Immersive Contextualization

Organizes and hosts an annual benefit event featuring cocktails, hors d'oeuvres, a raffle, and a live performance to raise funds, with all proceeds supporting the organization’s concert and choral activities.

Operates a 175-voice volunteer ensemble of professional and avocational singers, supported by freelance orchestra players, to present 3–4 public concerts annually in New York City, including performances at Carnegie Hall. Each concert attracts approximately 900–1,000 audience members.

Produces and shares full-length video recordings of performances, such as the Rachmaninoff Vespers, and prepares program notes for choral-orchestral masterworks. Maintains a documented repertoire of works performed from 1999 to 2025.

Broadcasts select concert performances on WKCR 89.9 FM, extending public access to live early music programs presented in New York City.

Produces and presents a monthly concert series featuring vocal and instrumental chamber music from the Medieval to early Classical periods, performed by international, national, and local early music ensembles in acoustically suited venues, primarily at Corpus Christi Church in New York City. The organization has presented over 500 concerts across 50 seasons, including U.S. and American debuts of ensembles and performances based on historically informed practices.

Offers live streaming and on-demand access to recorded performances through an online video library and YouTube channel, including historically informed performances of early music from Medieval, Renaissance, Baroque, and world traditions. Specific archived performances include works by Vox Luminis, The Boston Camerata, Juilliard415, and Constantinople, among others, recorded at Corpus Christi Church.

Collaborates with contemporary composers, particularly women and non-binary artists, to commission and debut new works, such as through the Forward Music Project, and presents them in live performances and concert films like "A Worthy Mirror."

Designs and delivers educational programs, workshops, and participatory performances for students and audiences at institutions including Ramaz High School, Fordham University, Case Western Reserve University, the Baroque Performance Institute at Oberlin, and the Morgan Library, often integrating audience participation in singing and improvisation.

Composed, curated, and recorded the soundtrack for the Peabody and BAFTA award-winning video game Pentiment, developed by Obsidian Entertainment and published by Xbox, bringing early music to a digital gaming audience.

Organizes and presents annual events such as the May Day festival, including free, family-friendly celebrations in public spaces like Prospect Park, and revives these events as part of its performance season.

Formalized a residency with All Saints Episcopal Church in Manhattan as its first Ensemble in Residence, presenting all season concerts there and hosting post-concert receptions, strengthening community ties and providing a consistent performance venue.

Performs and tours early music concert programs nationally and locally, including themed productions such as "Eleanor," "Verdant Medicine," "Saltwinds & Spice," and "What's Your Sign?," presented at venues and festivals including the Amherst Early Music Festival, Five Boroughs Music Festival, Music Before 1800, and the Jalopy Theatre. The ensemble performs repertoire spanning medieval, Renaissance, and contemporary works using two dozen early music instruments.

Offers accessible, family-oriented performances at cultural institutions such as the Morgan Library and the Met Cloisters, featuring interactive elements and music drawn from medieval bestiaries and liturgical sources to engage diverse audiences.

Creates and distributes digital concert films such as "A Worthy Mirror," combining studio recordings with original footage, and makes them available for remote viewing, expanding access to performances beyond in-person audiences.

Produces and releases albums of early music, including “A Fine Companion” and “Love to My Liking” on the Bright Shiny Things label, and performs these works in live concert settings such as at Jalopy Theatre.

Conducts performances at established cultural venues across the United States, including Miller Theatre, Bargemusic, the Miami Bach Society, the Minneapolis Institute of Arts, Peak Performances, and the Getty Center in Los Angeles, extending its reach beyond New York City.

Organizes and hosts live concert programs in New York City that combine baroque and classical music with thematic storytelling and visual art, often centered on historical, scientific, or cultural narratives. The ensemble presents four annual concert programs, each exploring a specific theme such as color, revolution, or nature, across multiple boroughs.

Creates recorded and live multimedia performances that integrate baroque and classical music with silent films, projected visual art, and thematic narratives. Examples include live scores for silent films such as The Iron Mask and performances combining music with works by Georges Méliès and contemporary women artists.