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NUCLEAR TRUTH PROJECT INC

Brooklyn, NY · EIN 931647733 · Form 990 · FY2024 · NTEE Q41 · International Affairs · Small ($100K-$1M) · nucleartruthproject.org
revenue
$287K
expenses
$71K
net assets
$216K
employees
0
volunteers
12
program ratio
95%
mission · from form 990

Our mission is to to educate the general public and governments about the harms of nuclear activities, to support Indigenous Peoples and affected communities with advocacy, education, and networking. We seek to engage people in local, national and international discussions about radioactive violence and how interrelated nuclear activities have and continue to affect their/our lives.

profile · synthesized from sources

The Nuclear Truth Project is a Brooklyn-based nonprofit that educates the public and governments about the harms of nuclear activities, with a focus on amplifying Indigenous voices and affected communities. It supports advocacy, education, and networking to challenge nuclear violence and promote nuclear abolition through art, storytelling, and testimony. The organization operates internationally, centering the lived experiences of communities impacted by nuclear testing and militarism.

named programs · 3 · from sources

What they call their work

Documentary Film Advocacy
Produces and promotes documentary films that center survivor testimony from nuclear test sites globally, including Hiroshima, New Mexico, and Semipalatinsk
Protocols - Rights, Respect and Reciprocity
Framework developed with Indigenous artists and communities to ensure ethical engagement and centering of affected voices in nuclear justice work
Reclaim Community Fellowships
Supports Indigenous artists and community members in using art and storytelling as tools for nuclear resistance and truth-telling
activities · 3 groups

What they do

  • Nuclear Disarmament Advocacy & Research 3 activities
    • Advocacy for nuclear abolition and justice for affected communities
      Works to abolish nuclear weapons and seek justice for individuals and communities impacted by nuclear harm through public engagement, solidarity actions, and commemorative events. Activities include organizing rallies, co-hosting film screenings, and supporting international campaigns to advance nuclear disarmament.
    • Facilitating cross-sector networks for nuclear abolition
      Connects Indigenous and First Nations Peoples, affected communities, civil society organizations, researchers, experts, and governments to strengthen collective action toward nuclear abolition.
    • Providing direct support to affected communities through advocacy and collaboration
      Engages directly with nuclear-impacted communities and organizational leaders to understand challenges and support advocacy efforts, including through education, networking, and solidarity initiatives.
  • Community Capacity Building & Leadership Networks 1 activity
    • Administering the Reclaim Community Fellowship to support community engagement in nuclear abolition
      Runs the Reclaim Community Fellowship, a capacity-building program that supports community leaders and activists in nuclear abolition efforts, including facilitating connections between fellows and Indigenous artists to explore art’s role in resistance and storytelling.
  • Uncategorized 2 activities
    • Commissioning Indigenous artists for organizational identity and cultural expression
      Commissioned Zuni Pueblo artist Mallery Quetawki to design the organization's logo, integrating Indigenous artistic expression into the organization’s visual identity.
    • Establishing and promoting community-led Protocols for engagement with nuclear-impacted communities
      Developed and launched a set of consensus-based Protocols to guide ethical, good-faith consultations with affected communities using a 'do no harm' approach. The Protocols were informed by a year-long community review process involving surveys, interviews, and regional consultations, and findings were published in a 2023 report.
financials · form 990 · fy2024
revenue
Total revenue$287K
Contributions & grants$284K99%
Program service revenue$00%
Investment income$2K1%
Other revenue$0
expenses
Total expenses$71K
Program expenses95%
Admin / overhead5%
Fundraising0%
Salaries & benefits$48K
Grants paid out$0
Largest expense lineCompensation
balance sheet
Total assets$216K
Cash$216K
Investments$0
Liabilities$0
Net assets$216K
Liquid reserves36.5 mo
1 years on record · 2024–2024
leadership · form 990 part vii · fy2024

Who runs it

paid leadership · 2
NameTitleHours/wkCompensation
Dimity Hawkins Director and Co-Coordinator 13 $24K
Pamela Kingfisher Secretary and Co-Coordinator 13 $24K
board members · 4
  • Bedi J Racule — Co-Chair
  • Kathleen Sullivan — President and Co-Chair
  • Mitchie Takeuchi — Director
  • Molly McGinty — Treasurer
relationships · 32

Who they work with

  • Aigerim Seitenova Partner — Advises the Reclaim Community Fellowship and created the film "Jara: Radioactive Patriarchy," supported by the organization.
  • Alan Owen Partner — Serves as an advisor to the Reclaim Community Fellowship and is featured in the documentary "Our Planet, The People, My Blood," which the organization supports.
  • Barb Shaw Partner — Partnered with activist Barb Shaw in delivering a letter to Pine Gap authorities and participating in advocacy actions.
  • David Shoebridge Partner — Collaborated with David Shoebridge in presenting a formal letter to Pine Gap and committing to table it in Parliament.
  • Hayes family Partner — Collaborated with the Hayes family, Traditional Owners of Kuyunba, in advocating for the closure of Pine Gap and return of sacred lands.
  • ICAN Partner — Co-hosted a screening of "First We Bombed New Mexico" in Perth.
  • Indigenous Peoples Partner — Supported through advocacy, education, and networking initiatives.
  • Indigenous and First Nations Peoples Partner — Collaborates with Indigenous and First Nations Peoples in efforts for nuclear abolition
  • Indigenous and First Nations Peoples Partner — Collaborates with Indigenous and First Nations Peoples in nuclear abolition efforts.
  • International Campaign to Ban Nuclear Weapons-Australia Partner — Co-hosted a screening of "First We Bombed New Mexico" in Perth, Australia.
  • MAPW Partner — Co-hosted a screening of "First We Bombed New Mexico" in Perth.
  • Mallery Quetawki Partner — Collaborated with Zuni Pueblo artist Mallery Quetawki to create the Nuclear Truth Project logo and to bridge Traditional Ecological Knowledge with Western science through art.
  • Marshallese Educational Initiative Partner — Collaborated by promoting a solidarity concert organized by the Marshallese Educational Initiative.
  • Medical Association for Prevention of War Partner — Co-hosted a screening of "First We Bombed New Mexico" in Perth, Australia.
  • Mitchie Takeuchi Government — Board member of Nuclear Truth Project and producer of the documentary "The Vow from Hiroshima."
  • Māʻohi communities Partner — Collaborates with Māʻohi communities in advocacy for accountability and justice related to nuclear testing.
  • Nour Salman Partner — Partnered with Palestinian advocate Nour Salman to link the struggle against Pine Gap with opposition to military data transfers supporting conflict in Gaza.
  • Reclaim Community Fellowship Partner — Collaborates with the Reclaim Community Fellowship to support community engagement in nuclear abolition.
  • Reclaim Community Fellowship Partner — Fellowship program announced in collaboration with the Nuclear Truth Project to support community-led initiatives.
  • Treaty on the Prohibition of Nuclear Weapons Network — Works to support the implementation and universalization of the Treaty on the Prohibition of Nuclear Weapons.
  • Treaty on the Prohibition of Nuclear Weapons Partner — Collaborates with advocates of the Treaty on the Prohibition of Nuclear Weapons to support affected communities.
  • United Nations Government — Cites a UN rapporteur's assessment of nuclear contamination in the Marshall Islands as "near-irreversible."
  • Yhonnie Scarce Partner — Worked with Nukunu and Kokatha artist Yhonnie Scarce in the development of the organization's Protocols, particularly addressing the exploitation of artists.
  • Zuni Pueblo Partner — Collaborated with Zuni Pueblo artist Mallery Quetawki on visual design for the organization.
  • affected community members Partner — Engages affected community members in nuclear abolition work
  • affected community members Partner — Engages affected community members in nuclear abolition work.
  • experts Partner — Collaborates with experts in nuclear abolition efforts
  • governments Government — Works with governments on efforts toward nuclear abolition.
  • governments Government — Works with governments on nuclear abolition initiatives
  • international and civil society organizations Partner — Partners with international and civil society organizations to advance nuclear abolition
+ 2 more
strategies · 3

How they approach the work

Named approaches extracted from this org’s sources. Where others share an approach, follow it to see the full set of orgs running it.

  • Art as Central Resistance and Evidentiary Practice
    methodology: art_as_resistance
    By using art as a primary tool for storytelling and documentation, we make visible the harms of nuclear activities and resist erasure because artistic expression enables emotional, cultural, and historical truth-telling that institutional evidence alone cannot convey, thereby advancing nuclear justice.
  • Community-Led Truth-Telling and Narrative Power
    methodology: community-led_truth_telling
    By centering the stories, leadership, and lived experiences of Indigenous and nuclear-affected communities in advocacy and education, we build collective power for nuclear abolition because authentic narrative ownership fosters ethical engagement, strengthens movement legitimacy, and drives political will for justice.
  • Intergenerational Harm Framing for Political Accountability
    methodology: intergenerational_harm_framing
    By framing nuclear testing as an ongoing, intergenerational violence rather than a historical event, we sustain moral and political responsibility for repair because this continuity reframes demands for justice as present-day obligations, not past grievances.