organizations
Organizations in this activity group · 90
showing 20 of 50
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | CENTER FOR INTERNATIONAL MEDIA ACTION INC Center for International Media Action (CIMA) supports community radio and media access initiatives globally, with a focus on technical engineering, policy advo… | NY | $66K | 7 | |
| 2 | LOCAL TV INC Local TV Inc (LTV) operates as a public access television station serving East Hampton, New York. It provides a platform for community-produced programming, br… | NY | $1.4M | 5 | |
| 3 | PUBLIC ACCESS TELEVISION CORPORATION Public access television station serving the incorporated villages of Great Neck and the North Shore in New York. Provides training, equipment, and studio faci… | NY | $672K | 4 | |
| 4 | WIOX WIOX is a community radio station operating at 91.3 FM in Roxbury, NY, serving the Catskills region with a diverse lineup of locally hosted music, talk, and cu… | NY | $36K | 4 | |
| 5 | WMHT EDUCATIONAL TELECOMMUNICATIONS INC WMHT Educational Telecommunications operates as a public media organization serving eastern New York and western New England. It provides PBS television progra… | NY | $10.5M | 4 | |
| 6 | AFRICAN-AMERICAN PUBLIC RADIO CONSORTIUM African-American Public Radio Consortium (AAPRC) is a nonprofit media network that strengthens African-American public radio stations and increases diverse cul… | NY | $54K | 3 | |
| 7 | BALDWINSVILLE PAC-B INC BALDWINSVILLE PAC-B INC is a community media organization based in Baldwinsville, NY, that records and broadcasts local public events, municipal meetings, scho… | NY | $60K | 3 | |
| 8 | CUNY TV FOUNDATION CUNY TV FOUNDATION supports the City University of New York's broadcast station, CUNY TV, by facilitating public access to educational and cultural programming… | NY | $690K | 3 | |
| 9 | MOUNTAIN LAKE PUBLIC TELECOMMUNICATIONS Mountain Lake PBS is a public media station based in Plattsburgh, NY, serving communities across New York, Vermont, Quebec, and Ontario. It provides PBS progra… | NY | $2.3M | 3 | |
| 10 | Manhattan Community Access Corporation Manhattan Community Access Corporation, operating as Manhattan Neighborhood Network (MNN), provides public access cable television channels and media productio… | NY | $6.5M | 3 | |
| 11 | RADIO KINGSTON CORP Community radio station based in Kingston, NY, operating as a non-commercial platform for local storytelling, music, and dialogue. The organization amplifies u… | NY | $10.7M | 3 | |
| 12 | THE PUBLIC BROADCASTING COUNCIL OF CNY INC Public broadcasting organization based in Syracuse, NY, operating non-commercial television and radio stations (WCNY) that provide educational, cultural, and p… | NY | $7.3M | 3 | |
| 13 | WAMC WAMC is a public radio station based in Albany, NY, serving the Capital Region and beyond through news, cultural, and public affairs programming. The organizat… | NY | $7.9M | 3 | |
| 14 | WAVE FARM INC Wave Farm is a New York-based nonprofit supporting transmission arts and experimental radio practices. It fosters creative uses of the electromagnetic spectrum… | NY | $939K | 3 | |
| 15 | WESTERN NEW YORK PUBLIC BROADCASTING ASSOCIATION Western New York Public Broadcasting Association, operating as Buffalo Toronto Public Media (BTPM), provides educational and cultural content through public ra… | NY | $14.5M | 3 | |
| 16 | WNET WNET is a multimedia public service nonprofit and the parent organization of New York's THIRTEEN, WLIW, and NJ Spotlight News. It produces and broadcasts educa… | NY | $119.1M | 3 | |
| 17 | AKTINA PRODUCTIONS INC AKTINA Productions, Inc. is a New York-based nonprofit media and arts organization founded in 1993 that promotes and preserves Greek and Greek Cypriot culture … | NY | $66K | 2 | |
| 18 | DEMOCRACY NOW PRODUCTIONS INC Democracy Now! is an independent, daily global news program that has provided listener-sponsored, non-commercial coverage for over 30 years. It amplifies voice… | NY | $10.4M | 2 | |
| 19 | INTERNET SOCIETY CHAPTER OF THE GREATER Digital Divide Partners collaborates with community groups and housing organizations to deploy free wireless internet, community radio stations, and resident-c… | NY | $100K | 2 | |
| 20 | ITHACA COMMUNITY RADIO INC Community radio station based in Ithaca, NY, operating as WRFI. Provides a platform for diverse local and global music, cultural expression, and social justice… | NY | $195K | 2 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Community-Driven Media Empowerment 26 orgsBy enabling community members to create and control their own media content, we strengthen civic engagement and democratic participation, because local ownership of storytelling fosters trust, inclusion, and authentic representation. This strategy centers on shifting media production power from institutions to communities by providing access to training, equipment, and broadcast platforms. Unlike traditional journalism models that prioritize professional detachment, this approach values lived experience, participatory creation, and barrier reduction—ensuring marginalized voices, youth, and underrepresented groups can shape public narratives. It unites organizations across public access television, youth media training, and community journalism under a shared belief that democratizing media infrastructure leads to more resilient, informed, and connected communities.LARCHMONT-MAMARONECK COMMUNITY TELEVISION INCStaten Island Community Television IncTHE PUBLIC BROADCASTING COUNCIL OF CNY INCWNET
- Youth-Adult Co-Creation 6 orgsBy pairing youth with adult professionals in collaborative media production, we produce empowered youth voices and high-impact storytelling, because joint creation bridges skill gaps while preserving authenticity and deepens engagement through mentorship and mutual learning. This strategy centers on intergenerational co-creation, specifically between youth and experienced adults, to produce media that is both technically strong and emotionally authentic. Unlike top-down training or passive media consumption, this approach treats youth as equal creative partners, leveraging professional mentorship to elevate their stories while ensuring narrative ownership remains with lived experience. It distinguishes itself from broader media education models by emphasizing reciprocity, shared authorship, and the transformative potential of storytelling as both personal development and public advocacy.LARCHMONT-MAMARONECK COMMUNITY TELEVISION INCRadio Free Brooklyn IncStaten Island Community Television IncYALE BROADCASTING COMPANY INC
- Independence-First Funding Model 4 orgsBy relying on audience-supported, noncommercial funding models such as memberships, reader donations, and patron support, nonprofit media organizations maintain editorial independence and public trust, because financial self-determination protects journalistic integrity from corporate, political, or advertising influence. This strategy unifies organizations that prioritize mission alignment and credibility by decoupling revenue from commercial or institutional sponsors. Unlike operational practices like storytelling formats or content focus, these groups share a core belief that sustainable independence is foundational to trustworthy journalism. The mechanism—diversified but non-advertising funding—enables other strategies (e.g., fearless reporting, centering marginalized voices) to operate without compromise, making it a root enabler rather than a parallel tactic.CENTRAL CURRENT INCDEMOCRACY NOW PRODUCTIONS INCQUEENS PUBLIC COMMUNICATIONS CORPORATIONRADIO CATSKILL WJFF
- Art-Integrated Community Engagement 3 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.LOCAL TV INCRADIO CATSKILL WJFFSOCIETY OF UNIQUE ARTISTS
- Integrated Support Model 3 orgsBy combining tailored services with cross-sector coordination and holistic support, organizations improve client stability and workforce readiness, because addressing interconnected social, emotional, and economic barriers enables sustainable engagement and long-term success. This strategy centers on breaking down silos between health, employment, and social services by aligning them around the individual or family. What distinguishes it from narrower operational models is its intentional integration of medical, emotional, cultural, and economic supports—whether through case management, volunteer networks, or employer partnerships—to meet people where they are. Unlike standalone training or referral systems, this approach assumes that durable outcomes require coordinated, multi-dimensional intervention rooted in dignity, trust, and systemic alignment.DOWNTOWN COMMUNITY TELEVISION CENTER INCENTERTAINMENT 2 AFFECT CHANGELA COLMENA NYC INC DBA LA COLMENA F/K/A STATEN ISLAND COMMUNITY JOB CENTER
- Artist-Centered Empowerment 2 orgsBy placing artists at the core of governance, infrastructure, and program design, organizations foster sustainable artistic innovation and equitable access, because empowering creators with agency and resources ensures that artistic and community needs are authentically met. This strategy unifies diverse practices—such as artist-run governance, fiscal sponsorship, inclusive space provision, and peer-led development—under a shared belief that systemic change in the arts arises when artists, especially those from underrepresented backgrounds, are given decision-making power and holistic support. Unlike service-delivery or audience-centric models, this approach treats artists not as beneficiaries but as leaders and co-creators of cultural ecosystems, thereby transforming organizational structures to align with equity, sustainability, and creative autonomy.CENTER FOR INTERNATIONAL MEDIA ACTION INCWATERBROOK POTTERS STUDIO INC
- Community-Centered Engagement 2 orgsBy creating inclusive, accessible, and participatory community spaces and events, organizations foster sustained engagement and collective ownership, because shared experiences in trusted environments build social cohesion and lower barriers to participation. This strategy emphasizes place-based, relationship-driven programming that invites diverse populations to co-create and co-lead activities, whether through cultural events, environmental stewardship, or skill-building. Unlike top-down service models, it relies on mutual contribution, intergenerational connection, and low-barrier access to cultivate belonging. What distinguishes it from similar approaches is its integration of physical space, recurring events, and community agency as core drivers of impact.Niagara Pride IncSOCIETY OF BROADCAST ENGINEERS CHAPTER 22 INC
- Community-Led Systems Change 2 orgsBy centering community leadership, lived experience, and collective agency in design and decision-making, we produce sustainable and equitable social change because solutions rooted in local knowledge and power are more legitimate, adaptive, and effective at transforming systems. This strategy unifies a diverse set of organizations around a shared theory of change: lasting impact emerges not from top-down interventions, but from shifting power, resources, and authority to the communities most affected by injustice. It distinguishes itself from service-delivery or expert-driven models by prioritizing local ownership, relational trust, and systemic transformation—whether through survivor-led advocacy, faith-based collaboration, interdisciplinary co-creation, or intergenerational movement building. While operational expressions vary (e.g., legal advocacy, care infrastructure, or educational access), the core mechanism is consistent: empowering frontline voices as the primary agents of chENTERTAINMENT 2 AFFECT CHANGERise Up Kingston Inc
- Holistic Youth Development 2 orgsBy integrating programming across multiple domains of youth development—such as academics, social-emotional learning, physical activity, and family or community engagement, we produce resilient, well-rounded individuals, because coordinated support across interconnected areas of life reinforces sustained growth and personal agency. This strategy emphasizes multifaceted, sustained engagement rather than isolated interventions, recognizing that young people thrive when their interrelated needs are addressed simultaneously. It distinguishes itself from narrower, single-focus models (e.g., academic tutoring or sports-only programs) by intentionally weaving together education, wellness, mentorship, and community connection to create compounding developmental benefits.MENTAL HEALTH ASSOCIATION OF COLUMBIA & GREENE COUNTIES INCWXXI PUBLIC BROADCASTING COUNCIL
- Low-Barrier, High-Engagement Access 2 orgsBy reducing financial, social, and logistical barriers while fostering meaningful, participatory experiences, organizations increase inclusive and sustained engagement, because accessibility and personal relevance are foundational to building belonging and long-term participation. This strategy unifies diverse organizations by centering on intentional removal of structural and psychological barriers—such as cost, formality, and unfamiliarity—while simultaneously creating accessible, relational, and experiential entry points to community life. It distinguishes itself from purely operational or programmatic models by combining inclusive design (e.g., sliding-scale fees, peer-led formats) with a theory of engagement rooted in trust, psychological safety, and shared experience. Unlike top-down or service-delivery-only approaches, this strategy treats accessibility not as a logistical adjustment but as a core mechanism for building equity and belonging.Kingston Community Radio IncREG LENNA CENTER FOR THE ARTS INC
- Music as Ministry 2 orgsBy using music as a medium for spiritual communication, organizations foster deeper spiritual engagement and evangelism, because music enhances emotional resonance, cultural relevance, and communal participation in faith. This strategy centers on the belief that music—whether through choral performance, contemporary worship, gospel, or hip hop—is not merely an artistic expression but a divinely empowered tool for spreading the Christian message, nurturing believers, and breaking down barriers to spiritual receptivity. It distinguishes itself from other outreach methods by prioritizing affective and cultural pathways to faith, leveraging melody, rhythm, and lyrical storytelling to make scripture and salvation experientially accessible.NEW LIFE RADIO INTERNATIONAL NFPSound of Life Inc
- Storytelling for Social Change 2 orgsBy producing and strategically distributing documentary and narrative films that center authentic, lived-experience storytelling, organizations generate public awareness, empathy, and civic engagement, because emotionally resonant stories make systemic issues relatable and motivate audiences to act. This strategy unifies organizations that use film as a catalyst for social change by prioritizing narrative power, community collaboration, and targeted outreach. While some focus on youth voices, others emphasize filmmaker mentorship or community-led distribution, the shared belief is that impactful storytelling—when rooted in authenticity and paired with strategic engagement—can shift cultural narratives and drive measurable action. It differs from purely educational or service-based models by centering media creation as the primary lever for change.ENTERTAINMENT 2 AFFECT CHANGERochester Community TV Inc
- Amplification for Change 1 orgBy amplifying underreported stories and marginalized voices through investigative journalism, publishing, and public recognition, we catalyze social change and shift public discourse, because increased visibility of systemic injustice inspires civic engagement and challenges dominant narratives. This strategy centers on using narrative power—via journalism, books, prizes, and media partnerships—to elevate voices and issues excluded from mainstream discourse. Unlike operational models focused solely on news production or media reform, it emphasizes impact through resonance: making hidden injustices visible and credible to the public. What distinguishes it is its theory of change rooted in cultural and discursive shift, rather than institutional reform or direct service alone.WAMC
- Amplification of Marginalized Voices 1 orgBy centering historically underrepresented artists, communities, and cultural narratives in programming, exhibitions, and media production, organizations deepen public engagement and advance equity, because authentic representation fosters belonging, challenges dominant cultural narratives, and meets underserved audiences where they are. This strategy unifies diverse tactics—such as artist-led curation, community co-creation, syndicated radio, podcasting, and public art—under a shared theory that systemic exclusion in cultural institutions can be countered by intentionally elevating voices that commercial and traditional nonprofit models often overlook. What distinguishes it is its focus on narrative power: not just access or education, but who gets to define culture. While other strategies may emphasize pedagogy or preservation, this approach treats representation itself as transformative action.AFRICAN-AMERICAN PUBLIC RADIO CONSORTIUM
- Art-Integrated Spiritual Engagement 1 orgBy integrating artistic expression with spiritual practice, we produce deeper personal and communal transformation, because creative modalities unlock emotional resonance, foster inclusive participation, and make sacred traditions more accessible and personally meaningful. This strategy centers on using the arts—not as decoration or outreach tool, but as core to spiritual formation and communal life. It unites diverse organizations that believe artistic co-creation, whether through ritual design, performance, visual art, or immersive storytelling, activates deeper engagement than doctrinal or verbal methods alone. What distinguishes it from purely educational or liturgical approaches is its emphasis on experiential, emotionally resonant participation as a pathway to both individual awakening and collective renewal.CANTOR'S WORLD LTD
- Artist-Centered Creation 1 orgBy centering artistic creators in the development and production process, organizations produce more authentic, innovative, and resonant theatrical work, because deep creative ownership and sustained investment enable risk-taking, coherence, and emotional truth. This strategy prioritizes the agency, vision, and long-term engagement of artists—whether playwrights, performers, or ensembles—as the primary drivers of artistic output. It distinguishes itself from more institution- or audience-centered models by treating the artist not as a contractor but as an essential visionary whose uninterrupted involvement ensures thematic depth, stylistic unity, and cultural relevance. Variations include playwright residencies, creator-led direction, ensemble co-creation, and public rehearsal processes—all unified by the belief that transformative theater emerges most powerfully from protected, empowered artistic authorship.BRIC ARTS MEDIA BKLYN INC
- Civil Discourse Through Structured Dialogue 1 orgBy convening diverse, opposing, or underrepresented viewpoints in moderated, respectful forums, we reduce polarization and strengthen democratic engagement, because structured exposure to difference fosters mutual understanding, critical thinking, and shared civic identity. This strategy centers on using intentional dialogue—through debate, journalism, storytelling, or public forums—to model nonpartisan exchange and counteract societal fragmentation. It distinguishes itself from general education or advocacy approaches by emphasizing format, moderation, and intellectual balance as active mechanisms for changing how people engage across difference, rather than solely changing what they believe.THE PUBLIC BROADCASTING COUNCIL OF CNY INC
- Collaborative Reach Expansion 1 orgBy partnering with community and institutional allies, organizations amplify their impact and access to underserved audiences, because shared networks and resources extend reach more effectively than isolated efforts. This strategy emphasizes cross-sector partnerships—between nonprofits, academic institutions, community groups, and public agencies—to broaden participation, deepen trust, and enhance program delivery. Unlike strategies focused solely on direct service or individual capacity building, this approach leverages relational infrastructure to scale impact, particularly evident in outreach, education, and equity initiatives across cultural, scientific, and rural-serving organizations.HISPANIC INFORMATION AND TELECOMMUNICATIONS NETWORK INC
- Collective Impact & Aligned Action 1 orgBy convening cross-sector partners around shared goals and aligned resources, we produce systemic change, because coordinated action across institutions amplifies impact beyond what any single organization can achieve. This strategy centers on uniting diverse stakeholders—nonprofits, government, private sector, and communities—through structured collaboration to address complex social problems. It distinguishes itself from individualized or siloed interventions by emphasizing shared agendas, measurable outcomes, and sustained coordination. While some variants emphasize data, equity, or fiscal alignment, the core theory of change is that collective, aligned effort generates transformational scale and sustainability.GREATER HARLEM CHAMBER OF COMMERCE
- Collective Voice Model 1 orgBy uniting businesses into a coordinated network with shared governance and advocacy, the Chamber amplifies local economic influence and drives policy change, because unified representation increases political leverage, trust, and collective efficacy beyond what individual actors can achieve. This strategy centers on building organizational power through member alignment, where chambers act as institutional conduits for collective action rather than just service providers. It distinguishes itself from purely operational strategies (like event hosting or business promotion) by emphasizing structured collaboration, member-led decision-making, and advocacy grounded in coalition strength—transforming fragmented small businesses into a coherent force for economic and policy change.CHAMBER OF COMMERCE OF NEW ROCHELLE INC