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REMIX -- CULTURE INC

Brooklyn, NY · EIN 812618086 · Form 990 · FY2024 · NTEE A68 · Arts, Culture & Humanities · Small ($100K-$1M) · remix-culture.org
revenue
$330K
expenses
$344K
net assets
$54K
employees
1
program ratio
80%
mission · from form 990

REMIX CULTURE'S MISSION IS TO CO-CREATE SPACES OF BELONGING AND MUTUAL SUPPORT BY COLLABORATIVELY DOCUMENTING AND REMIXING UNDERREPRESENTED TRADITIONAL MUSICIANS AND THEIR COMMUNITIES STORIES

profile · synthesized from sources

REMIX -- CULTURE INC is a Brooklyn-based nonprofit that collaboratively documents and remixes the music and stories of underrepresented traditional musicians. The organization connects ancestral artists with contemporary remix artists and storytellers to create new works that honor cultural heritage, build cross-cultural understanding, and expand economic opportunities for marginalized artists. Projects span multiple countries and musical traditions.

named programs · 2 · from sources

What they call their work

Ethical Archive
Collaborative documentation and remixing of traditional musicians' stories and music from underrepresented communities around the world, preserving cultural heritage through multimedia projects.
Tanfis Residency
Artist residency program that brings together musicians from different cultural backgrounds; Tanfis II and III are referenced in connection with ensemble projects like Zalazil and Tokounou All Ability.
activities · 5 groups

What they do

  • Experimental Circus and Immersive Theater Production 2 activities
    • Conducting artist residencies to co-create cultural content
      Runs multi-week in-person residencies that involve collaborative theme development, recording community-rooted songs, collecting oral histories, and co-creating long-form immersive live experiences. Residencies include artists such as Araceli Poma, Jalikunda, La Cumbiamba eNeYé, Tokounou All Ability, Dani Serna, Innov Gnawa, Zalazil, and Eylem Basaldi & Friends.
    • Hosting collaborative live gatherings and immersive experiences
      Organizes in-person and virtual events that integrate live traditional music, electronic and video remixes, storytelling, and projections to co-create ceremonial spaces that dissolve boundaries between performers and audiences. These gatherings reject passive spectatorship and emphasize mutual support and ancestral transmission.
  • Musicological Research and Scholarly Editions 1 activity
    • Documenting and ethically remixing traditional music from underrepresented communities
      Conducts global fieldwork to film and record traditional musicians, produces high-fidelity audio and artistically edited video documentation with subtitled lyrics, and creates remixed works using consent-based practices. These materials are archived and shared with cultural context and narratives directly from musicians and communities.
  • Organized Member Social Events 1 activity
    • Facilitating artist solidarity and relationship-building gatherings
      Hosts regular communal meals and informal gatherings—such as monthly dinners at Barzakh Café in Crown Heights, Brooklyn—that bring together artists from across programs to deepen relationships, share stories, and build solidarity networks without expectations of artistic output.
  • Artist Support Grants 1 activity
    • Funding artist-centered programming in diasporic musical traditions
      Uses grant funding, such as a two-year award from the Mellon Foundation, to support general operations and expand programming focused on diasporic musical traditions and ethical digital remixing.
  • Uncategorized 2 activities
    • Producing open-access archives and sample packs for ethical reuse
      Creates and distributes downloadable sample packs and stems under open licenses (Creative Commons BY NC SA) from professionally recorded traditional music, enabling ethical remixing by global artists. These resources are made available through the Community Remix Lab and Global Remix Commons initiatives.
    • Releasing and distributing remixed musical works
      Professionally masters and commercially releases remixed works to an international audience via platforms like YouTube, where the organization has over 68,000 subscribers and 18 million views. Revenue from releases is shared among remix artists, source musicians, and the organization.
financials · form 990 · fy2024
revenue
Total revenue$330K
Contributions & grants$259K79%
Program service revenue$71K21%
Investment income$410%
Other revenue$0
expenses
Total expenses$344K
Program expenses80%
Admin / overhead20%
Fundraising0%
Salaries & benefits$9K
Grants paid out$0
Largest expense lineOther
balance sheet
Total assets$54K
Cash$54K
Investments$0
Liabilities$0
Net assets$54K
Liquid reserves1.9 mo
4 years on record · 2021–2024 · YoY revenue +95.6%
leadership · form 990 part vii · fy2024

Who runs it

board members · 1
  • Jeremy Burke — Treasurer
relationships · 40

Who they work with

  • Alexandra Berta Partner — Source musician whose traditional music is included in remix-friendly sample packs
  • Anna Jeffries Partner — Source musician whose traditional music is included in remix-friendly sample packs
  • Araceli Poma Partner — Source musician whose traditional music is included in remix-friendly sample packs
  • Barzakh Café Partner — Hosts monthly in-person dinners for the RC Collective in Crown Heights, Brooklyn.
  • Bassam & Hassane Partner — Source musicians whose traditional music is included in remix-friendly sample packs
  • Cavalo Marinho Estrela Brilhante Partner — Source musical group whose traditional music is included in remix-friendly sample packs
  • Coco Trupé Partner — Source musician whose traditional music is included in remix-friendly sample packs
  • Community Remix Lab Partner — Hosts the Remix Our Neighbors initiative as part of a collaborative program with REMIX -- CULTURE INC.
  • Dani Serna Y Amigues Partner — Source musicians whose traditional music is included in remix-friendly sample packs
  • Deqqat Assif Ou Aqellal Partner — Source musical group whose traditional music is included in remix-friendly sample packs
  • Eylem Basaldi & Friends Partner — Source musicians whose traditional music is included in remix-friendly sample packs
  • Fatbardh Capi Partner — Source musician whose traditional music is included in remix-friendly sample packs
  • Ferqa Ahwach Agdz Partner — Source musical group whose traditional music is included in remix-friendly sample packs
  • Freedom Dabka Group Partner — Source musical group whose traditional music is included in remix-friendly sample packs
  • Galbeno Balkan Band Partner — Source musical group whose traditional music is included in remix-friendly sample packs
  • Innov Gnawa Partner — Source musical group whose traditional music is included in remix-friendly sample packs
  • Jalikunda Partner — Source musical group whose traditional music is included in remix-friendly sample packs
  • Juan Carlos Marín Y Amigues Partner — Source musicians whose traditional music is included in remix-friendly sample packs
  • Khadija El Warzazia Partner — Source musician whose traditional music is included in remix-friendly sample packs
  • Kálmán Balogh Partner — Source musician whose traditional music is included in remix-friendly sample packs
  • Layale Chaker & Sam Minaie Partner — Source musicians whose traditional music is included in remix-friendly sample packs
  • Lee Hooper Y Amigues Partner — Source musicians whose traditional music is included in remix-friendly sample packs
  • Mani Nilchiani Partner — Source musician whose traditional music is included in remix-friendly sample packs
  • Maracatu de Baque Solto Estrela de Ouro Partner — Source musical group whose traditional music is included in remix-friendly sample packs
  • Martin Vejarano & La Cumbiamba eNeYé Partner — Source musicians whose traditional music is included in remix-friendly sample packs
  • Mourad Belouadi Partner — Source musician whose traditional music is included in remix-friendly sample packs
  • Museum Hue Network — Team member Eugenie Cha is a 2026 HueArts Leadership Cohort (HALC) Fellow with Museum Hue, indicating organizational affiliation or partnership.
  • RAW Material Company Partner — Collaborates with RAW Material Company through team member Eugenie Cha, who served as the 2025 RAW Académie Observer for its Session 11, _A Sense of Place_.
  • Real World Records Partner — Collaborates with artists associated with Real World Records, including Justin Adams who has released albums on the label.
  • Suya Partner — Source musical group whose traditional music is included in remix-friendly sample packs
+ 10 more
strategies · 4

How they approach the work

Named approaches extracted from this org’s sources. Where others share an approach, follow it to see the full set of orgs running it.

  • Cultural Reclamation Through Collaborative Remix
    methodology: cultural_reclamation_through_remix
    By co-creating remixed artistic experiences with traditional musicians and storytellers, the organization preserves ancestral knowledge and generates belonging, because collaborative authorship rooted in consent and reciprocity counters cultural erasure and enables evolution of living traditions.
  • Ethical Access and Reciprocal Rights Framework
    methodology: ethical_access
    By ensuring artists retain creative control, co-own rights, and share equally in proceeds, and by licensing archived materials through community-consented agreements, the organization enables regenerative reuse of cultural content because ethical access grounded in fair compensation and shared authorship sustains cultural integrity and economic justice.
  • Participatory Ceremony as Healing and Social Repair
    methodology: cultural_technologies_for_catharsis_and_social_repair
    By transforming music into participatory ceremony rather than passive consumption, the organization fosters individual catharsis and repairs social cohesion because collective engagement in evolving traditions functions as a technology for emotional release and communal restoration.
  • Reciprocity-Based Community Building
    methodology: reciprocity-based-community-building
    By operating on the principle of ayni (reciprocity), the organization builds mutual support within its creative collectives because sustained relationality—where every participant both contributes and benefits—generates trust, deep collaboration, and long-term cultural resilience.