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MUSICAL MIME COMPANY INC

W HAMPTON BCH, NY · EIN 521071893 · Form 990EZ · FY2024 · NTEE O50Z · Youth Development · Micro (<$100K) · coluccimusicalmimetheatre.com
revenue
$73K
expenses
$94K
net assets
$34K
employees
mission · from form 990

TO ASSEMBLE ARTIST IN ALL AREAS OF CREATIVITY. TO COLLECT INFORMATION ON CORPORAL MOVEMENT AND FURTHER MORE ON ART IN GENERAL.

profile · synthesized from sources

Musical Mime Company Inc is a New York-based nonprofit dedicated to advancing artistic expression through interdisciplinary performance, particularly in musical mime, dance, and movement arts. Founded by Steven Colucci, the organization integrates rigorous classical training with experimental performance, emphasizing the study and presentation of corporeal movement as a form of artistic inquiry. It supports creative development in youth and emerging artists through workshops, performances, and archival documentation.

named programs · 2 · from sources

What they call their work

Musical Mime Festival/School
Annual educational and performance initiative offering training in musical mime, dance, and interdisciplinary movement arts, rooted in both classical and experimental techniques
Performance Archive Project
Initiative to collect, preserve, and present historical and contemporary works in corporeal movement, including videos, photographs, and performance scores
activities · 4 groups

What they do

  • Site-Specific Artistic Installations and Performances 1 activity
    • Creates paintings exploring movement and sensory experience
      Produces original paintings, such as "Deep Blue" and "Driftnet," and completed the "Sea Series" over several years, using painterly technique to express physicality, movement, and immersive sensory moments informed by performance art.
  • Digital Music and Performance Archiving 1 activity
    • Documents and shares artistic work through public media
      Makes recorded performances accessible to a wider audience via public video platforms, expanding the reach of its musical mime and dance-theater productions.
  • Original Dance Performance Production 1 activity
    • Produces musical mime and dance-integrated theatrical performances
      Creates and stages live performances that combine mime, dance, and music as core elements of its artistic programming, building on a tradition of corporeal expression developed through mentorship with figures such as Marcel Marceau and Etienne Decroux.
  • Uncategorized 1 activity
    • Conducts interdisciplinary research in corporeal movement and performance art
      Organizes artists across creative disciplines and collects information on corporeal movement and art, supporting the development of its integrated performance and visual art practice.
financials · form 990EZ · fy2024
revenue
Total revenue$73K
Contributions & grants$73K100%
Program service revenue
Investment income
Other revenue
expenses
Total expenses$94K
Program expenses
Admin / overhead
Fundraising
Salaries & benefits
Grants paid out
balance sheet
Total assets$35K
Cash
Investments
Liabilities
Net assets$34K
6 years on record · 2019–2024 · YoY revenue -34.0%
leadership · form 990 part vii · fy2024

Who runs it

board members · 4
  • BILL TRAMPLE — DIRECTOR
  • JONATHON RYNSKY — DIRECTOR
  • MATTHEW RUPPEL — DIRECTOR
  • MICHELE SHULTERBRANDT — DIRECTOR
relationships · 10

Who they work with

  • Etienne Decroux Partner — Engaged with the concepts of dramatic movement pioneer Etienne Decroux.
  • Etienne Decroux Partner — Worked with Steven Colucci in the study and performance of classical mime.
  • Marcel Marceau Partner — Collaborated with Marcel Marceau in mime theatricals.
  • Marcel Marceau Partner — Mentored Steven Colucci in mime and ballet in Paris.
  • Nixon Peabody LLP Partner — Legal counsel for MUSICAL MIME COMPANY INC
  • Personal Websites.com Partner — Associated with website development and online presence support.
  • Premium Business Websites Partner — Provides website design and hosting services.
  • Robert Ruggieri Partner — Collaborated with Robert Ruggieri in mime theatricals.
  • Steven Colucci Partner — Artistic collaborator and central figure in the Musical Mime Company's performances and productions.
  • Vito Acconci Partner — Studied under Vito Acconci at the School of Visual Arts.
strategies · 5

How they approach the work

Named approaches extracted from this org’s sources. Where others share an approach, follow it to see the full set of orgs running it.

  • Corporeal Mime as Integrated Artistic Language
    methodology: mime-dance_integration
    By combining mime, dance, and music into a unified non-verbal performance language, the organization creates emotionally resonant storytelling that transcends spoken dialogue, because the integration of rhythm, movement, and sound deepens narrative and aesthetic impact.
  • Disciplined Artistic Practice as Creative Foundation
    methodology: daily_artistic_discipline
    By emphasizing daily disciplined practice modeled on classical music training, the organization strengthens artists' capacity to realize complex concepts, because sustained, rigorous engagement builds technical and expressive mastery over time.
  • Evolutionary Abstraction in Artistic Development
    methodology: evolutionary_abstraction
    By building on Abstract Expressionism while cultivating a unique artistic voice, the organization connects historical art traditions with contemporary and future expression, because evolving abstraction allows for both continuity and innovation in artistic language.
  • Experimental Pastiche to Challenge Artistic Compartmentalization
    methodology: experimental_pastiche
    By fusing traditional performance forms into an experimental, uncanny pastiche, the organization critiques artificial systems of artistic and social categorization, because the disruption of familiar forms provokes critical reflection and re-examination of entrenched boundaries.
  • Intuitive Process Over Conceptual Planning
    methodology: intuitive_painting
    By prioritizing intuitive, action-based creation in painting and performance, the organization accesses deeper expressive states, because spontaneous, embodied practice bypasses over-intellectualization and unlocks authentic creative impulses.