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BLACK ROCK COALITION INC

NEW YORK, NY · EIN 133355266 · Form 990EZ · FY2025 · NTEE A68Z · Arts, Culture & Humanities · Micro (<$100K) · blackrockcoalition.org
revenue
$13K
expenses
$19K
net assets
$11K
employees
mission · from form 990

Charitable programmatic support working to eliminate prejudice and discrimination faced by progressive musicians of color and their audiences as they seek to create their art and benefit from their valuable contribution to culture and community.

profile · synthesized from sources

The Black Rock Coalition is a nonprofit organization founded in 1985 to support progressive Black musicians and challenge racial inequities in the music industry. It provides performance opportunities, educational programs, and promotional platforms for artists of color who defy genre conventions. The organization operates nationally with a focus on cultural advocacy and artistic freedom.

named programs · 6 · from sources

What they call their work

BRC Community
Member-driven network supported through newsletters, social events, and benefits, including the “This Week in Black Rock” e-newsletter and anniversary celebrations
BRC Media
Initiative to increase visibility of Black rock through media projects including radio shows, film screenings, books, and digital archives
BRC Orchestra
Live musical collaborations reimagining culturally significant canons by artists like Curtis Mayfield, Nina Simone, and James Brown, performed at venues including Lincoln Center and the Whitney Museum
BRC Records
DIY compilation series distributing music by progressive Black artists through free or low-cost releases, including Rock ‘n’ Roll Reparations and 9 Against Nepotism
BRC Showcase
Performance series providing exposure and career development for progressive Black artists such as Living Colour, Fishbone, and Fantastic Negrito at venues like Joe’s Pub and BAMcafé
BRC University
Educational initiatives including workshops, panels, scholarships, and curricula development in partnership with institutions like Lincoln Center and Willie Mae Rock Camp for Girls
activities · 5 groups

What they do

  • Nonprofit Music Recording and Distribution 1 activity
    • Distributing music and arts content to the public
      Produces and distributes music recordings through DIY compilation albums since 1987, including the 2025 release “Someone Like You,” and offers free download links for these compilations via email. Also makes its arts magazine and 30th Anniversary Exhibition Booklet available for download.
  • Organizational Newsletter Production and Distribution 1 activity
    • Engaging members through communications and events
      Distributes a weekly email newsletter titled “This Week in Black Rock” every Tuesday to over 3,000 subscribers and organizes member events including anniversary celebrations, record release parties, benefit concerts for artists such as Bernie Worrell and Garry Shider, and social gatherings run by volunteers.
  • Classical and Chamber Music Performances 1 activity
    • Organizing live musical performances and showcases
      Produces orchestral performances reimagining music by culturally significant Black artists such as Stevie Wonder, Nina Simone, and James Brown, and hosts live performance showcases for progressive Black musicians at major cultural venues including Central Park SummerStage, Lincoln Center Out of Doors, and the Whitney Museum, as well as international locations like France.
  • Music Education and Training Programs 1 activity
    • Providing music education and skill development programs
      Offers educational programs including workshops, panels, instrument clinics, and scholarships to develop musical skills and knowledge. Has provided scholarships for young women to attend Willie Mae Rock Camp for Girls and collaborated with Lincoln Center Institute on curricula related to poetry, music, and Nina Simone’s artistic influence.
  • Arts Professional Advocacy & Equity Initiatives 1 activity
    • Supporting Black and progressive musicians through programmatic initiatives
      Provides ongoing programmatic support to address prejudice and discrimination affecting progressive musicians of color and their audiences, with a focus on creative freedom and artistic expression. The organization was founded in 1985 to support Black artists facing constraints in the commercial music industry.
financials · form 990EZ · fy2025
revenue
Total revenue$13K
Contributions & grants$1171%
Program service revenue$12K89%
Investment income$00%
Other revenue$0
expenses
Total expenses$19K
Program expenses
Admin / overhead
Fundraising
Salaries & benefits$0
Grants paid out$0
balance sheet
Total assets$11K
Cash
Investments
Liabilities
Net assets$11K
6 years on record · 2020–2025 · YoY revenue +191.9%
leadership · form 990 part vii · fy2025

Who runs it

board members · 2
  • DARRELL M MCNEILL — Director of Operations
  • EARL DOUGLAS JR — Executive Director
relationships · 13

Who they work with

  • Archives of African-American Music and Culture Partner — Collaborated with BRC on national conference participation focused on Black rock
  • Fantastic Negrito Partner — Has participated in BRC activities, showcases, and compilations.
  • Fishbone Partner — Has participated in BRC activities, showcases, and compilations.
  • Greg Tate Network — Co-founder and former member of the BRC Board of Directors/Advisory Board.
  • Jazz Foundation of America Partner — Received no-fee BRC Orchestra presentations from the Black Rock Coalition
  • Konda Mason Network — Co-founder and member of the BRC Board of Directors/Advisory Board.
  • Lincoln Center Institute Partner — Collaborated with BRC University to create class-based curricula on poetry and music and on Nina Simone’s global artistic influence
  • Living Colour Partner — Band members have been part of the BRC community and participated in its activities.
  • Meschell Ndegeocello Partner — Has been a member of the BRC and participated in its activities.
  • Nona Hendryx Network — Member of the BRC Board of Directors/Advisory Board.
  • Schomburg Center for Research in Black Culture Partner — Hosted BRC University panels and photo exhibits
  • Vernon Reid Network — Co-founder and member of the BRC Board of Directors/Advisory Board.
  • Willie Mae Rock Camp for Girls Partner — Received BRC scholarships for young women to attend the camp
strategies · 5

How they approach the work

Named approaches extracted from this org’s sources. Where others share an approach, follow it to see the full set of orgs running it.

  • Artist Development Through Live Performance
    methodology: artist_development_through_live_showcase
    By providing live showcase opportunities, we advance the careers of progressive Black rock musicians, because public performance builds exposure, audience engagement, and professional momentum in a historically exclusionary industry.
  • Collective Resource Building for Black Artists
    methodology: collective-resource-building
    By uniting a multidisciplinary collective of artists, we increase visibility and resource access for Black musicians who challenge dominant musical norms, because shared infrastructure and community support enable sustained artistic innovation and cultural participation.
  • Cultural Reclamation Through Collaborative Performance
    methodology: cultural_reclamation_through_performance
    By reimagining culturally significant Black music through collaborative orchestral performances, we elevate underrepresented artists and genres, because high-visibility reinterpretation challenges historical erasure and affirms cultural value.
  • Direct Distribution to Increase Accessibility
    methodology: direct_distribution
    By distributing free music and publications upon direct request, we remove economic and logistical barriers to access, because open dissemination ensures broader participation in Black rock culture regardless of financial means.
  • Education as Community Empowerment
    methodology: education_as_community_empowerment
    By offering educational programming in Black rock and related genres, we strengthen musical communities, because skill-building and knowledge-sharing foster intergenerational continuity and collective agency.