organizations
Organizations in this activity group · 81
showing 20 of 50
| # | Organization | State | Revenue | Activities ↓ | |
|---|---|---|---|---|---|
| 1 | ART & ANTIQUITIES BLOCKCHAIN CONSORTIUM INC Art & Antiquities Blockchain Consortium Inc. (AABC) is a nonprofit organization leveraging blockchain technology to address cultural heritage disputes, repatri… | NY | $4K | 5 | |
| 2 | CENTER FOR THE PRESERVATION OF ARTISTS LEGACIES Center for the Preservation of Artists’ Legacies (CPAL) is a Brooklyn-based nonprofit that organizes annual conferences to advance understanding of preserving … | NY | $141K | 5 | |
| 3 | ROMARE BEARDEN FOUNDATION INC The Romare Bearden Foundation perpetuates the artistic and intellectual legacy of Romare Bearden through public programs, artist talks, traveling exhibitions, … | NY | $318K | 4 | |
| 4 | SOFT NETWORK INC Soft Network Inc is a New York-based nonprofit that supports under-recognized artist estates through archiving, exhibition, and legacy planning. It runs a full… | NY | $163K | 4 | |
| 5 | VISUAL AIDS FOR THE ARTS INC Visual AIDS is a New York–based nonprofit that uses art to combat the ongoing impact of HIV/AIDS by supporting artists living with HIV, preserving cultural leg… | NY | $898K | 4 | |
| 6 | ATELIER 17 PROJECT The Atelier 17 Project is a nonprofit organization established in 2024 to promote scholarship and public awareness about Atelier 17, an influential avant-garde… | NY | $70K | 3 | |
| 7 | INTERNATIONAL ASSOCIATION OF PROFES SIONAL ART ADVISORS UNITED STATES The International Association of Professional Art Advisors United States (APAA) is a nonprofit membership organization founded in 1980 that serves as a standar… | NY | $79K | 3 | |
| 8 | JOHN CAGE TRUST The John Cage Trust preserves, disseminates, and enhances the work of avant-garde composer and artist John Cage. It supports scholarly access to his archives, … | NY | $130K | 3 | |
| 9 | BYRD HOFFMAN WATER MILL FOUNDATION The Byrd Hoffman Water Mill Foundation supports emerging artists and promotes innovative performing and visual arts through residencies, exhibitions, and archi… | NY | $3.6M | 2 | |
| 10 | FRANKLIN FURNACE ARCHIVE INC Franklin Furnace Archive Inc. is a New York City-based nonprofit organization dedicated to presenting, preserving, and advocating for avant-garde art, particul… | NY | $1.1M | 2 | |
| 11 | INTERNATIONAL FOUNDATION FOR ART RESEARCH INC The International Foundation for Art Research (IFAR) is an educational and research organization focused on art-related issues, including provenance, authentic… | NY | $178K | 2 | |
| 12 | JUDD FOUNDATION Judd Foundation preserves and maintains the permanently installed living and working spaces of artist Donald Judd in New York and Marfa, Texas. The organizatio… | NY | $12.6M | 2 | |
| 13 | THE DINA RECANATI ART FOUNDATION LTD The Dina Recanati Art Foundation Ltd. was established to preserve and promote the artistic legacy of Dina Recanati, an Israeli-American sculptor and painter. T… | NY | $461K | 2 | |
| 14 | Visual Arts Foundation Inc The Visual Arts Foundation Inc supports emerging artists and students in the visual arts through scholarships, awards, and funding for educational programs at … | NY | $516K | 2 | |
| 15 | ABC NO RIO INC ABC No Rio is a nonprofit community arts center on New York City's Lower East Side with a 45-year history of supporting radical, anti-commercial, and political… | NY | $988K | 1 | |
| 16 | AFRICA'SOUT INC Africa'sout Inc advances social justice through art and activism, focusing on gender and sexual equality within African and diaspora communities. The organizat… | NY | $25K | 1 | |
| 17 | ALLIED PRODUCTIONS INC Allied Productions Inc is an artist-run nonprofit arts organization based in New York City's Lower East Side, founded in 1981 to support and foster avant-garde… | NY | $173K | 1 | |
| 18 | AMERICAN FOLK ART MUSEUM The American Folk Art Museum is a cultural institution dedicated to the preservation, exhibition, and interpretation of traditional folk art and works by self-… | NY | $6.1M | 1 | |
| 19 | AMERICAN INSTITUTE OF GRAPHIC ARTS American Institute of Graphic Arts (AIGA) advances design as a professional craft, strategic tool, and cultural force. The organization supports designers thro… | NY | $3.3M | 1 | |
| 20 | AMERICAN INTERNATIONAL CULTURAL & ART EXCHANGE CEN Nonprofit organization promoting international cultural and artistic exchange, with a focus on multicultural collaboration, traditional arts preservation, and … | NY | — | 1 |
approaches
Strategies used in this activity group
Approaches extracted from orgs working in this activity group and the groups nested inside it.
- Art-Access as Engagement 6 orgsBy lowering barriers to access—financial, physical, digital, and cultural—organizations increase public engagement with art, because inclusive access fosters broader participation, deepens personal connection, and expands the reach of artistic practice beyond traditional gatekeepers. This strategy centers on removing systemic obstacles to art participation—such as cost, location, format, and historical exclusion—to enable diverse audiences to engage meaningfully with artistic and cultural content. It unites practices like free admission, digital expansion, open programming, and inclusive design under a shared belief that access is foundational to relevance and equity in cultural engagement. Unlike purely curatorial or market-driven approaches, this strategy treats access not as a logistical detail but as a core mechanism of public empowerment and artistic impact.PARTICIPANT INCSMARTHISTORY INCSOFT NETWORK INCWHITNEY MUSEUM OF AMERICAN ART
- Collaborative Stewardship 5 orgsBy centering collaboration with artists, communities, and interdisciplinary experts in preservation and documentation practices, organizations achieve more authentic, equitable, and sustainable cultural stewardship, because shared ownership and lived expertise ensure that conservation aligns with cultural meaning, ethical integrity, and long-term relevance. This strategy emphasizes that preservation is not a technical act performed in isolation, but a relational and inclusive process grounded in trust, co-creation, and respect for context. Unlike top-down or purely archival approaches, Collaborative Stewardship treats knowledge and authority as distributed, actively involving artists, descendants, fans, or cultural practitioners as essential partners in decision-making, documentation, and innovation. It unites diverse methods—from blockchain co-governance to oral history dialogues—under a shared belief that lasting cultural preservation emerges only when those most connected to the woAMERICAN INTERNATIONAL CULTURAL & ART EXCHANGE CENCAHIERS D'ART INSTITUTECENTER FOR THE PRESERVATION OF ARTISTS LEGACIESVOICES IN CONTEMPORARY ART
- Creative Expression for Healing and Empowerment 5 orgsBy engaging individuals in creative expression through art, storytelling, and performance, we foster psychological healing, personal empowerment, and community resilience, because creative modalities provide accessible, non-verbal outlets for processing trauma, building agency, and strengthening social connection. This strategy centers creative practice—not as an end in itself, but as a therapeutic and transformative vehicle for emotional recovery, self-actualization, and collective well-being. It unites organizations that use art-based interventions across clinical, educational, and community settings, distinguishing itself from purely skill-building or awareness-focused approaches by emphasizing internal psychological shifts and external social belonging through expressive engagement.ABC NO RIO INCBooklyn IncRESTITUTION STUDY GROUP INCVISUAL AIDS FOR THE ARTS INC
- Unrestricted Artist Support 5 orgsBy providing unrestricted financial grants and removing systemic barriers to resources, artists gain agency and sustainability in their creative practice, because economic autonomy enables risk-taking, resilience, and long-term artistic development. This strategy centers on empowering individual artists through direct, flexible funding and complementary support structures—such as fiscal sponsorship, emergency aid, or wellness services—that prioritize trust and self-determination. Unlike project-specific or institutionally mediated funding models, it treats the artist as the primary unit of investment, emphasizing personal agency over prescribed outcomes. It is distinct in its rejection of conditional funding, instead operating on the belief that creative vitality emerges most authentically when artists control the means and direction of their work.AFRICA'SOUT INCBYRD HOFFMAN WATER MILL FOUNDATIONNATIONAL ASSOCIATION OF WOMEN ARTISTS INCVisual Arts Foundation Inc
- Artist-Centered Empowerment 4 orgsBy placing artists at the core of governance, infrastructure, and program design, organizations foster sustainable artistic innovation and equitable access, because empowering creators with agency and resources ensures that artistic and community needs are authentically met. This strategy unifies diverse practices—such as artist-run governance, fiscal sponsorship, inclusive space provision, and peer-led development—under a shared belief that systemic change in the arts arises when artists, especially those from underrepresented backgrounds, are given decision-making power and holistic support. Unlike service-delivery or audience-centric models, this approach treats artists not as beneficiaries but as leaders and co-creators of cultural ecosystems, thereby transforming organizational structures to align with equity, sustainability, and creative autonomy.AFRICA'SOUT INCGIORNO POETRY SYSTEMS INSTITUTEINCKAMOINGE INCORPORATEDSOFT NETWORK INC
- Immersive Engagement 4 orgsBy using sensory-rich, experiential, and interactive methods to present history, increase public engagement and deepen understanding of the past, because immersive experiences foster emotional connection, cognitive retention, and personal relevance. This strategy centers on creating tangible, multi-sensory encounters with history—through reenactments, hands-on activities, primary sources, or multimedia storytelling—to transform passive audiences into active participants. It distinguishes itself from purely didactic or access-based approaches by prioritizing emotional resonance and experiential learning as pathways to historical empathy and stewardship. While related strategies like open access or community governance focus on equity or inclusion in participation, this approach emphasizes the mode of engagement as the catalyst for meaning-making.AMERICAN FOLK ART MUSEUMOYSTERPONDS HISTORICAL SOCIETY INCROOSEVELT ISLAND HISTORICAL SOCIETYTHE LESLIE LOHMAN MUSEUM OF GAY AND LESBIAN ART
- Legacy Stewardship Through Inclusive Preservation 4 orgsBy preserving artist legacies through community-centered, equitable, and interdisciplinary models, we ensure long-term cultural impact and redress historical exclusions, because authentic, collective care sustains underrepresented voices and strengthens public understanding of art history. This strategy unifies efforts to preserve artists' legacies not just through physical or archival conservation, but by centering underrepresented narratives, involving artist communities directly, and integrating legal, financial, and curatorial expertise. It distinguishes itself from conventional preservation by prioritizing equity, relational context, and systemic field transformation over institutional or market-driven models.CENTER FOR THE PRESERVATION OF ARTISTS LEGACIESDIA CENTER FOR THE ARTS INCFREDERIC DORR STEELE MEMORIAL INCSOFT NETWORK INC
- Field Ecosystem Strengthening 3 orgsBy supporting multiple interconnected nodes within a cultural field—such as artists, scholars, institutions, and public audiences—we strengthen the sustainability and vitality of that field, because resilient cultural domains depend on coordinated investment across people, knowledge, and infrastructure. This strategy emphasizes systemic support rather than isolated interventions, targeting the interdependent components of an artistic discipline—education, professional development, archival access, public programming, and institutional capacity. Unlike strategies focused solely on individual artists or single outputs (e.g., exhibitions), it operates on the belief that long-term cultural impact requires nurturing the entire ecosystem in which art is created, preserved, and understood. This distinguishes it from narrower models like direct artist support or one-off grantmaking, positioning it as a holistic, field-building approach.BYRD HOFFMAN WATER MILL FOUNDATIONROMARE BEARDEN FOUNDATION INCVisual Arts Foundation Inc
- Art-Integrated Community Engagement 2 orgsBy embedding arts programming within community-driven contexts and participatory practices, organizations foster deeper civic and emotional engagement, because shared creative experiences build belonging, lower barriers to participation, and make complex ideas more accessible. This strategy centers the arts not as isolated cultural products but as active tools for community connection, personal empowerment, and social reflection. It unites diverse approaches—such as artist residencies with public engagement requirements, youth-focused immersive storytelling, and community-curated events—under a shared belief that art becomes more impactful when it is co-created with or directly responsive to the community. Unlike purely aesthetic or educational strategies, this approach emphasizes reciprocity between artists and participants, positioning art as a dynamic mechanism for collective meaning-making and social cohesion.Booklyn IncVOICES IN CONTEMPORARY ART
- Artistic Legacy Transmission 2 orgsBy systematically preserving and teaching codified artistic methods, organizations ensure authentic transmission of dance heritage, because standardized pedagogy and direct access to original sources maintain fidelity across generations. This strategy centers on maintaining the integrity of a distinct artistic lineage—such as Balanchine’s or Graham’s technique—by transforming embodied knowledge into teachable, scalable systems. Unlike general arts education or broad community engagement, it emphasizes technical precision, historical continuity, and professional alignment, ensuring that training institutions reproduce not just dancers, but specific kinds of artists rooted in a defined aesthetic tradition. The use of film, notation, living archives, and company-aligned faculty all serve to institutionalize what might otherwise be lost through informal transmission.THE GEORGE BALANCHINE FOUNDATION INCTHE MARTHA GRAHAM CENTER OF CONTEMPORARY DANCE INC
- Cultural Preservation Through Institutional Support 2 orgsBy providing financial and programmatic support to cultural institutions, we increase public access to art and sustain artistic legacies, because institutional capacity enables long-term preservation, exhibition, and educational engagement with culturally significant work. This strategy centers on strengthening the infrastructure of cultural organizations—museums, galleries, and research institutions—as a primary lever for preserving and expanding access to art. Unlike direct artist support or community-based programming, this approach operates through established institutions, leveraging their reach and credibility to ensure enduring public engagement and scholarly continuity. It unites foundations that view institutional resilience as foundational to cultural stewardship, whether promoting a single artist’s legacy or broad binational cultural exchange.THE DINA RECANATI ART FOUNDATION LTDVisual Arts Foundation Inc
- Cultural Resistance Through Collective Voice 2 orgsBy centering collective self-representation, intergenerational practice, and culturally grounded artistic innovation, marginalized artists gain agency and transform dominant narratives, because shared authorship and authentic expression disrupt systemic erasure and build resilient creative communities. This strategy unites organizations that treat art not merely as individual expression but as a collective, politicized act of reclamation and resistance. It emphasizes community-stewarded cultural production—through archives, mentorship, improvisational aesthetics, and inclusive collectives—as a means to counter historical exclusion and affirm marginalized identities. Unlike models focused solely on access or funding, this approach prioritizes epistemic sovereignty, where the process of creating and curating art itself embodies justice and continuity.AFRICA'SOUT INCKAMOINGE INCORPORATED
- Experiential Engagement for Stewardship 2 orgsBy immersing individuals in direct, place-based experiences with nature, foster lasting environmental stewardship, because emotional connection and personal agency developed through hands-on engagement lead to sustained behavioral change and care for ecosystems. This strategy centers on creating transformative relationships between people and the natural world through direct experience—whether through outdoor education, restoration activities, or immersive site visits. It unites diverse organizations that prioritize sensory, emotional, and intellectual engagement over abstract learning, distinguishing it from purely advocacy- or policy-driven approaches. What binds these strategies is the shared belief that stewardship grows from personal connection, not just information transfer.ROGER TORY PETERSON INSTITUTE FOUNDROGER TORY PETERSON INSTITUTE OF NA
- Preservation Through Access and Engagement 2 orgsBy preserving historical materials and making them accessible through immersive, inclusive, and educational formats, organizations foster public understanding and community ownership of history, because sustained engagement with authentic content deepens connection, learning, and cultural continuity. This strategy unifies a shared belief that preservation alone is insufficient—historical knowledge must be actively made accessible and experientially relevant to the public. It combines archival rigor with public programming, digital expansion, sensory immersion, and community collaboration to transform static collections into dynamic tools for education and civic identity. What distinguishes it from purely operational preservation or research-focused archiving is its intentional integration of access, interpretation, and participation as core mechanisms of impact.OYSTERPONDS HISTORICAL SOCIETY INCROOSEVELT ISLAND HISTORICAL SOCIETY
- Archival Activism 1 orgBy preserving and recentering marginalized histories through community-driven documentation and open access, we challenge dominant narratives and power structures, because control over memory and representation is fundamental to justice and social change. This strategy treats archiving not as a neutral act of preservation but as an active form of resistance—centering voices excluded from official records and transforming how knowledge is produced, owned, and transmitted. Unlike traditional preservation efforts that reinforce institutional authority, Archival Activism prioritizes ethical co-governance, radical accessibility, and cultural continuity, making it a distinct theory of change that links memory to movement-building.The Operating System Inc
- Art as Emotional Catalyst 1 orgBy integrating art into education, advocacy, and public engagement, we produce deeper emotional resonance and sustained civic or behavioral change, because artistic expression accesses affective and moral dimensions that informational or technical appeals alone cannot reach. This strategy centers on art’s unique capacity to evoke emotion, foster identification, and inspire action by engaging people beyond rational or didactic modes. It is distinct from purely educational or policy-focused approaches, as it leverages aesthetic and sensory experiences to transform understanding, build empathy, and motivate engagement with social, environmental, or personal issues. While operational contexts vary—from classrooms to public installations—the shared theory is that art creates space for meaning-making that drives lasting change.ROGER TORY PETERSON INSTITUTE FOUND
- Art for Social Cohesion 1 orgBy using artistic expression as a shared, nonverbal language across cultural, ethnic, or national lines, we build mutual understanding and reduce societal division, because creative collaboration fosters empathy, transcends linguistic barriers, and humanizes difference in ways that discourse alone cannot. This strategy centers art not merely as cultural programming but as an active mechanism for social change—specifically to bridge divides in divided societies or across diaspora communities. It is distinct from general arts education or performance missions in that it intentionally leverages the emotional resonance and symbolic power of art to create spaces for dialogue, healing, and collective identity formation across deep differences.VOICES IN CONTEMPORARY ART
- Artist Residency as Incubator 1 orgBy providing artists with time, space, and flexible support in a protected environment, we foster innovative and authentic artistic development, because removing external pressures and structural barriers enables deep creative risk-taking and long-term experimentation. This strategy centers on creating incubatory conditions—through residencies and dedicated studios—where artists can focus intensely on their practice without commercial, financial, or logistical constraints. It distinguishes itself from other support models by emphasizing sustained, holistic investment in the artist rather than discrete project funding or market-linked outcomes, fostering both individual growth and broader cultural innovation.DIEU DONNE PAPER MILL INC
- Artist-Centered Equity Development 1 orgBy centering underrepresented artists in creative development and leadership opportunities, we advance equity in the arts, because systemic exclusion is best addressed by shifting resources, visibility, and decision-making power directly to marginalized voices. This strategy prioritizes the creative agency, lived experience, and professional growth of historically excluded artists—particularly Black, Indigenous, women, trans, and gender-nonconforming individuals—not as beneficiaries but as central architects of artistic work. It differs from general diversity initiatives by rejecting tokenism and instead restructuring development models (e.g., residencies, casting, dramaturgy) to be driven by the needs, aesthetics, and narratives of these artists, thereby transforming both individual careers and institutional norms.INTERNATIONAL ASSOCIATION OF ART CR AMERICAN SECTION INC
- Artist-as-Educator Model 1 orgBy employing practicing artists as educators, we enhance student engagement and artistic development, because lived creative experience fosters authentic learning and inspires deeper connection to the art form. This strategy centers the working artist as both teacher and role model, integrating real-world practice into education to increase relevance and motivation. It distinguishes itself from traditional academic instruction by prioritizing mentorship, professional authenticity, and experiential learning over standardized curricula. While several organizations implement variations—such as artist-to-artist teaching, individualized mentorship, or community-based workshops—the shared belief is that direct access to active artists strengthens educational impact, creative identity, and community engagement.SKOWHEGAN SCHOOL OF PAINTING AND SCULPTURE INC