organizations
Organizations in this activity group · 215
showing 20 of 50
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | NARS FOUNDATION INC NARS Foundation is a Brooklyn-based nonprofit that supports emerging and mid-career artists and curators through residency programs, exhibitions, and professio… | NY | $371K | 3 | |
| 2 | SERPENTINE AMERICAS FOUNDATION FKA AMERICAS FOUNDATION OF THE SERPENTINE GA Serpentine Americas Foundation is a New York-based nonprofit that connects supporters from North and South America with the Serpentine Galleries in London. It … | NY | $2.6M | 2 | |
| 3 | 10013 FOUNNDATION 10013 Foundation is a nonprofit dedicated to preserving and celebrating the history of the Tribeca neighborhood in New York City through visual arts. It suppor… | NY | $3K | 1 | |
| 4 | 10X10 PHOTOBOOKS INC 10X10 Photobooks is a community-oriented nonprofit founded in 2012 that promotes engagement with the photobook through contemporary practice, overlooked public… | NY | $89K | 1 | |
| 5 | AGUSTIN FERNANDEZ FOUNDATION The Agustin Fernandez Foundation promotes understanding and appreciation of the artwork of Agustin Fernandez, a Cuban-American visual artist. Based in New York… | NY | $18K | 1 | |
| 6 | AIM INNOVATION INC AIM INNOVATION INC is a nonprofit organization based in Jamaica, New York, operating in the arts, culture, and humanities sector. Consistent with its NTEE clas… | NY | $30K | 1 | |
| 7 | AMANDA&JAMES INCORPORATED AMANDA&JAMES INCORPORATED is a cultural organization based in New York. The organization is classified under Arts, Culture & Humanities and reports engaging in… | NY | $238K | 1 | |
| 8 | AMERICAN ACCORDIONISTS ASSOCIATION INC The American Accordionists Association Inc is a New York-based nonprofit dedicated to promoting public understanding and appreciation of the accordion as a mus… | NY | $-1006 | 1 | |
| 9 | AMERICAN ARTISTS PROFESSIONAL LEAGUE Nonprofit organization based in New York State dedicated to the advancement of fine arts. The organization supports artists and promotes artistic excellence, t… | NY | $88K | 1 | |
| 10 | AMERICAN FOUNDATION FOR THE NATIONAL MUSEUMS SCOTLAND The American Foundation for National Museums Scotland is a U.S.-based 501(c)(3) nonprofit established in 1980 to promote awareness, understanding, and support … | NY | $268K | 1 | |
| 11 | AMERICAN FRIENDS OF FONDATION BEYELER Supports public understanding and appreciation of art and arts education by raising funds for the Foundation Beyeler, a Swiss museum. Funds support acquisition… | NY | $174K | 1 | |
| 12 | AMERICAN FRIENDS OF MAXXI INC Supports the MAXXI National Museum of 21st Century Art in Rome by raising funds and encouraging donations of artworks to its permanent collection. Promotes int… | NY | $33K | 1 | |
| 13 | AMERICAN FRIENDS OF THE NATIONAL BALLET OF CANADA INC Supports the National Ballet of Canada by promoting awareness and appreciation of ballet and related performance arts in the United States and internationally.… | NY | $53K | 1 | |
| 14 | AMERICAN FRIENDS OF THE ROYAL COLLECTION INC Supports the Royal Collection Trust by promoting cultural collaborations between UK and US institutions. Facilitates exhibitions, loans of artworks, educationa… | NY | $1 | 1 | |
| 15 | AMERICAN FRIENDS OF ZEITZ MOCAA Supports art and cultural education related to contemporary African art and the African diaspora. Operates as a U.S.-based nonprofit promoting the mission of Z… | NY | $2.8M | 1 | |
| 16 | AMERICAN OVERSEAS ARTIST THEATRE INC AMERICAN OVERSEAS ARTIST THEATRE INC is a nonprofit organization based in Flushing, NY, dedicated to advancing theatrical arts. The organization focuses on sup… | NY | $0 | 1 | |
| 17 | AMERICAN WATERCOLOR SOCIETY INC AMERICAN WATERCOLOR SOCIETY INC is a nonprofit organization based in New York dedicated to advancing the art of watercolor painting. The organization supports … | NY | $292K | 1 | |
| 18 | ANDY KIRK RESEARCH FOUNDATION INC The Andy Kirk Research Foundation Inc is a New York-based nonprofit dedicated to facilitating the study and appreciation of jazz. Consistent with its NTEE clas… | NY | — | 1 | |
| 19 | ARCO COLLABORATIVE INC ARCO Collaborative is a nonprofit founded by violinist Jennifer Koh in 2014 that commissions, develops, and produces new musical works centering underrepresent… | NY | $174K | 1 | |
| 20 | ART LAB INC Art Lab Inc is a nonprofit organization based in Staten Island, New York, dedicated to teaching, promoting, and fostering fine arts and applied arts within the… | NY | $348K | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Art-Integrated Community Engagement 26 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.GALLERY NORTH INCGreat South Bay Arts and Entertainment Foundation IncKIRKLAND ART CENTER INCSOCIETY FOR THE PRESERVATION OF RELIGIOUS ARTIFACTS AND CULTURE INC
- Art-Access as Engagement 12 orgsBy lowering barriers to access—financial, physical, digital, and cultural—organizations increase public engagement with art, because inclusive access fosters broader participation, deepens personal connection, and expands the reach of artistic practice beyond traditional gatekeepers. This strategy centers on removing systemic obstacles to art participation—such as cost, location, format, and historical exclusion—to enable diverse audiences to engage meaningfully with artistic and cultural content. It unites practices like free admission, digital expansion, open programming, and inclusive design under a shared belief that access is foundational to relevance and equity in cultural engagement. Unlike purely curatorial or market-driven approaches, this strategy treats access not as a logistical detail but as a core mechanism of public empowerment and artistic impact.IKON ARTS FOUNDATION INCINTERNATIONAL FINE PRINT DEALERS ASSOCIATION INCINTERNATIONAL FRIENDS OF KHMTHE WALLACE COLLECTION IN AMERICA INC
- Creative Expression for Healing and Empowerment 7 orgsBy engaging individuals in creative expression through art, storytelling, and performance, we foster psychological healing, personal empowerment, and community resilience, because creative modalities provide accessible, non-verbal outlets for processing trauma, building agency, and strengthening social connection. This strategy centers creative practice—not as an end in itself, but as a therapeutic and transformative vehicle for emotional recovery, self-actualization, and collective well-being. It unites organizations that use art-based interventions across clinical, educational, and community settings, distinguishing itself from purely skill-building or awareness-focused approaches by emphasizing internal psychological shifts and external social belonging through expressive engagement.HUNT GALLERY ARTISTS AND RESIDENTSINTERTWINE ARTS INCPELLETTIERI STONE CARVERS ACADEMY INCVISUAL AIDS FOR THE ARTS INC
- Unrestricted Artist Support 7 orgsBy providing unrestricted financial grants and removing systemic barriers to resources, artists gain agency and sustainability in their creative practice, because economic autonomy enables risk-taking, resilience, and long-term artistic development. This strategy centers on empowering individual artists through direct, flexible funding and complementary support structures—such as fiscal sponsorship, emergency aid, or wellness services—that prioritize trust and self-determination. Unlike project-specific or institutionally mediated funding models, it treats the artist as the primary unit of investment, emphasizing personal agency over prescribed outcomes. It is distinct in its rejection of conditional funding, instead operating on the belief that creative vitality emerges most authentically when artists control the means and direction of their work.ARTS MID-HUDSON INCBABYLON CITIZENS COUNCIL ON THE ARTS INCCREATIVE CAPITAL FOUNDATIONThe Woodman Residency Foundation LTD
- Cultural Preservation Through Artistic Practice 5 orgsBy using live performance, education, and intergenerational collaboration in traditional arts, we preserve and revitalize endangered cultural traditions, because immersive artistic engagement sustains cultural memory, identity, and continuity across time and communities. This strategy centers on maintaining cultural heritage not through archival or academic means alone, but through active, living practice—especially performance and mentorship. It distinguishes itself from passive documentation or pop-culture outreach by emphasizing authenticity, continuity, and deep transmission of cultural knowledge via embodied art forms. While many organizations use art as a tool, this cluster specifically links the act of performing tradition to long-term cultural survival and relevance.PELLETTIERI STONE CARVERS ACADEMY INCSCHROON LAKE ARTS COUNCIL INCTEXTILE STUDY GROUP OF NEW YORKTHE QUILT GUILD OF WEBSTER INC
- Equitable Access Through Barrier Reduction 5 orgsBy removing financial, social, and systemic barriers to music education and artistic participation, organizations increase access and equity in the arts, because structural inequities—particularly those tied to cost, geography, disability, and background—disproportionately exclude underserved individuals and communities from meaningful engagement. This strategy unifies diverse programs that prioritize inclusion by directly addressing material and institutional obstacles such as tuition costs, lack of resources, disability-related access gaps, and socioeconomic exclusion. What distinguishes it from broader arts education strategies is its focus not just on delivering services, but on redesigning access models—through sliding-scale fees, targeted outreach, adaptive pedagogy, and community partnerships—to ensure participation is possible for historically marginalized groups. While other strategies may emphasize artistic excellence or professionalization, this approach centers equity as bNEW RENAISSANCE ARTS CENTER OF NEW YORK INCRIVERTOWNS ARTS COUNCIL INCTOPICAL CREAM INCTROPICALFETE INC
- Cultural Preservation Through Institutional Support 4 orgsBy providing financial and programmatic support to cultural institutions, we increase public access to art and sustain artistic legacies, because institutional capacity enables long-term preservation, exhibition, and educational engagement with culturally significant work. This strategy centers on strengthening the infrastructure of cultural organizations—museums, galleries, and research institutions—as a primary lever for preserving and expanding access to art. Unlike direct artist support or community-based programming, this approach operates through established institutions, leveraging their reach and credibility to ensure enduring public engagement and scholarly continuity. It unites foundations that view institutional resilience as foundational to cultural stewardship, whether promoting a single artist’s legacy or broad binational cultural exchange.AGUSTIN FERNANDEZ FOUNDATIONODED ODED HALAHMY FOUNDATION FOR THE ARTS INCShchukin Foundation IncTEL AVIV MUSEUM'S AMERICAN FRIENDS INC
- Immersive Engagement 4 orgsBy using sensory-rich, experiential, and interactive methods to present history, increase public engagement and deepen understanding of the past, because immersive experiences foster emotional connection, cognitive retention, and personal relevance. This strategy centers on creating tangible, multi-sensory encounters with history—through reenactments, hands-on activities, primary sources, or multimedia storytelling—to transform passive audiences into active participants. It distinguishes itself from purely didactic or access-based approaches by prioritizing emotional resonance and experiential learning as pathways to historical empathy and stewardship. While related strategies like open access or community governance focus on equity or inclusion in participation, this approach emphasizes the mode of engagement as the catalyst for meaning-making.AMERICAN FOUNDATION FOR THE NATIONAL MUSEUMS SCOTLANDFRIENDS OF CITY RELIQUARYINCORPORATEDSTORM KING ART CENTERTHE AMERICAN FRIENDS OF MUSEUMS IN ISRAEL
- Art as Emotional Catalyst 3 orgsBy integrating art into education, advocacy, and public engagement, we produce deeper emotional resonance and sustained civic or behavioral change, because artistic expression accesses affective and moral dimensions that informational or technical appeals alone cannot reach. This strategy centers on art’s unique capacity to evoke emotion, foster identification, and inspire action by engaging people beyond rational or didactic modes. It is distinct from purely educational or policy-focused approaches, as it leverages aesthetic and sensory experiences to transform understanding, build empathy, and motivate engagement with social, environmental, or personal issues. While operational contexts vary—from classrooms to public installations—the shared theory is that art creates space for meaning-making that drives lasting change.Earth Shot Project IncMICHAEL KUDISH NATURAL HISTORY PRESERVESTORM KING ART CENTER
- Art for Social Cohesion 3 orgsBy using artistic expression as a shared, nonverbal language across cultural, ethnic, or national lines, we build mutual understanding and reduce societal division, because creative collaboration fosters empathy, transcends linguistic barriers, and humanizes difference in ways that discourse alone cannot. This strategy centers art not merely as cultural programming but as an active mechanism for social change—specifically to bridge divides in divided societies or across diaspora communities. It is distinct from general arts education or performance missions in that it intentionally leverages the emotional resonance and symbolic power of art to create spaces for dialogue, healing, and collective identity formation across deep differences.THE AMERICAN FRIENDS OF MUSEUMS IN ISRAELUNITED ASSOCIATION OF CALLIGRAPHY INCVOICES IN CONTEMPORARY ART
- Artist Residency as Incubator 3 orgsBy providing artists with time, space, and flexible support in a protected environment, we foster innovative and authentic artistic development, because removing external pressures and structural barriers enables deep creative risk-taking and long-term experimentation. This strategy centers on creating incubatory conditions—through residencies and dedicated studios—where artists can focus intensely on their practice without commercial, financial, or logistical constraints. It distinguishes itself from other support models by emphasizing sustained, holistic investment in the artist rather than discrete project funding or market-linked outcomes, fostering both individual growth and broader cultural innovation.GALLERY NORTH INCSTORM KING ART CENTERTriangle Arts Association Limited
- Artist-Centered Empowerment 3 orgsBy placing artists at the core of governance, infrastructure, and program design, organizations foster sustainable artistic innovation and equitable access, because empowering creators with agency and resources ensures that artistic and community needs are authentically met. This strategy unifies diverse practices—such as artist-run governance, fiscal sponsorship, inclusive space provision, and peer-led development—under a shared belief that systemic change in the arts arises when artists, especially those from underrepresented backgrounds, are given decision-making power and holistic support. Unlike service-delivery or audience-centric models, this approach treats artists not as beneficiaries but as leaders and co-creators of cultural ecosystems, thereby transforming organizational structures to align with equity, sustainability, and creative autonomy.FIRST STREET GALLERY INCHarlem Arts Festival IncON THIS SPOT NYC STORIES OF PIONEERING WOMEN ARTISTS INC
- Artist-as-Educator Model 3 orgsBy employing practicing artists as educators, we enhance student engagement and artistic development, because lived creative experience fosters authentic learning and inspires deeper connection to the art form. This strategy centers the working artist as both teacher and role model, integrating real-world practice into education to increase relevance and motivation. It distinguishes itself from traditional academic instruction by prioritizing mentorship, professional authenticity, and experiential learning over standardized curricula. While several organizations implement variations—such as artist-to-artist teaching, individualized mentorship, or community-based workshops—the shared belief is that direct access to active artists strengthens educational impact, creative identity, and community engagement.GRAND CENTRAL ATELIER INCNEW RENAISSANCE ARTS CENTER OF NEW YORK INCWINGSPAN ARTS INC
- Arts-Based Youth Empowerment 3 orgsBy engaging youth in transformative arts practices, we foster personal growth, agency, and social belonging, because creative expression in supportive, experiential environments builds confidence, resilience, and identity. This strategy centers the arts not just as skill-building activities but as vehicles for deep developmental change in young people. It unites diverse art forms—circus, theater, comedy, music, and visual arts—around a shared belief that embodied, creative risk-taking in inclusive settings cultivates non-cognitive skills like collaboration, persistence, and self-awareness. Unlike general arts education, this approach emphasizes emotional engagement, individualized support, and social-emotional development as core outcomes, positioning youth not as passive recipients but as active creators and agents of change.BROADWAY TRAINING CENTER OF WESTCHESTER INCNORTH SHORE ART GUILD INCSPARLKE ON STAGE INC
- Interdisciplinary Engagement 3 orgsBy integrating music with other art forms and disciplines, organizations deepen audience engagement and broaden access to the arts, because multidimensional storytelling resonates more deeply across diverse audiences and lowers barriers to cultural participation. This strategy unifies organizations that combine music with poetry, dance, visual art, narrative, or technology to create richer, more accessible artistic experiences. Unlike single-discipline performances, these interdisciplinary formats foster emotional resonance, cognitive connections, and inclusivity by meeting audiences in familiar or innovative contexts, thereby expanding the reach and relevance of classical and contemporary music. The shared belief is that art becomes more impactful and accessible when it transcends traditional boundaries.CAVE ORGANIZATION INCHUNT GALLERY ARTISTS AND RESIDENTSThe Woodman Residency Foundation LTD
- Transnational Cultural Intermediary 3 orgsBy serving as a U.S.-based fundraising and engagement bridge for foreign cultural institutions, these organizations increase financial support, public awareness, and institutional capacity abroad, because American donors are more likely to contribute to international causes when connected through familiar legal, cultural, and social frameworks. This strategy involves establishing U.S. nonprofit entities that act as intermediaries to channel philanthropy, advocacy, and public programming in support of cultural institutions located outside the United States—primarily in Europe. These intermediaries leverage tax-deductible giving, transatlantic networks, and localized educational outreach to deepen American engagement with foreign cultural heritage, distinguishing them from domestic arts funders or direct-service cultural organizations. Unlike general fundraising groups, they specifically align donor experience with cross-border cultural diplomacy, combining financial mechanisms with misAMERICAN FRIENDS OF FONDATION BEYELERAMERICAN FRIENDS OF THE ROYAL COLLECTION INCTEL AVIV MUSEUM'S AMERICAN FRIENDS INC
- Archival Activism 2 orgsBy preserving and recentering marginalized histories through community-driven documentation and open access, we challenge dominant narratives and power structures, because control over memory and representation is fundamental to justice and social change. This strategy treats archiving not as a neutral act of preservation but as an active form of resistance—centering voices excluded from official records and transforming how knowledge is produced, owned, and transmitted. Unlike traditional preservation efforts that reinforce institutional authority, Archival Activism prioritizes ethical co-governance, radical accessibility, and cultural continuity, making it a distinct theory of change that links memory to movement-building.10X10 PHOTOBOOKS INCFRIENDS OF CITY RELIQUARYINCORPORATED
- Artistic Mentorship Through Immersive Practice 2 orgsBy embedding emerging artists in immersive, mentored performance and training environments with established professionals, we accelerate artistic development and professional integration, because direct collaboration in intensive, supportive settings deepens skill acquisition, confidence, and field cohesion. This strategy centers on transforming artistic education through hands-on, relational learning models that go beyond classroom instruction. It emphasizes sustained interaction with master artists in real-world performance contexts—such as side-by-side ensembles, residential intensives, or collaborative rehearsals—which creates pathways for technical growth, professional identity formation, and long-term field sustainability. Unlike passive learning or one-off workshops, this approach leverages continuity, mentorship, and shared artistic purpose to cultivate both individual talent and collective cultural vitality.FIRST STREET GALLERY INCGALLERY NORTH INC
- Collaborative Ecosystem Building 2 orgsBy fostering interconnected, peer-driven networks and removing structural barriers to resources, we enable sustainable artistic and community development, because diverse, decentralized collaboration amplifies innovation, resilience, and equity more effectively than isolated individual effort. This strategy centers on creating conditions where creative growth emerges from mutual support, shared access, and cross-disciplinary or intergenerational exchange rather than top-down programming. It distinguishes itself by prioritizing relational infrastructure—networks, communities, and participatory models—alongside material support, recognizing that long-term impact depends on both resource accessibility and the social fabric that sustains it. Unlike one-off grants or single-artwork funding, this approach invests in the ecosystem itself as the engine of change.ARTSNYSTriangle Arts Association Limited
- Collaborative Stewardship 2 orgsBy centering collaboration with artists, communities, and interdisciplinary experts in preservation and documentation practices, organizations achieve more authentic, equitable, and sustainable cultural stewardship, because shared ownership and lived expertise ensure that conservation aligns with cultural meaning, ethical integrity, and long-term relevance. This strategy emphasizes that preservation is not a technical act performed in isolation, but a relational and inclusive process grounded in trust, co-creation, and respect for context. Unlike top-down or purely archival approaches, Collaborative Stewardship treats knowledge and authority as distributed, actively involving artists, descendants, fans, or cultural practitioners as essential partners in decision-making, documentation, and innovation. It unites diverse methods—from blockchain co-governance to oral history dialogues—under a shared belief that lasting cultural preservation emerges only when those most connected to the woELECTRONIC ARTS INTERMIX INCVOICES IN CONTEMPORARY ART