What they call their work
What they do
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Professional Opera and Operetta Production 2 activities
- Engages underserved communities through school and organizational partnershipsCollaborates with public schools and local organizations to build community relationships and expand access to opera for historically underserved audiences in New York.
- Produces site-specific opera productions in New York CityCreates and stages opera performances in non-traditional and site-specific venues across New York City, bringing the art form directly to diverse urban environments.
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Opera and Vocal Arts Training Programs 1 activity
- Trains and supports emerging opera talentProvides performance and production opportunities for early-career artists and technicians to develop skills and experience in opera.
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Uncategorized 1 activity
- Innovates sustainable production practices in operaExplores and implements new technologies and methods to reduce the environmental impact of opera productions.
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Who runs it
| Name | Title | Hours/wk | Compensation |
|---|---|---|---|
| J PIPER GUNNARSON | Executive Dir. | 40 | $95K |
- ABRAHAM AXLER — Director
- COREY KINGER — President
- DAISY DOWLING — Director
- DAVID LLEWELYN-JONES — Director
- ERIC EINHORN — Secretary
- ERIC LI CHEUNG — Treasurer
- FRANK MARTINEZ — Director
- JANE A GROSS — Director
- MARK NEWHOUSE — DIRECTOR
- MIKE ROGERS — Director
- SAM ROBERTS II — Director
Who they work with
- local organizations Partner — Collaborates with local organizations to build community relationships and reach underserved audiences.
- public schools Partner — Partners with public schools to build community relationships and expand access to opera for students.
How they approach the work
Named approaches extracted from this org’s sources. Where others share an approach, follow it to see the full set of orgs running it.
- Community Partnership Access Modelmethodology: community_partnership_outreachBy partnering with local organizations and public schools, the organization expands access to opera among underserved populations, because trusted community institutions lower cultural and logistical barriers to engagement.
- Site-Specific Community Engagementmethodology: site_specific_performanceBy producing operas in non-traditional, local venues, the organization brings performances directly to diverse communities, increasing access and engagement because proximity and contextual relevance reduce barriers to participation.