organizations
Organizations in this activity group · 159
showing 20 of 50
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | ARTS FOR ALL INC Arts For All Inc is a nonprofit providing accessible arts programs to children in New York City who face socio-economic, physical, or emotional barriers. Profe… | NY | $191K | 2 | |
| 2 | CHILDREN'S MUSEUM OF THE ARTS INC Children's Museum of the Arts provides arts education programs for children, uniting young people with artists to create and share ambitious works. The organiz… | NY | $934K | 2 | |
| 3 | HARLEM STAGE INC Founded in 1983, Harlem Stage is a performing arts organization based in New York City dedicated to empowering artists of the Global Majority. It serves as a h… | NY | $3.7M | 2 | |
| 4 | SCHOLASTIC TALENT SHOWCASE INC Scholastic Talent Inc provides after-school, summer, and specialized arts programs for youth in the Albany, NY area. The organization offers instruction and pe… | NY | $232K | 2 | |
| 5 | SCHOOL ART LEAGUE OF NEW YORK The School Art League of New York supports high school seniors in New York City who excel in visual arts by awarding scholarships and recognition to help fund … | NY | $35K | 2 | |
| 6 | Student Arts Foundation Inc Student Arts Foundation supports youth from under-resourced communities in Rochester, NY by expanding access to arts education and creative development opportu… | NY | $3K | 2 | |
| 7 | The Knowledge Project Childrens Creative Writing Campaign The Knowledge Project Childrens Creative Writing Campaign empowers K–12 students to become literate thinkers and effective communicators through creative writi… | NY | $9K | 2 | |
| 8 | 540WMAIN INC 540WMain, Inc. is a Rochester-based nonprofit that operated from 2016 to 2025, advancing antiracist education through arts and community programming. It served… | NY | $229K | 1 | |
| 9 | A Greater Good NYC Inc A Greater Good NYC Inc is a Brooklyn-based nonprofit focused on community improvement through arts, entrepreneurship, and education. The organization serves un… | NY | $0 | 1 | |
| 10 | A PLACE FOR KIDS A PLACE FOR KIDS is a New York-based nonprofit organization focused on providing cultural enrichment programs to support children's long-term success. The orga… | NY | $374K | 1 | |
| 11 | AGOCI INC AGOCI INC is a nonprofit organization based in New York that supports young individuals in the fields of art and music. The organization's mission centers on f… | NY | $13K | 1 | |
| 12 | ALBANY CENTER GALLERIES INC Albany Center Gallery promotes and exhibits contemporary visual art by emerging and established regional artists, primarily within a 100-mile radius of Albany,… | NY | $608K | 1 | |
| 13 | AMBASSADORS FOR CHRIST OUTREACH MINISTRY INC Christian community service organization based in Mount Vernon, New York, focused on supporting at-risk youth through food assistance, life skills training, an… | NY | — | 1 | |
| 14 | AMERICAN COMPOSERS ORCHESTRA INC American Composers Orchestra (ACO) advances music by American composers through performance, commissioning, and professional development programs. The organiza… | NY | $2.3M | 1 | |
| 15 | AMERICAN FRIENDS OF CHICKEN SHED INC Nonprofit supporting inclusive theater and arts education for young people of all backgrounds and abilities. Produces immersive musical performances and educat… | NY | $733K | 1 | |
| 16 | AMERICAN THEATRE WING INC The American Theatre Wing supports excellence in theatre through grants, educational programs, and media initiatives. It is best known for administering the To… | NY | $3.3M | 1 | |
| 17 | APPLEBY FOUNDATION INC Private foundation based in Au Sable Forks, NY, focused on advancing arts and culture through creative works that connect artists and audiences. Supports commu… | NY | $41K | 1 | |
| 18 | ARAB AMERICAN ARTS INSTITUTE INC ARAB AMERICAN ARTS INSTITUTE INC is a New York-based nonprofit organization focused on education and the arts. The organization promotes Arab American cultural… | NY | $112K | 1 | |
| 19 | ARNOT ART MUSEUM The Arnot Art Museum is a fine arts museum in Elmira, New York, accredited by the American Association of Museums. It maintains and exhibits a permanent collec… | NY | $460K | 1 | |
| 20 | ART FOR PROGRESS INC Art for Progress Inc is a nonprofit organization based in New York that delivers arts and music programming to students through schools and community-based alt… | NY | $20K | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Arts-Based Youth Empowerment 18 orgsBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.Artistic Dreams International IncBIG APPLE LEADERSHIP ACADEMY FOR THE ARTS INCMIND BUILDERS CREATIVE ARTS INCSTUDIO THEATRE OF LI INC
- Equitable Access Through Barrier Reduction 10 orgsBy removing financial, social, and systemic barriers to music education and artistic participation, organizations increase access and equity in the arts, because structural inequities—particularly those tied to cost, geography, disability, and background—disproportionately exclude underserved individuals and communities from meaningful engagement. This strategy unifies diverse programs that prioritize inclusion by directly addressing material and institutional obstacles such as tuition costs, lack of resources, disability-related access gaps, and socioeconomic exclusion. What distinguishes it from broader arts education strategies is its focus not just on delivering services, but on redesigning access models—through sliding-scale fees, targeted outreach, adaptive pedagogy, and community partnerships—to ensure participation is possible for historically marginalized groups. While other strategies may emphasize artistic excellence or professionalization, this approach centers equity as bART SCHOOL OF COLUMBIA COUNTY INCARTS 10566 INCMIND BUILDERS CREATIVE ARTS INCZinniah Foundation
- Art-Integrated Community Engagement 9 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.ARNOT ART MUSEUMMUNSON-WILLIAMS-PROCTOR ARTS INSTITUTEParticipatory Safety IncRPGA STUDIO INC
- Creative Expression for Healing and Empowerment 5 orgsBy engaging individuals in creative expression through art, storytelling, and performance, we foster psychological healing, personal empowerment, and community resilience, because creative modalities provide accessible, non-verbal outlets for processing trauma, building agency, and strengthening social connection. This strategy centers creative practice—not as an end in itself, but as a therapeutic and transformative vehicle for emotional recovery, self-actualization, and collective well-being. It unites organizations that use art-based interventions across clinical, educational, and community settings, distinguishing itself from purely skill-building or awareness-focused approaches by emphasizing internal psychological shifts and external social belonging through expressive engagement.ART SCHOOL OF COLUMBIA COUNTY INCARTOLUTION INCEPICENTER FOUNDATION INCMOLESKINE FOUNDATION INC
- Culturally Responsive Arts Education 5 orgsBy embedding cultural identity, lived experience, and artistic practice into education, we deepen student engagement and learning outcomes, because students connect more meaningfully to content that reflects and honors their backgrounds. This strategy centers cultural relevance as a driver of pedagogical effectiveness in arts education. It goes beyond surface-level diversity by integrating students’ identities, histories, and communities into curriculum design and teaching practices, thereby fostering deeper cognitive, emotional, and social investment. Unlike generic arts integration, this approach treats cultural affirmation as foundational to both personal development and equitable learning.A PLACE FOR KIDSArtistic Dreams International IncLocal LearningThe National Network for Folk Arts in EducationStudent Arts Foundation Inc
- Arts-Integrated Experiential Learning 4 orgsBy embedding the arts into hands-on, real-world learning experiences, students develop deeper cognitive, emotional, and social understanding, because creative engagement activates multiple modes of perception and strengthens the connection between experience and meaning-making. This strategy unifies arts education with experiential and inquiry-based pedagogies, treating artistic practice not as an add-on but as a core method of knowing and understanding. It distinguishes itself from standalone arts instruction or traditional academic models by fusing creative expression with direct experience—whether through farm work, scientific observation, or dramatic exploration—to deepen learning across domains. The shared theory of action is that integrating the arts into experiential contexts enhances retention, identity formation, and engagement more effectively than passive or discipline-isolated approaches.ARTS FOR ALL INCASSOCIATED SOLO ARTISTS INCJoy2Learn FoundationYOUNG AUDIENCES OF WESTERN NEW YORK INC D/B/A ARTS FOR LEARNING WNY
- Pathways Through Integrated Training 4 orgsBy integrating technical skills, professional networks, and real-world experience into creative education, we produce workforce readiness and career entry for underrepresented youth, because combining hands-on learning with industry alignment bridges the gap between marginalized communities and competitive creative sectors. This strategy emphasizes a holistic approach to workforce development in the arts by weaving together skill-building, mentorship, paid experience, and industry access into a cohesive pipeline. Unlike standalone training programs, it relies on the synergistic effect of combining education with relational and structural supports—ensuring that talent from underserved backgrounds not only gains competence but also navigates into sustainable careers. What distinguishes it is the intentional integration of personal, professional, and systemic elements to create durable pathways rather than isolated opportunities.ART START INCBROADWAY BOUND KIDS INCFREE ARTS FOR ABUSED CHILDREN OF NEW YORK CITY INCHUDSON OPERA HOUSE INC
- Adaptive Reuse for Community Value 3 orgsBy repurposing historic buildings for community-oriented uses, the organization ensures long-term preservation and public benefit, because continued use generates economic sustainability, public engagement, and cultural relevance. This strategy centers on transforming underutilized or deteriorated historic structures into functional spaces that serve contemporary community needs—such as arts centers, studios, or educational facilities—thereby ensuring their physical and cultural survival. Unlike preservation through static conservation or legal designation alone, this approach actively integrates historic assets into the social and economic life of the community, making preservation self-reinforcing. It distinguishes itself from other strategies by prioritizing functional continuity over mere structural retention, creating a feedback loop where community use justifies and funds ongoing stewardship.HUDSON OPERA HOUSE INCSEVENTH REGIMENT ARMORY CONSERVANCY INCST GEORGE THEATRE RESTORATION INC
- Artist Residency as Incubator 3 orgsBy providing artists with time, space, and flexible support in a protected environment, we foster innovative and authentic artistic development, because removing external pressures and structural barriers enables deep creative risk-taking and long-term experimentation. This strategy centers on creating incubatory conditions—through residencies and dedicated studios—where artists can focus intensely on their practice without commercial, financial, or logistical constraints. It distinguishes itself from other support models by emphasizing sustained, holistic investment in the artist rather than discrete project funding or market-linked outcomes, fostering both individual growth and broader cultural innovation.CULTRUEHARLEM STAGE INCSTELLA ADLER STUDIO OF ACTING
- Arts Integration Through Partnerships 3 orgsBy embedding arts education into academic and community institutions through sustained cross-sector partnerships, the organization increases equitable access to and sustainability of arts learning, because shared infrastructure, aligned goals, and co-developed programming reduce systemic barriers and institutional silos. This strategy centers on forming long-term, collaborative relationships between arts organizations, schools, and community agencies to institutionalize arts education. Unlike one-off workshops or standalone programs, it emphasizes structural integration—ensuring arts become a durable part of educational ecosystems. It distinguishes itself through systemic change rather than supplemental services, leveraging partnerships not just for delivery but for co-ownership and policy influence.SCHOOL ART LEAGUE OF NEW YORKTHE COOPERSTOWN ONEONTA OTSEGO COUNTY FILM PARTNERSHIP INCYOUNG AUDIENCES OF WESTERN NEW YORK INC D/B/A ARTS FOR LEARNING WNY
- Client-Choice Model 3 orgsBy providing nonjudgmental, client-centered counseling and removing structural barriers, individuals make informed, autonomous pregnancy decisions, because people are more likely to engage and persist in care when they feel respected, heard, and supported without coercion. This strategy centers on preserving client autonomy through emotionally safe, values-aligned, and often faith-based support while offering tangible resources and medically accurate information. It distinguishes itself from directive models by explicitly rejecting persuasion or financial incentives toward specific outcomes, instead emphasizing trust, dignity, and informed choice as the pathway to life-affirming decisions. The integration of peer support, trauma-informed care, and barrier reduction reinforces sustained engagement without compromising neutrality.ATHENS CULTURAL ARTS CENTER INCHELLS KITCHEN CULTURAL CENTERUNIVERSITY SETTLEMENT SOCIETY OF NEW YORK
- Art for Social Cohesion 2 orgsBy using artistic expression as a shared, nonverbal language across cultural, ethnic, or national lines, we build mutual understanding and reduce societal division, because creative collaboration fosters empathy, transcends linguistic barriers, and humanizes difference in ways that discourse alone cannot. This strategy centers art not merely as cultural programming but as an active mechanism for social change—specifically to bridge divides in divided societies or across diaspora communities. It is distinct from general arts education or performance missions in that it intentionally leverages the emotional resonance and symbolic power of art to create spaces for dialogue, healing, and collective identity formation across deep differences.MAM-BOGOTA FOUNDATION INCNew York African Chorus Ensemble Inc
- Artist-Centered Empowerment 2 orgsBy placing artists at the core of governance, infrastructure, and program design, organizations foster sustainable artistic innovation and equitable access, because empowering creators with agency and resources ensures that artistic and community needs are authentically met. This strategy unifies diverse practices—such as artist-run governance, fiscal sponsorship, inclusive space provision, and peer-led development—under a shared belief that systemic change in the arts arises when artists, especially those from underrepresented backgrounds, are given decision-making power and holistic support. Unlike service-delivery or audience-centric models, this approach treats artists not as beneficiaries but as leaders and co-creators of cultural ecosystems, thereby transforming organizational structures to align with equity, sustainability, and creative autonomy.HELLS KITCHEN CULTURAL CENTERHarlem Arts Festival Inc
- Community-Driven Resource Mobilization 2 orgsBy mobilizing local volunteers, donations, and participatory decision-making, we enhance educational resources and student outcomes, because community ownership increases engagement, sustainability, and equitable responsiveness to local needs. This strategy centers on leveraging the collective power of parents, alumni, volunteers, and local stakeholders to fill gaps in public education funding and support. It distinguishes itself from top-down or externally funded models by prioritizing grassroots involvement, shared leadership, and locally rooted investment—whether through time, money, or advocacy—to strengthen both school capacity and student success. While mechanisms vary (e.g., fundraising, volunteering, governance), the unifying theory is that sustainable change emerges from empowered communities acting in partnership with schools.LEBANON VALLEY COMMUNITY CORPORATIONPARENTS AND TEACHERS ASSOCIATION OF PUBLIC SCHOOL 8
- Hip-Hop Pedagogy 2 orgsBy using Hip-Hop culture as a foundational educational framework, we produce engaged, equitable, and transformative learning, because it centers student identity, expression, and lived experience to foster agency and resonance. This strategy treats Hip-Hop not just as content or medium but as a pedagogical paradigm—leveraging its core elements (e.g., MCing, beatmaking, knowledge of self) to design learning that is culturally sustaining and student-centered. It distinguishes itself from generic arts integration by grounding teaching in the cultural logic, values, and participatory ethics of Hip-Hop, with the goal of liberatory development rather than just academic outcomes.HIP HOP RE- EDUCATION PROJECT INCTHE HIP HOP MUSEUM
- Holistic Youth Development 2 orgsBy integrating programming across multiple domains of youth development—such as academics, social-emotional learning, physical activity, and family or community engagement, we produce resilient, well-rounded individuals, because coordinated support across interconnected areas of life reinforces sustained growth and personal agency. This strategy emphasizes multifaceted, sustained engagement rather than isolated interventions, recognizing that young people thrive when their interrelated needs are addressed simultaneously. It distinguishes itself from narrower, single-focus models (e.g., academic tutoring or sports-only programs) by intentionally weaving together education, wellness, mentorship, and community connection to create compounding developmental benefits.A Greater Good NYC IncCHILDREN OF ARMENIA FUND INC DBA CHILDREN OF ARMENIA FUND COAF
- Hybrid Access Model 2 orgsBy offering both physical and digital modes of engagement, organizations expand public access and deepen audience participation, because multi-channel formats remove geographic, physical, and temporal barriers while increasing inclusivity and reach. This strategy unifies efforts across museums and cultural nonprofits to democratize access through combined in-person and virtual experiences, including exhibitions, educational content, and interactive platforms. Unlike purely digital or physical strategies, the Hybrid Access Model intentionally integrates both formats to ensure resilience, equity, and broader engagement, particularly benefiting audiences who are geographically isolated, physically limited, or otherwise underserved.BARDAVON 1869 OPERA HOUSEGUSTAVO DUDAMEL FOUNDATION INC
- Integrated Community Development 2 orgsBy combining interventions across multiple sectors such as health, education, economic opportunity, and infrastructure within a single community framework, we produce sustainable improvements in well-being and self-reliance, because interconnected challenges require coordinated, systemic solutions rather than isolated fixes. This strategy emphasizes breaking down silos between service areas to address the root causes of poverty and vulnerability through holistic, community-wide programming. Unlike single-issue interventions, it relies on synergy across domains—such as pairing clean water access with health and education services—to amplify impact and build long-term resilience. What distinguishes it from narrower models is its intentional integration of services and belief that compounding effects arise when needs are addressed together, not sequentially.CHILDREN OF ARMENIA FUND INC DBA CHILDREN OF ARMENIA FUND COAFHARLEM CHILDREN'S ZONE INC
- Targeted Grantmaking 2 orgsBy directing financial resources to specific organizations, programs, or individuals in need, increase access to music education and artist support, because focused funding addresses systemic gaps and leverages existing infrastructure to maximize impact. This strategy involves identifying high-need or high-potential recipients—such as underserved schools, specialized nonprofits, or emerging artists—and providing them with dedicated funding to strengthen music education and artistic development. Unlike broad funding initiatives, this approach emphasizes precision in allocation, relying on partnerships and local expertise to ensure resources generate outsized or equitable outcomes in the music ecosystem.ARTS ANGELSMINTY ORGANIZATION FOR THE PERFORMING ARTS INC
- Art as Transformative Practice 1 orgBy engaging justice-impacted individuals in creative expression through art, music, and theater, we foster personal transformation and social reintegration, because artistic practice enables identity repair, emotional healing, and the reclamation of agency disrupted by incarceration. This strategy centers art not just as therapy or outreach but as a core mechanism for internal and systemic change—simultaneously addressing individual trauma and challenging public narratives about incarceration. It distinguishes itself from purely therapeutic or educational approaches by integrating lived experience into co-created, public-facing artistic work that shifts both self-perception and societal stigma. Unlike skill-building programs alone, this approach treats art as a vehicle for redemption, civic voice, and collective reimagination of justice.STELLA ADLER STUDIO OF ACTING