organizations
Organizations in this activity group · 31
showing 20 of 31
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | PEOPLE'S THEATRE PROJECT INC The People's Theatre Project creates theatre with and for immigrant communities in New York City, focusing on social justice and artistic development. It runs … | NY | $2.5M | 2 | |
| 2 | PREGONES PUERTO RICAN TRAVELING THEATER INC Pregones Puerto Rican Traveling Theater is a Bronx-based ensemble dedicated to creating and performing original musical theater rooted in Puerto Rican and Lati… | NY | $2.9M | 2 | |
| 3 | ARTHUR AVILES TYPICAL THEATRE INC BAAD! The Bronx Academy of Arts and Dance is a cultural organization co-founded by Arthur Avilés and Charles Rice-González that produces and presents contempor… | NY | $1.9M | 1 | |
| 4 | BOUNDLESS THEATRE COMPANY INC Boundless Theatre Company is a designer-led nonprofit theater organization based in Sunnyside, NY, dedicated to redefining theatrical storytelling through inno… | NY | $571K | 1 | |
| 5 | BREWSTER THEATER COMPANY INC BREWSTER THEATER COMPANY INC is a nonprofit organization based in Brewster, NY, dedicated to producing high-quality theatrical performances and fostering commu… | NY | $199K | 1 | |
| 6 | BROADWAY BODS INC BROADWAY BODS INC is a New York-based nonprofit organization in the arts, culture, and humanities sector. The organization produces performing arts programming… | NY | $17K | 1 | |
| 7 | Bilingual Broadway Collective Corp Bilingual Broadway Collective Corp is a New York-based nonprofit that uses performing arts to celebrate language and culture in English and Spanish. The organi… | NY | $0 | 1 | |
| 8 | CASTLE ISLAND BILINGUAL MONTESSORI Private Montessori school in Albany, NY, offering bilingual education in English and Spanish for children ages 6 to 9. The school follows the Montessori philos… | NY | $631K | 1 | |
| 9 | DANCING CRANE INC DANCING CRANE INC is a cultural organization based in Brooklyn, New York, dedicated to preserving and promoting Georgian traditional performance arts. It serve… | NY | $366K | 1 | |
| 10 | EN GARDE ARTS INC En Garde Arts is a New York–based nonprofit theater company founded in 1985 that creates bold, site-specific performances rooted in social issues and community… | NY | $889K | 1 | |
| 11 | ESSENCE THEATRE-STUDIO INC ESSENCE THEATRE-STUDIO INC is a nonprofit theater organization based in Brooklyn, NY, established to serve New York's diverse ethnic communities through public… | NY | $157K | 1 | |
| 12 | GNOME HAUS INC The Gnome Haus is a theater organization based in New York that creates and produces plays featuring magical or magical realist elements, centering stories fro… | NY | $2K | 1 | |
| 13 | HEDGEPIG ENSEMBLE THEATRE INC HEDGEPIG Ensemble Theatre Inc is a Brooklyn-based nonprofit theater company dedicated to producing high-quality theatrical works. The organization focuses on c… | NY | $58K | 1 | |
| 14 | Hispanic Organization of Latin Actors Inc The Hispanic Organization of Latin Actors (HOLA) is an arts service and advocacy organization supporting Latin and Hispanic artists in the entertainment indust… | NY | $273K | 1 | |
| 15 | ID STUDIO THEATER PERFORMANCE AND RE ID Studio Theater is an experimental art theater based in the South Bronx, New York, dedicated to producing original and translated Spanish-language and biling… | NY | $595K | 1 | |
| 16 | INSTITUTO ARTE TEATRAL INTERNACIONAL INC IATI Theater is a Latinx-led nonprofit theater company based in New York City's East Village, founded in 1968. It creates, develops, and presents contemporary … | NY | $446K | 1 | |
| 17 | KJK PRODUCTIONS INC KJK PRODUCTIONS INC is a nonprofit organization based in New York focused on theater development. The organization supports the creation and production of thea… | NY | $689K | 1 | |
| 18 | LAMICRO THEATER INC LAMICRO THEATER INC is a nonprofit organization based in Sunnyside, NY, dedicated to producing affordable bilingual theater performances in Spanish and English… | NY | $11K | 1 | |
| 19 | LATIN AMERICAN THEATER EXPERIMENT ASSOCIATES INC LATIN AMERICAN THEATER EXPERIMENT ASSOCIATES INC is a New York-based nonprofit dedicated to promoting Latino performing arts, primarily serving Latino communit… | NY | $166K | 1 | |
| 20 | LATINX PLAYWRIGHTS CIRCLE INC Latinx Playwrights Circle Inc. supports and develops Latinx playwrights across the United States by providing creative development, production opportunities, a… | NY | $222K | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Theater as Civic Dialogue 5 orgsBy using theater to explore social issues and center marginalized voices, organizations foster civic engagement and public reflection, because live, narrative-driven experiences create emotionally resonant spaces for critical discourse and collective meaning-making. This strategy unifies diverse theatrical approaches—such as verbatim storytelling, satirical critique, immersive staging, and community-centered narratives—around a shared belief in theater’s power to function as a public forum. Unlike operational models focused solely on access or artist development, this strategy emphasizes theater’s role in shaping democratic culture through deliberate engagement with societal questions, identity, and ethical inquiry. What distinguishes it is its focus on the audience not just as spectator but as participant in a broader process of social reflection and dialogue.BOUNDLESS THEATRE COMPANY INCLAWNCHAIR THEATRE INCSYC DEVELOPMENT INITIATIVE INCTectonic Theater Project Inc
- Community-Engaged Theater 4 orgsBy co-creating theater with community members and centering lived experience, we foster cultural resonance and collective ownership, because authentic representation builds trust and strengthens social bonds. This strategy involves producing theater through deep collaboration with communities—especially marginalized or underrepresented groups—by integrating their stories, voices, and participation into the artistic process. It goes beyond traditional performance by treating theater as a shared, participatory practice that validates identity, challenges dominant narratives, and expands access. Unlike conventional models that prioritize professional artistry alone, this approach values process as much as product, distinguishing it from both mainstream theater and general arts education initiatives.BREWSTER THEATER COMPANY INCEN GARDE ARTS INCINSTITUTO ARTE TEATRAL INTERNACIONAL INCTeatro Circulo LTD
- Artist-Centered Creation 1 orgBy centering artistic creators in the development and production process, organizations produce more authentic, innovative, and resonant theatrical work, because deep creative ownership and sustained investment enable risk-taking, coherence, and emotional truth. This strategy prioritizes the agency, vision, and long-term engagement of artists—whether playwrights, performers, or ensembles—as the primary drivers of artistic output. It distinguishes itself from more institution- or audience-centered models by treating the artist not as a contractor but as an essential visionary whose uninterrupted involvement ensures thematic depth, stylistic unity, and cultural relevance. Variations include playwright residencies, creator-led direction, ensemble co-creation, and public rehearsal processes—all unified by the belief that transformative theater emerges most powerfully from protected, empowered artistic authorship.Tectonic Theater Project Inc
- Arts-Based Engagement for Cognitive and Emotional Well-Being 1 orgBy using creative arts modalities such as music, dance, and visual art to foster active participation, improve cognitive function, emotional regulation, and social connection among older adults and individuals with dementia, because artistic expression accesses deep neural pathways, preserves personhood, and enables meaningful engagement even when verbal or cognitive abilities are diminished. This strategy centers on the therapeutic and connective power of the arts to support populations facing cognitive decline, isolation, or physical limitations. Unlike passive entertainment or clinical interventions alone, this approach emphasizes personal agency, emotional resonance, and inclusivity—adapting artistic experiences to individual ability levels and life histories. It is distinct in its focus on co-creation, sensory activation, and intergenerational or relational exchange, positioning the arts not just as therapy but as a vehicle for dignity, memory, and community belonging.BOUNDLESS THEATRE COMPANY INC
- Cultural Preservation Through Immersive Engagement 1 orgBy creating immersive, participatory experiences in traditional arts, sports, and community events, strengthens cultural identity and intergenerational transmission, because active involvement fosters deeper connection and continuity than passive observation. This strategy centers on sustaining Irish and Scottish heritage by engaging people directly in living traditions—through dance, music, language, sports, and festivals—rather than preserving culture as static artifacts. What distinguishes it from other approaches is its emphasis on experiential participation as the engine of cultural continuity, uniting education, celebration, and community building around shared practice rather than ancestry alone. The belief across these organizations is that culture thrives not through preservation in isolation, but through dynamic, inclusive, and embodied engagement.DANCING CRANE INC
- Early Intervention 1 orgBy identifying developmental delays and providing targeted support during critical early years, we produce improved long-term outcomes for children with disabilities, because early neuroplasticity and responsive development amplify the impact of intervention. This strategy is grounded in developmental science emphasizing the heightened malleability of neural and behavioral systems in early childhood. It prioritizes timely, evidence-based services—ranging from clinical support to special education—to address delays before they compound. Unlike later-stage remediation or general support models, this approach focuses on preventing long-term challenges by acting at the earliest point of need.YOUNG MENS & YOUNG WOMENS HEBREW ASSO OF WASHINGTON HEIGHTS AND INWOOD INC
- Experiential Learning in Real-World Contexts 1 orgBy engaging participants in hands-on, immersive activities within agricultural, natural, or community-based settings, we foster deep learning, personal growth, and stewardship behaviors, because direct experience creates meaningful connections to knowledge, self, and place. This strategy centers on learning through doing—using farms, parks, gardens, and residential communities as living classrooms where cognitive, emotional, and social development are advanced through practice, reflection, and relationship. Unlike passive instruction or standalone service hours, this approach integrates environment, routine responsibility, and real-world challenges to cultivate lasting behavioral change and identity formation. It unifies diverse programs—from youth agriculture to wellness and historical land use—under a shared belief that authentic experience is foundational to transformation.YOUNG MENS & YOUNG WOMENS HEBREW ASSO OF WASHINGTON HEIGHTS AND INWOOD INC
- Integrated Senior Services 1 orgBy combining social, health, nutritional, and recreational services into a coordinated program, we improve holistic well-being and engagement among seniors, because addressing multiple interconnected needs simultaneously reduces fragmentation and increases accessibility to care. This strategy centers on delivering a unified, multidimensional model of support for older adults through co-located or coordinated services that break down silos between domains like health, nutrition, transportation, and social engagement. Unlike narrowly focused interventions (e.g., meal delivery alone), this approach assumes that synergistic outcomes emerge when services are integrated, making participation easier and more effective. It is distinct from standalone or referral-based models by emphasizing intentional coordination within a single program or facility to holistically support aging in place and long-term well-being.YOUNG MENS & YOUNG WOMENS HEBREW ASSO OF WASHINGTON HEIGHTS AND INWOOD INC
- Integrated Support Model 1 orgBy combining funding, mentorship, and network access within a single program, organizations increase the completion and impact of creative projects by underrepresented filmmakers, because holistic support addresses the interconnected systemic barriers of access, capital, and industry isolation. This strategy unifies multiple forms of assistance—financial, relational, and educational—into a cohesive pipeline that sustains creators from idea to screen. Unlike isolated interventions (e.g., grants alone or training workshops), this model treats underrepresentation as a structural issue requiring coordinated, long-term support across career stages. It appears across diverse organizations focused on equity in media, from documentary funding to youth training, and is distinguished by its emphasis on synergy between resources rather than standalone services.Hispanic Organization of Latin Actors Inc
- Montessori-Based Holistic Development 1 orgBy implementing the Montessori method through child-directed, hands-on learning in a structured environment, students achieve holistic development across cognitive, social, emotional, and moral domains, because self-directed activity aligned with natural developmental stages fosters intrinsic motivation, independence, and mutual responsibility. This strategy centers on the integration of core Montessori principles—individualized pacing, multi-age classrooms, prepared environments, and peer mentorship—to nurture the whole child. While other educational models may emphasize academic readiness or faith-based values in isolation, this approach unifies developmental psychology with pedagogical structure to cultivate both personal autonomy and social consciousness. It is distinguished by its deep commitment to fidelity in Montessori practice as a means to achieve long-term cognitive and character growth.CASTLE ISLAND BILINGUAL MONTESSORI
- Performance-Integrated Learning 1 orgBy embedding public performance into training, we accelerate artistic and personal development, because the responsibility of live presentation creates purpose, accountability, and real-world application that deepen engagement and mastery. This strategy treats performance not as a culminating event but as a core pedagogical mechanism. Across organizations, it unites diverse approaches—student-led ensembles, improvisation, cultural transmission, and professional immersion—by using performance to drive practice, build confidence, and connect learning to authentic outcomes. Unlike skill-first or curriculum-first models, this approach leverages the psychological and social stakes of public presentation to foster discipline, identity formation, and holistic growth.DANCING CRANE INC
- Play-Based Learning 1 orgBy using play as the primary mode of learning, children develop cognitive, emotional, social, and academic skills, because play naturally aligns with developmental needs, fosters intrinsic motivation, and supports integrated, experiential growth. This strategy centers on child-led, hands-on play—often through sensory exploration, project-based activities, and experiential environments—as the core mechanism for holistic development. It distinguishes itself from didactic or rote instructional models by prioritizing engagement, curiosity, and emotional safety, with the shared belief that meaningful learning emerges through active, joyful interaction rather than direct instruction. While variations exist (e.g., play with language immersion or therapeutic goals), the unifying theory is that play is not ancillary but foundational to developmental progress.CASTLE ISLAND BILINGUAL MONTESSORI
- Values-Based Mobilization 1 orgBy grounding programs and outreach in Jewish values such as tikkun olam, arevut, and Pidyon Shvuyim, organizations produce sustained community engagement and collective action, because shared ethical and religious principles foster identity-driven motivation and moral obligation. This strategy leverages deeply held religious and cultural values as a primary engine for participation, rather than relying on transactional incentives or external rewards. It is distinct from secular community organizing or service delivery models because it activates behavior through spiritual meaning, communal responsibility, and identity affirmation, making it particularly effective in close-knit or mission-driven populations.YOUNG MENS & YOUNG WOMENS HEBREW ASSO OF WASHINGTON HEIGHTS AND INWOOD INC