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THE SCULPTURE CENTER INC

LONG ISLAND CITY, NY · EIN 131669204 · Form 990 · FY2024 · NTEE A400 · Arts, Culture & Humanities · Medium ($1M-$10M) · sculpture-center.org
revenue
$2.1M
expenses
$2.6M
net assets
$6.8M
employees
28
volunteers
19
program ratio
70%
mission · from form 990

SCULPTURECENTER COMMISSIONS AND PRESENTS EXHIBITIONS OF CONTEMPORARY SCULPTURE.

profile · synthesized from sources

The Sculpture Center is a contemporary art institution in Long Island City, New York, dedicated to commissioning and presenting exhibitions of contemporary sculpture. It provides a platform for innovative sculptural practices through solo exhibitions, commissions, and public programs, often highlighting experimental and interdisciplinary approaches. The organization supports artists through residencies, fellowships, and international collaborations.

named programs · 3 · from sources

What they call their work

Asymmetry Curatorial Fellowship
Annual fellowship supporting curatorial research and practice in contemporary sculpture
Exhibition Program
Commissioning and presenting solo exhibitions of contemporary sculptors, including mid-career and international artists
International Council
Support network for bringing artists from abroad to exhibit and collaborate
activities · 7 groups

What they do

  • Accessibility Services for Cultural Programs 2 activities
    • Host free public programs and events
      Hosts free public events including lectures, panel discussions, readings, workshops, video screenings, and performances. Provides American Sign Language interpretation for most public programs with advance notice.
    • Provide accessibility services to visitors
      Offers large print gallery guides, floor maps, American Sign Language interpretation for public programs with advance notice, and a standard wheelchair available on a first-come, first-served basis.
  • Artist Support Grants 1 activity
    • Commission and produce new sculptural works
      Commissions new sculptural works and provides production funds, curatorial support, and honoraria to artists. Since 2003, has supported the production of new work by over 270 artists through the In Practice open call program.
  • Organizational Newsletter Production and Distribution 1 activity
    • Distribute program information via email
      Offers a mailing list and sends email announcements to subscribers about exhibitions, programs, events, and updates.
  • Artist Residencies and Studio Programs 1 activity
    • Offer artist residencies and developmental support
      Supports artist development through residencies, including hosting CFGNY for a residency from June to August 2023 and supporting Ana Gzirishvili’s work through a residency at Launch Pad LaB in France.
  • Local History Museum Operations 1 activity
    • Operate public exhibition space with free admission
      Offers free admission to all visitors and operates Thursday through Monday from 12pm to 6pm. Maintains physical access through available equipment and printed materials.
  • Curated Art Exhibitions and Public Displays 1 activity
    • Organize solo and group exhibitions
      Organizes exhibitions for selected artists, including solo institutional debuts and survey exhibitions. Examples include the first US survey of Ellen Pau, the first NYC institutional exhibition of Pat Oleszko in over 35 years, and exhibitions featuring ASMA, Tolia Astakhishvili, and Akinsanya Kambon. The 2025–2026 In Practice cycle features seven artists.
  • Artist and Curatorial Publications 1 activity
    • Produce exhibition catalogs and artist publications
      Produces exhibition catalogs and artist books as part of its programming, including publications for Ellen Pau and Pat Oleszko featuring newly commissioned essays, biographical timelines, and collaborative design.
financials · form 990 · fy2024
revenue
Total revenue$2.13M
Contributions & grants$2.07M97%
Program service revenue$25K1%
Investment income$34K2%
Other revenue$7K
expenses
Total expenses$2.61M
Program expenses70%
Admin / overhead11%
Fundraising19%
Salaries & benefits$1.31M
Grants paid out$0
Largest expense lineCompensation
balance sheet
Total assets$7.45M
Cash$165K
Investments$2.61M
Liabilities$632K
Net assets$6.82M
Liquid reserves12.8 mo
6 years on record · 2019–2024 · YoY revenue -41.0%
leadership · form 990 part vii · fy2024

Who runs it

paid leadership · 3
NameTitleHours/wkCompensation
SOHRAB MOHEBI DIRECTOR 40 $194K
KYLE DANCEWICZ DEPUTY DIRECTOR 40 $128K
ZINA REED DIRECTOR OF DEVELOPMENT 40 $128K
board members · 21
  • ADAM MCEWEN — TRUSTEE
  • ANASTASIYA SIRO — TRUSTEE
  • ANDREAS WALDBURG-WOLFEGG — TREASURER
  • ANICKA YI — PRESIDENT
  • BARBARA GUNDLACH — TRUSTEE
  • CANDACE BARASCH — TRUSTEE
  • CAROL BOVE — CHAIR
  • ELEANOR CAYRE — TRUSTEE
  • ELEANOR HEYMAN PROPP — VICE CHAIR
  • HELEN WARWICK — VICE CHAIR
  • HOUTAN ZOJAJI — TRUSTEE
  • JUSTIN BEAL — SECRETARY
  • LESLIE HEWITT — TRUSTEE
  • MARY WANG — TRUSTEE
  • MICHAEL QUINN — TRUSTEE
  • NAIRY BAGHRAMIAN — TRUSTEE
  • RICHARD CHANG — TRUSTEE
  • SAMUEL ELLIS SCHEINMAN — TRUSTEE
  • SANFORD BIGGERS — TRUSTEE
  • SEAN LYONS — TRUSTEE
  • SETH STOLBUN — TRUSTEE
relationships · 56

Who they work with

  • Abakanowicz Arts and Culture Charitable Foundation Funder — Provided generous support for the exhibition "Tolia Astakhishvili: between father and mother".
  • Acción Cultural Española (AC/E) Government — Received grant funding from AC/E, a Spanish state agency, to support the exhibition.
  • Alexis Wilkinson Partner — Curatorial fellow who organized the In Practice exhibition from 2013 to 2022.
  • Allie Tepper Partner — Curatorial fellow who organized the In Practice exhibition from 2013 to 2022.
  • Antonio Murzi Government — Member of the International Council supporting SculptureCenter’s work with artists from abroad.
  • Asymmetry Partner — Funder and sponsor of the SculptureCenter Asymmetry Curatorial Fellowship.
  • Audrey Rose Smith Government — Member of the International Council supporting SculptureCenter’s work with artists from abroad.
  • CFGNY Partner — Collaborated with artist collective CFGNY on a summer residency featuring exhibitions, public programs, and a retail shop.
  • Camila Palomino Partner — Curatorial fellow who organized the In Practice exhibition from 2013 to 2022.
  • Center for Art, Research and Alliances (CARA) Partner — Co-organized the exhibition "Akinsanya Kambon: Soul Sessions" and presented complementary works across locations.
  • ChertLüdde Partner — Received special thanks from SculptureCenter for support related to the exhibition.
  • Darling Green Partner — Collaborated with Darling Green on the presentation of Scott Burton’s Atrium Furnishment.
  • David Peter Francis Partner — Partnered with the artist and gallery for the exhibition presentation and provided support for the exhibition catalog.
  • Diana Morgan Government — Member of the International Council supporting SculptureCenter’s work with artists from abroad.
  • Equitable Art Collection Partner — Partnered with the Equitable Art Collection to present Scott Burton’s Atrium Furnishment.
  • Eva Hesse Initiative for New Sculpture Funder — Provided support for the exhibition "to ignite our skin."
  • Eva Hesse Initiative for New Sculpture Government — Supported the exhibition "Tolia Astakhishvili: between father and mother".
  • Eva Hesse Initiative for New Sculpture Partner — Supported the exhibition _ASMA: Ideal Space for Music_.
  • Fundación Proa Funder — Generous support for In Practice is provided by Sarah Elson and Fundación Proa.
  • Füsun Eczacıbaşı - SAHA Government — Member of the International Council supporting SculptureCenter’s work with artists from abroad.
  • Gee Wesley Partner — Curatorial fellow who organized the In Practice exhibition from 2013 to 2022.
  • General Expenses, Mexico City Partner — Partner gallery representing the artist Magdalena Petroni, collaborating on the exhibition.
  • Hartwig Art Foundation Partner — Co-commissioned the artwork "The art of sleeping" with SculptureCenter.
  • Henry Moore Foundation Funder — Provided generous support for the exhibition "Tolia Astakhishvili: between father and mother".
  • Hong Kong Arts Development Council Government — Supported Ellen Pau’s production development and video upscaling for the exhibition.
  • ILY2 Partner — Provided special support for the exhibition "to ignite our skin."
  • International Council Funder — Provided support for SculptureCenter’s work with international artists.
  • International Council Partner — Provided support for SculptureCenter’s work with artists from abroad.
  • Jess Wilcox Partner — Curatorial fellow who organized the In Practice exhibition from 2013 to 2022.
  • José Ignacio Partner — Partner representing the artist Magdalena Petroni, collaborating on the exhibition.
+ 26 more
strategies · 4

How they approach the work

Named approaches extracted from this org’s sources. Where others share an approach, follow it to see the full set of orgs running it.

  • Expanding Sculpture Through Interdisciplinary and Performative Practices
    methodology: performative_sculpture
    By treating sculpture as an interdisciplinary framework that includes performance, wearable forms, inflatables, and site-responsive interventions, the organization redefines sculpture as a dynamic, mobile, and socially engaged practice that transforms public and built environments.
  • Independence from Market Forces to Prioritize Artistic Integrity
    methodology: market-independence
    By funding production and exhibitions through fundraising rather than commercial partnerships, the organization maintains independence from market interests, enabling risk-taking, critical inquiry, and long-term artistic development that might not be viable in market-driven contexts.
  • Supporting Artists Across the Exhibition Lifecycle to Foster Innovation
    methodology: lifecycle-support-for-artists
    By providing sustained institutional support—including research, technical expertise, funding, and curatorial dialogue—across the entire exhibition lifecycle, the organization enables artists to pursue ambitious and transformative sculptural work, fostering independent thought and artistic innovation.
  • Using Exhibition Design as a Pedagogical and Immersive Experience
    methodology: pedagogical_exhibition
    By designing exhibitions as pedagogical and immersive environments—through non-linear narratives, theatrical techniques, and surreal total environments—the organization transforms visitor engagement, enabling deeper understanding of complex themes such as Black resistance, collective history, and psychological containment.