organizations
Organizations in this activity group · 21
showing 20 of 21
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | ART SCHOOL OF COLUMBIA COUNTY INC The Art School of Columbia County nurtures learning, creativity, and community through visual arts education for people of all ages. Founded in 2012, it offers… | NY | $74K | 1 | |
| 2 | ARTS ON THE LAKE INC Arts on the Lake Inc is a community-based nonprofit organization founded in 2006 to support and promote the visual and performing arts in Kent, NY. The organiz… | NY | $103K | 1 | |
| 3 | BAYSIDE HISTORICAL SOCIETY The Bayside Historical Society operates in Bayside, NY, with a mission to discover, preserve, and share the local history of the Bayside community. It runs edu… | NY | $350K | 1 | |
| 4 | CLAY ART CENTER INC Clay Art Center is a nonprofit arts organization in Port Chester, New York dedicated to ceramic arts education, studio access, and community engagement. It off… | NY | $1.9M | 1 | |
| 5 | CLEMENTE SOTO VELEZ CULTURAL AND EDUCATION CENTER The Clemente Soto Vélez Cultural & Educational Center is a multidisciplinary arts organization based in Manhattan's Lower East Side, founded in 1993 by Puerto … | NY | $1.5M | 1 | |
| 6 | DROPS IN THE VASE INC DROPS IN THE VASE INC is a New York-based nonprofit organization classified under Arts, Culture & Humanities. The organization's name and NTEE classification s… | NY | $156K | 1 | |
| 7 | HARAMBEE KINGSTON NY Harambee Kingston NY is a nonprofit community organization based in Kingston, New York, dedicated to cultural and educational enrichment through events that ce… | NY | $237K | 1 | |
| 8 | Hudson Valley LGBTQ Community Center Inc Hudson Valley LGBTQ Community Center provides a safe, supportive environment for LGBTQ+ individuals and families through wellness programs, advocacy, and commu… | NY | $548K | 1 | |
| 9 | JAPAN SOCIETY INC JAPAN SOCIETY INC is a leading U.S. organization dedicated to deepening mutual understanding between the United States and Japan. Through cultural, educational… | NY | $14.9M | 1 | |
| 10 | Mohawk Valley Center for the Arts Inc Mohawk Valley Center for the Arts Inc promotes and facilitates the arts for residents of the Mohawk Valley through rotating gallery exhibitions, educational wo… | NY | $270K | 1 | |
| 11 | NORTH FORK ARTS CENTER INC NORTH FORK ARTS CENTER INC is a community-based arts organization in Greenport, New York, focused on revitalizing the historic Greenport Theatre as a cultural … | NY | $1.5M | 1 | |
| 12 | NORTHEASTERN WOODWORKERS ASSOCIATION INC Nonprofit organization based in Rexford, New York, dedicated to advancing education in the art and craft of fine woodworking. The organization promotes woodwor… | NY | $158K | 1 | |
| 13 | ROBERSON MUSEUM AND SCIENCE CENTER Regional museum of art, science, and local history serving the Upper Susquehanna Valley region of New York and Pennsylvania. Offers exhibitions, educational pr… | NY | $3.5M | 1 | |
| 14 | SALMON RIVER FINE ARTS CENTER Salmon River Fine Arts Center is a nonprofit arts organization based in Pulaski, NY, founded in 1991 and operating a gallery since 1994. It offers educational … | NY | $86K | 1 | |
| 15 | THE GHENT PLAYHOUSE INC Community theater in Ghent, NY producing a range of plays and musicals each season. The organization stages classic and contemporary works, including seasonal … | NY | $71K | 1 | |
| 16 | THE SOCIETY FOR THE PRESERVATIONS OF WEEKSVILLE & BEDFORD-STUYVESANT Weeksville Heritage Center is a historic site and cultural center in Brooklyn, NY, dedicated to preserving and interpreting the history of Weeksville, one of t… | NY | $2.0M | 1 | |
| 17 | THE STRAND CENTER FOR THE ARTS The Strand Center for the Arts is a nonprofit arts organization based in Plattsburgh, NY, serving Clinton, Essex, and Franklin counties and surrounding areas i… | NY | $1.2M | 1 | |
| 18 | The CORA Foundation Inc ArtRage Gallery, operated by The CORA Foundation, is a progressive art space in Syracuse, NY, dedicated to exhibiting activist art that promotes social awarene… | NY | $398K | 1 | |
| 19 | The Mid-Hudson Heritage Center Inc DBA Fall Kill Creative Works Nonprofit community studio in Poughkeepsie, NY, offering accessible art education in ceramics, textiles, printmaking, and heritage crafts. Provides classes, wo… | NY | $213K | 1 | |
| 20 | Union Agricultural Society At Palmyra Nonprofit organization based in Palmyra, NY, that operates the Wayne County Fair annually to promote agriculture, youth development, and community heritage. Th… | NY | $351K | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Equitable Access Through Barrier Reduction 3 orgsBy removing financial, social, and systemic barriers to music education and artistic participation, organizations increase access and equity in the arts, because structural inequities—particularly those tied to cost, geography, disability, and background—disproportionately exclude underserved individuals and communities from meaningful engagement. This strategy unifies diverse programs that prioritize inclusion by directly addressing material and institutional obstacles such as tuition costs, lack of resources, disability-related access gaps, and socioeconomic exclusion. What distinguishes it from broader arts education strategies is its focus not just on delivering services, but on redesigning access models—through sliding-scale fees, targeted outreach, adaptive pedagogy, and community partnerships—to ensure participation is possible for historically marginalized groups. While other strategies may emphasize artistic excellence or professionalization, this approach centers equity as bART SCHOOL OF COLUMBIA COUNTY INCTHE STRAND CENTER FOR THE ARTSThe Mid-Hudson Heritage Center Inc DBA Fall Kill Creative Works
- Art-Integrated Community Engagement 2 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.Mohawk Valley Center for the Arts IncThe CORA Foundation Inc
- Arts-Integrated Experiential Learning 2 orgsBy embedding the arts into hands-on, real-world learning experiences, students develop deeper cognitive, emotional, and social understanding, because creative engagement activates multiple modes of perception and strengthens the connection between experience and meaning-making. This strategy unifies arts education with experiential and inquiry-based pedagogies, treating artistic practice not as an add-on but as a core method of knowing and understanding. It distinguishes itself from standalone arts instruction or traditional academic models by fusing creative expression with direct experience—whether through farm work, scientific observation, or dramatic exploration—to deepen learning across domains. The shared theory of action is that integrating the arts into experiential contexts enhances retention, identity formation, and engagement more effectively than passive or discipline-isolated approaches.Mohawk Valley Center for the Arts IncROBERSON MUSEUM AND SCIENCE CENTER
- Community-Engaged Preservation 2 orgsBy involving communities in preservation through education, events, and participatory stewardship, organizations ensure long-term cultural continuity and institutional legitimacy, because public ownership and emotional connection increase commitment to sustaining heritage. This strategy centers on activating community agency and emotional investment as core drivers of preservation sustainability. Unlike top-down or purely technical approaches, it treats heritage not just as physical infrastructure but as living culture, sustained through active use, storytelling, and inclusive participation. It distinguishes itself by prioritizing social legitimacy and grassroots ownership over architectural fidelity or legal designation alone, integrating programming, education, and civic function to embed heritage into daily community life.BAYSIDE HISTORICAL SOCIETYHARAMBEE KINGSTON NY
- Creative Expression for Healing and Empowerment 2 orgsBy engaging individuals in creative expression through art, storytelling, and performance, we foster psychological healing, personal empowerment, and community resilience, because creative modalities provide accessible, non-verbal outlets for processing trauma, building agency, and strengthening social connection. This strategy centers creative practice—not as an end in itself, but as a therapeutic and transformative vehicle for emotional recovery, self-actualization, and collective well-being. It unites organizations that use art-based interventions across clinical, educational, and community settings, distinguishing itself from purely skill-building or awareness-focused approaches by emphasizing internal psychological shifts and external social belonging through expressive engagement.ART SCHOOL OF COLUMBIA COUNTY INCThe CORA Foundation Inc
- Unrestricted Artist Support 2 orgsBy providing unrestricted financial grants and removing systemic barriers to resources, artists gain agency and sustainability in their creative practice, because economic autonomy enables risk-taking, resilience, and long-term artistic development. This strategy centers on empowering individual artists through direct, flexible funding and complementary support structures—such as fiscal sponsorship, emergency aid, or wellness services—that prioritize trust and self-determination. Unlike project-specific or institutionally mediated funding models, it treats the artist as the primary unit of investment, emphasizing personal agency over prescribed outcomes. It is distinct in its rejection of conditional funding, instead operating on the belief that creative vitality emerges most authentically when artists control the means and direction of their work.Mohawk Valley Center for the Arts IncSALMON RIVER FINE ARTS CENTER
- Arts-Based Youth Empowerment 1 orgBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.NORTH FORK ARTS CENTER INC
- Barrier Reduction Through Trusted Access 1 orgBy reducing structural, psychological, and systemic barriers to care through trusted, accessible, and person-centered pathways, we increase engagement with mental health and social services, because individuals are more likely to seek and sustain care when it is low-stigma, low-friction, and relationally grounded. This strategy unifies diverse approaches—such as street-based care, telehealth, third-party referrals, and housing-first models—around a shared theory of change: that access is not just a logistical challenge but a trust and dignity challenge. It prioritizes meeting people where they are, both physically and emotionally, and systematically removes requirements or conditions (like ID, insurance, or abstinence) that historically exclude marginalized populations. Unlike purely clinical or awareness-based strategies, this approach treats accessibility as foundational to effectiveness, emphasizing safety, continuity, and human connection as active ingredients in engagement.Hudson Valley LGBTQ Community Center Inc
- Community-Centered Engagement 1 orgBy creating inclusive, accessible, and participatory community spaces and events, organizations foster sustained engagement and collective ownership, because shared experiences in trusted environments build social cohesion and lower barriers to participation. This strategy emphasizes place-based, relationship-driven programming that invites diverse populations to co-create and co-lead activities, whether through cultural events, environmental stewardship, or skill-building. Unlike top-down service models, it relies on mutual contribution, intergenerational connection, and low-barrier access to cultivate belonging. What distinguishes it from similar approaches is its integration of physical space, recurring events, and community agency as core drivers of impact.NORTHEASTERN WOODWORKERS ASSOCIATION INC
- Community-Led Affirmation 1 orgBy centering community-driven design, lived experience, and peer-led processes in service delivery and resource development, we improve engagement and well-being for LGBTQ+ individuals, because trust, safety, and cultural resonance are best achieved when marginalized communities lead and shape the support systems meant for them. This strategy unifies approaches that prioritize authentic participation and leadership from LGBTQ+ individuals—especially those with intersecting marginalized identities—in creating and validating care models, platforms, and educational experiences. It goes beyond inclusion to place decision-making power in the hands of the community, ensuring relevance, safety, and sustainability. What distinguishes it from top-down or expert-driven models is its foundational belief that effective support must emerge from within the community to be truly affirming and effective.Hudson Valley LGBTQ Community Center Inc
- Culture as Catalyst 1 orgBy embedding arts and cultural practices into education, healing, and community life, we foster inclusion, identity, and social change, because culturally rooted creative expression builds belonging, relevance, and agency across diverse populations. This strategy centers culture not just as content but as a transformative medium through which learning, mental well-being, civic engagement, and equity are advanced. It distinguishes itself from generic arts programming by intentionally linking cultural identity—especially of marginalized communities—to developmental outcomes for youth, neurodiverse individuals, elders, and underserved groups. The shared belief across these organizations is that when art is grounded in lived experience and intergenerational tradition, it becomes a powerful lever for personal and collective transformation.THE STRAND CENTER FOR THE ARTS
- Experiential Agricultural Engagement 1 orgBy hosting community-based agricultural fairs and hands-on events, we increase public understanding and engagement in farming and rural life, because experiential, event-based learning fosters deeper knowledge retention and stronger community connections than passive education methods. This strategy leverages large-scale, tradition-rooted events—especially annual fairs—as immersive educational platforms that combine entertainment, competition, and direct interaction with agriculture. It distinguishes itself from classroom-based or media-driven outreach by prioritizing sensory, participatory experiences that appeal across age groups and foster intergenerational learning. The shared belief across organizations is that engagement through lived experience drives both individual learning and collective stewardship of agricultural practices.Union Agricultural Society At Palmyra
- Experiential Learning in Real-World Contexts 1 orgBy engaging participants in hands-on, immersive activities within agricultural, natural, or community-based settings, we foster deep learning, personal growth, and stewardship behaviors, because direct experience creates meaningful connections to knowledge, self, and place. This strategy centers on learning through doing—using farms, parks, gardens, and residential communities as living classrooms where cognitive, emotional, and social development are advanced through practice, reflection, and relationship. Unlike passive instruction or standalone service hours, this approach integrates environment, routine responsibility, and real-world challenges to cultivate lasting behavioral change and identity formation. It unifies diverse programs—from youth agriculture to wellness and historical land use—under a shared belief that authentic experience is foundational to transformation.Union Agricultural Society At Palmyra
- Immersive Engagement 1 orgBy using sensory-rich, experiential, and interactive methods to present history, increase public engagement and deepen understanding of the past, because immersive experiences foster emotional connection, cognitive retention, and personal relevance. This strategy centers on creating tangible, multi-sensory encounters with history—through reenactments, hands-on activities, primary sources, or multimedia storytelling—to transform passive audiences into active participants. It distinguishes itself from purely didactic or access-based approaches by prioritizing emotional resonance and experiential learning as pathways to historical empathy and stewardship. While related strategies like open access or community governance focus on equity or inclusion in participation, this approach emphasizes the mode of engagement as the catalyst for meaning-making.BAYSIDE HISTORICAL SOCIETY
- Integrated, Culturally Affirming Care 1 orgBy integrating medical, behavioral, and social services within culturally affirming and community-rooted models, we improve health and social outcomes because trust, accessibility, and holistic support are essential for engagement among marginalized populations. This strategy combines structural integration of services—such as co-locating care and coordinating interdisciplinary teams—with deep cultural attunement, including language access, trauma-informed practices, and alignment with community values. What distinguishes it from narrower models is its dual emphasis on system-level coordination and cultural legitimacy, ensuring that care is not only accessible but also trusted and relevant to the lived experiences of the populations served. It emerges consistently across organizations working with vulnerable elders, refugees, and urban underserved communities, reflecting a shared theory that integration without cultural affirmation fails to reach those most in need.Hudson Valley LGBTQ Community Center Inc
- Peer-Led Experiential Learning 1 orgBy engaging participants in hands-on projects guided by peers rather than top-down instruction, the organization fosters skill development and sustained community involvement, because collaborative, experiential learning increases accessibility, retention, and personal ownership of knowledge. This strategy centers on learning through direct doing, where skill transmission occurs organically via shared practice among peers of varying expertise. Unlike traditional instructor-led models, it leverages mutual support, intergenerational exchange, and real-world application—whether in boatbuilding, woodworking, origami, or repair—to build both competence and community cohesion. What distinguishes it is the intentional flattening of hierarchies in learning environments, emphasizing reciprocal teaching and tangible outcomes as drivers of engagement and cultural continuity.NORTHEASTERN WOODWORKERS ASSOCIATION INC
- Storytelling for Truth and Healing 1 orgBy using narrative storytelling and truth-telling about marginalized histories, the organization fosters collective healing, identity reclamation, and social change, because personal and historical narratives create emotional resonance, restore dignity, and build shared moral understanding. This strategy centers on the power of stories—especially those of historically erased or oppressed communities—to transform public memory and promote justice. It goes beyond education by positioning storytelling as an act of restoration and healing, linking past trauma to present resilience. Unlike general public history programming, this approach prioritizes descendant voices, emotional truth, and communal belonging as catalysts for systemic change.HARAMBEE KINGSTON NY
- Student-Centered Creative Engagement 1 orgBy centering instruction on individual student needs, creative exploration, and personal expression, we produce deeper musical engagement and holistic development, because learning that honors identity, agency, and emotional resonance fosters sustained motivation and transformative growth. This strategy integrates personalized pedagogy, creative ownership, and mentorship to make music education emotionally meaningful and developmentally impactful. It distinguishes itself from purely technical or performance-driven models by prioritizing the student’s voice, identity, and lived experience as central to artistic and personal growth.THE STRAND CENTER FOR THE ARTS