration with communities—especially marginalized or underrepresented groups—by integrating their stories, voices, and participation into the artistic process. It goes beyond traditional performance by treating theater as a shared, participatory practice that validates identity, challenges dominant narratives, and expands access. Unlike conventional models that prioritize professional artistry alone, this approach values process as much as product, distinguishing it from both mainstream theater and general arts education initiatives.BATAVIA PLAYERS INCLANCASTER NEW YORK OPERA HOUSE INCPLAYERS OF UTICA INCTHE SECOND STAGE THEATRE INC
- Theater as Civic Dialogue 6 orgsBy using theater to explore social issues and center marginalized voices, organizations foster civic engagement and public reflection, because live, narrative-driven experiences create emotionally resonant spaces for critical discourse and collective meaning-making. This strategy unifies diverse theatrical approaches—such as verbatim storytelling, satirical critique, immersive staging, and community-centered narratives—around a shared belief in theater’s power to function as a public forum. Unlike operational models focused solely on access or artist development, this strategy emphasizes theater’s role in shaping democratic culture through deliberate engagement with societal questions, identity, and ethical inquiry. What distinguishes it is its focus on the audience not just as spectator but as participant in a broader process of social reflection and dialogue.Bridge Street Theatre IncROAD LESS TRAVELED PRODUCTIONS LTDTi-Ahwaga Community Players IncWESTHAMPTON BEACH PERFORMING ARTS CENTER
- Cultural Engagement Through Jazz 4 orgsBy using jazz as a medium for performance, education, and community programming, organizations foster cultural preservation, social connection, and individual transformation, because immersive and accessible engagement with jazz builds collective identity, intergenerational continuity, and emotional resonance. This strategy centers on jazz not merely as music but as a living cultural practice that connects history, identity, and community well-being. Unlike generic arts programming, it emphasizes authenticity, inclusivity, and the genre’s unique social and spiritual dimensions—leveraging improvisation, collaboration, and historical consciousness as tools for education, healing, and civic metaphor. What distinguishes this approach is its consistent theory that deep cultural engagement through a specific art form produces both artistic sustainability and broader social impact.ALLIANCE FOR MUSIC PERFORMANCE IN TROY INCBrooklyn Music School IncHudson River Music Hall Productions IncJAZZ AT LINCOLN CENTER INC
- Immersive Resonance 4 orgsBy dissolving the barrier between performer and audience through intimate, sensory-rich, and participatory staging, deepen emotional and civic engagement, because proximity—physical, emotional, and aesthetic—intensifies presence, empathy, and personal connection to narrative. This strategy unifies diverse theatrical forms—from minimalist staging to circus fusion and site-specific performance—around a shared belief that artistic impact is maximized when audiences are drawn into the world of the play as co-experiencers rather than passive observers. Unlike traditional or didactic theater models, Immersive Resonance prioritizes embodied, multi-sensory engagement as a pathway to deeper understanding of self, society, and story, making it distinct from strategies focused solely on content relevance or access.BAY STREET THEATRE FESTIVAL INCBridge Street Theatre IncRHINEBECK PERFORMING ARTS INCWHITE SABERS DRUM CORPS INC
- Intimate Experience Model 4 orgsBy hosting chamber music performances in intimate, acoustically refined, or sensorially rich settings, audiences develop deeper emotional and intellectual engagement with the music, because physical closeness, atmospheric design, and sensory immersion amplify the perceived authenticity, emotional resonance, and accessibility of classical art forms. This strategy centers on manipulating the context of performance—through venue size, acoustic quality, lighting, or multisensory elements—to transform how audiences experience and connect with chamber music. Unlike broader access or education-focused strategies, it relies on deepening impact through presence, atmosphere, and immediacy, treating the performance environment as an active agent in meaning-making rather than a passive container.6 ON THE SQUARE INCHudson River Music Hall Productions IncJAZZ AT LINCOLN CENTER INCTHE LAKE PLACID ASSOCIATION FOR MUSIC DRAMA AND ART INC
- Adaptive Reuse for Community Value 3 orgsBy repurposing historic buildings for community-oriented uses, the organization ensures long-term preservation and public benefit, because continued use generates economic sustainability, public engagement, and cultural relevance. This strategy centers on transforming underutilized or deteriorated historic structures into functional spaces that serve contemporary community needs—such as arts centers, studios, or educational facilities—thereby ensuring their physical and cultural survival. Unlike preservation through static conservation or legal designation alone, this approach actively integrates historic assets into the social and economic life of the community, making preservation self-reinforcing. It distinguishes itself from other strategies by prioritizing functional continuity over mere structural retention, creating a feedback loop where community use justifies and funds ongoing stewardship.Goodwill Theatre IncKLINKHART HALL ARTS CENTER INCST GEORGE THEATRE RESTORATION INC
- Affordable Space Provision 3 orgsBy providing affordable access to rehearsal, performance, and creative spaces, we enable sustained artistic production and community engagement, because cost barriers are a primary constraint on artist participation and organizational sustainability. This strategy centers on reducing financial barriers to physical infrastructure as a lever for systemic change in the arts ecosystem. Unlike programs focused solely on funding or training, this approach treats space itself as a foundational resource—its affordability and stability directly enabling artistic development, organizational resilience, and inclusive access. Multiple organizations implement variations of this model through nonprofit real estate development, sliding-scale rentals, work-exchange agreements, and partnerships that prioritize long-term tenancy over profit-driven market rates.ARTS ON SITE NYC INCRA THEATRE CORPTRISKELION ARTS-KICK-STANDANCE INC
- Artist-Centered Incubation 3 orgsBy providing sustained creative support, resources, and developmental platforms to emerging and underrepresented artists, we enable the creation and refinement of innovative theatrical works, because structured artistic incubation increases the likelihood of artistic viability, audience resonance, and long-term cultural impact. This strategy centers on empowering artists—particularly early-career or marginalized voices—through long-term investment in their creative process, including commissions, residencies, mentorship, and safe spaces for experimentation. Unlike strategies focused solely on production or audience access, this approach treats artist development as the primary engine of innovation and social impact in theater. It distinguishes itself by prioritizing process over product, fostering work that might not otherwise emerge in risk-averse mainstream ecosystems.BAY STREET THEATRE FESTIVAL INCBridge Street Theatre IncLA MAMA EXPERIMENTAL THEATRE CLUB INC
- Artistic Mentorship Through Immersive Practice 3 orgsBy embedding emerging artists in immersive, mentored performance and training environments with established professionals, we accelerate artistic development and professional integration, because direct collaboration in intensive, supportive settings deepens skill acquisition, confidence, and field cohesion. This strategy centers on transforming artistic education through hands-on, relational learning models that go beyond classroom instruction. It emphasizes sustained interaction with master artists in real-world performance contexts—such as side-by-side ensembles, residential intensives, or collaborative rehearsals—which creates pathways for technical growth, professional identity formation, and long-term field sustainability. Unlike passive learning or one-off workshops, this approach leverages continuity, mentorship, and shared artistic purpose to cultivate both individual talent and collective cultural vitality.THE JAZZ GALLERYWHITE SABERS DRUM CORPS INCWILLIAMSBURG MUSIC CENTER INCORPORATED
- Equitable Access Through Barrier Reduction 3 orgsBy removing financial, social, and systemic barriers to music education and artistic participation, organizations increase access and equity in the arts, because structural inequities—particularly those tied to cost, geography, disability, and background—disproportionately exclude underserved individuals and communities from meaningful engagement. This strategy unifies diverse programs that prioritize inclusion by directly addressing material and institutional obstacles such as tuition costs, lack of resources, disability-related access gaps, and socioeconomic exclusion. What distinguishes it from broader arts education strategies is its focus not just on delivering services, but on redesigning access models—through sliding-scale fees, targeted outreach, adaptive pedagogy, and community partnerships—to ensure participation is possible for historically marginalized groups. While other strategies may emphasize artistic excellence or professionalization, this approach centers equity as bBrooklyn Music School IncHARLEM SCHOOL OF THE ARTS INCThe David Hochstein Memorial Music School Inc
- Hybrid Access Model 3 orgsBy offering both physical and digital modes of engagement, organizations expand public access and deepen audience participation, because multi-channel formats remove geographic, physical, and temporal barriers while increasing inclusivity and reach. This strategy unifies efforts across museums and cultural nonprofits to democratize access through combined in-person and virtual experiences, including exhibitions, educational content, and interactive platforms. Unlike purely digital or physical strategies, the Hybrid Access Model intentionally integrates both formats to ensure resilience, equity, and broader engagement, particularly benefiting audiences who are geographically isolated, physically limited, or otherwise underserved.BARDAVON 1869 OPERA HOUSEJAZZ AT LINCOLN CENTER INCWILLIAMSBURG MUSIC CENTER INCORPORATED
- Unrestricted Artist Support 3 orgsBy providing unrestricted financial grants and removing systemic barriers to resources, artists gain agency and sustainability in their creative practice, because economic autonomy enables risk-taking, resilience, and long-term artistic development. This strategy centers on empowering individual artists through direct, flexible funding and complementary support structures—such as fiscal sponsorship, emergency aid, or wellness services—that prioritize trust and self-determination. Unlike project-specific or institutionally mediated funding models, it treats the artist as the primary unit of investment, emphasizing personal agency over prescribed outcomes. It is distinct in its rejection of conditional funding, instead operating on the belief that creative vitality emerges most authentically when artists control the means and direction of their work.HALEAKALA INCNORTH AMERICAN CULTURAL LABORATORYTHE ROXBURY ARTS GROUP INC
- Artist Residency as Incubator 2 orgsBy providing artists with time, space, and flexible support in a protected environment, we foster innovative and authentic artistic development, because removing external pressures and structural barriers enables deep creative risk-taking and long-term experimentation. This strategy centers on creating incubatory conditions—through residencies and dedicated studios—where artists can focus intensely on their practice without commercial, financial, or logistical constraints. It distinguishes itself from other support models by emphasizing sustained, holistic investment in the artist rather than discrete project funding or market-linked outcomes, fostering both individual growth and broader cultural innovation.KAATSBAAN INTERNATIONAL DANCE CENTER INCTRISKELION ARTS-KICK-STANDANCE INC
- Artist-Centered Empowerment 2 orgsBy placing artists at the core of governance, infrastructure, and program design, organizations foster sustainable artistic innovation and equitable access, because empowering creators with agency and resources ensures that artistic and community needs are authentically met. This strategy unifies diverse practices—such as artist-run governance, fiscal sponsorship, inclusive space provision, and peer-led development—under a shared belief that systemic change in the arts arises when artists, especially those from underrepresented backgrounds, are given decision-making power and holistic support. Unlike service-delivery or audience-centric models, this approach treats artists not as beneficiaries but as leaders and co-creators of cultural ecosystems, thereby transforming organizational structures to align with equity, sustainability, and creative autonomy.ARTS AT THE PALACE INCPOWERHOUSE ARTS INC
- Collaborative Ecosystem Building 2 orgsBy fostering interconnected, peer-driven networks and removing structural barriers to resources, we enable sustainable artistic and community development, because diverse, decentralized collaboration amplifies innovation, resilience, and equity more effectively than isolated individual effort. This strategy centers on creating conditions where creative growth emerges from mutual support, shared access, and cross-disciplinary or intergenerational exchange rather than top-down programming. It distinguishes itself by prioritizing relational infrastructure—networks, communities, and participatory models—alongside material support, recognizing that long-term impact depends on both resource accessibility and the social fabric that sustains it. Unlike one-off grants or single-artwork funding, this approach invests in the ecosystem itself as the engine of change.ARTS ON SITE NYC INCTRISKELION ARTS-KICK-STANDANCE INC
- Contemporary Reinterpretation for Relevance 2 orgsBy reinterpreting classic works through contemporary, inclusive, and socially reflective lenses, we deepen audience engagement and cultural resonance, because modernized narratives and diverse representations make timeless themes more accessible and emotionally salient to today’s audiences. This strategy involves updating canonical or historical texts—through casting, setting, genre, or context—to reflect current social realities, identities, and anxieties. It distinguishes itself from mere modernization by embedding intentional equity goals, civic inquiry, and audience relevance into the artistic process, transforming familiar stories into dynamic vehicles for reflection and connection. While some organizations focus on education or access, this approach centers artistic reinvention as the primary lever for inclusion, engagement, and social impact.BAY STREET THEATRE FESTIVAL INCBridge Street Theatre Inc