What they call their work
What they do
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New Play Development Programs 3 activities
- Hosts festivals and recurring performance series for new workPresents SoloFEST solo performances, the Sunday Brunch series for short plays, and the annual First Light Festival featuring readings and workshops. Also plans mainstage productions as part of its seasonal programming.
- Presents science- and technology-themed new plays through the EST/Sloan ProjectDevelops and produces new plays exploring science, technology, and their societal impact through the EST/Sloan Project, including annual First Light Festival readings, workshops, and mainstage productions. Has supported the creation of hundreds of such American plays.
- Supports early-career playwrights through the Youngblood programOperates Youngblood, an OBIE-winning collective that serves as a creative home for emerging early-career playwrights, offering development opportunities including play readings, critiques, performances, and podcast features. Supports the artistic growth of next-generation theater artists across their careers.
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Professional Theatrical Production 1 activity
- Develops and produces original new plays for mainstage and national audiencesDevelops and produces original, provocative, and authentic new plays through readings, workshops, and full mainstage productions for audiences in New York City and nationally. Operates a theater venue at 549 W 52nd St in New York, NY, where these productions are presented.
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Performing Arts Production Support 1 activity
- Funds the development and production of new plays nationallySupports the creation of new plays in theaters across the country by awarding seed grants and production incentives to external theater companies and artists.
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Podcast and Radio Production 1 activity
- Produces digital content featuring playwrights and new worksProduces the Youngblood Monday Lunch podcast, releasing a new short audio play by an emerging playwright each episode, and the EST Re:Members podcast, featuring interviews with member artists about their experiences at the theater.
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Who runs it
| Name | Title | Hours/wk | Compensation |
|---|---|---|---|
| Shawn Randall | Director | 1 | $750 |
- Akyiaa Wilson — Director
- Chau Haber — Director
- Danielle Covington — Director
- Denaka Perry — Director
- Donna R Ward — Board Chair
- Eddie Boroevich — Secretary
- Jacqueline F Strayer — Director
- Jamie Richards — Director
- Janet Zarish — Director
- Lou Liberatore — Director
- Russell G Jones — Assoc. Chair
Who they work with
- Alfred P. Sloan Foundation Funder — Provides general financial support to Ensemble Studio Theatre at the $25,000+ level.
- Alfred P. Sloan Foundation Partner — Collaborates with EST on the Science & Technology Project to develop new plays about science.
- Alfred P. Sloan Foundation Partner — Collaborates with EST to support the development of plays about science and technology.
- Alfred P. Sloan Foundation Partner — Partnership to develop and produce new plays about science and technology through the EST/Sloan Project.
- Amalgamated Bank Funder — Provides corporate financial support to Ensemble Studio Theatre at the $5,000–$9,999 level.
- Charles and Donna Ward Family Fund Partner — Supports Youngblood and new play productions at Ensemble Studio Theatre.
- Howard Gilman Foundation Funder — Provides general financial support to Ensemble Studio Theatre at the $25,000+ level.
- J.M. Kaplan Fund Funder — Provides general financial support to Ensemble Studio Theatre at the $25,000+ level.
- Jerome Robbins Foundation Funder — Provides general financial support to Ensemble Studio Theatre at the $5,000–$9,999 level.
- Lenape Center Partner — Working to collaborate with members of the Lenape Center to create an updated land acknowledgment.
- MacMillan Family Foundation Funder — Provides general financial support to Ensemble Studio Theatre at the $25,000+ level.
- Miranda Family Fund at the Hispanic Federation Funder — Provides general financial support to Ensemble Studio Theatre at the $25,000+ level.
- National Endowment for the Arts Government — Provides federal funding support to Ensemble Studio Theatre at the $10,000–$24,999 level.
- New York City Department of Cultural Affairs Government — Provides public funding support to Ensemble Studio Theatre at the $25,000+ level.
- New York State Council on the Arts Government — Provides public funding support to Ensemble Studio Theatre at the $25,000+ level.
- RJ Tolan Partner — Program Director of Youngblood, providing leadership for the playwright collective.
- Radish Lab Partner — Designed the Ensemble Studio Theatre website.
- Select Equity Group Foundation Funder — Provides general financial support to Ensemble Studio Theatre at the $10,000–$24,999 level.
- The Alfred P. Sloan Foundation Partner — Collaborates with Ensemble Studio Theatre on the EST/Sloan Project to support the creation of plays exploring science and technology.
- The Axe-Houghton Foundation Funder — Provides general financial support to Ensemble Studio Theatre at the $5,000–$9,999 level.
- The Fan Fox & Leslie R. Samuels Foundation Funder — Provides general financial support to Ensemble Studio Theatre at the $10,000–$24,999 level.
- The Royal Little Family Foundation Funder — Provides general financial support to Ensemble Studio Theatre at the $25,000+ level.
- The Shubert Foundation Funder — Provides general financial support to Ensemble Studio Theatre at the $25,000+ level.
- Theatre Development Fund Partner — Provides financial support to Ensemble Studio Theatre at the $1,000–$4,999 level.
- Tournesol Project Partner — Supports Youngblood and new play productions at Ensemble Studio Theatre.
- Youngblood Coalition — OBIE Award-winning collective of emerging playwrights whose members create original plays for the Monday Lunch podcast.
- Youngblood Network — Youth playwright program affiliated with EST for emerging writers
How they approach the work
Named approaches extracted from this org’s sources. Where others share an approach, follow it to see the full set of orgs running it.
- Early-Career Playwright Incubation Through Peer Critiquemethodology: peer_critique_incubatorBy supporting early-career playwrights with structured peer critique and developmental opportunities, the organization enables artistic growth and industry exposure because collaborative feedback in a safe environment accelerates skill-building and creative risk-taking.
- Ensemble-Based Artistic Developmentmethodology: ensemble-based collaborationBy engaging a large, diverse ensemble of artists in long-term collaboration, the organization fosters authentic new play development and sustains artistic innovation because collective, sustained creative relationships produce richer, more original work.
- Inclusive Collaboration for Artistic Innovationmethodology: inclusive_artist_supportBy committing to inclusivity across identity dimensions and using identity-inclusive collaborative processes, the organization nurtures new artistic voices and produces extraordinary work because diverse perspectives generate more innovative and equitable theater.
- Original Play Development as Audience Engagementmethodology: original-play-developmentBy creating original, provocative, and authentic new plays, the organization drives audience engagement and meaningful artistic impact because novel narratives challenge audiences and deepen connection to contemporary issues.
- Science-Theater Integration to Expand Public Understandingmethodology: science-in-theaterBy integrating science and technology into narrative playwriting and theatrical workshops, the organization challenges stereotypes and reshapes public understanding because theater makes complex scientific ideas accessible and emotionally resonant.