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INTERNATIONAL ARTS RELATIONS INC

NEW YORK, NY · EIN 237212492 · Form 990 · FY2024 · NTEE A230 · Arts, Culture & Humanities · Small ($100K-$1M) · intartheatre.org
revenue
$713K
expenses
$915K
net assets
$634K
employees
68
volunteers
9
program ratio
85%
mission · from form 990

TO IDENTIFY, DEVELOP AND PRESENT THE TALENTS OF GIFTED HISPANIC AMERICAN THEATRE ARTISTS AND MULTICULTURAL VISUAL ARTISTS.

profile · synthesized from sources

INTAR Theatre, founded in 1966 in New York City, develops and produces bold, innovative theater works by Latine and multicultural artists. The organization supports emerging and established playwrights, actors, and theater professionals through training programs, workshops, and mainstage productions. It serves as an intergenerational creative community dedicated to amplifying Latine voices in American theater.

named programs · 4 · from sources

What they call their work

Mainstage Productions
Award-winning productions of new works by emerging and established Latine playwrights, performed in an intimate 55-seat theater in Hell’s Kitchen.
NewWorks LAB
Year-round program providing technical, dramaturgical, and career support for playwrights through commissions, AEA 29-hour workshops, readings, and artistic experiments.
Open Space Salon
Monthly opportunity for artists to share works in progress on stage and receive community feedback.
UNIT52
Non-equity actor training program offering 12 weeks of free training for Latine actors, focusing on craft development and mentorship by legacy artists.
activities · 3 groups

What they do

  • New Play Development Programs 2 activities
    • Artist development through residency and workshop programs
      Runs structured programs such as the NewWorks LAB and previously the Hispanic Playwrights-in-Residence Laboratory (1981–1992) to support emerging and established Latine artists in developing new theatrical works and advancing their writing and performance skills.
    • Operation of theater space and year-round performance programs
      Operates a theater space at 500 W 52nd St, 4W, New York, NY, hosting a year-round program of play commissions, 29-hour AEA workshops, script readings, and experimental performances. Features works in development and showcases by UNIT52 and other community artists.
  • Professional Theatrical Production 1 activity
    • Production and presentation of new theatrical works by Latine artists
      Produces and stages award-winning mainstage productions and world premieres of new plays and musicals by established and emerging Latino and Hispanic playwrights in a 55-seat theater in Hell’s Kitchen, New York City. Recent productions include "SPREAD" by Jesús I. Valles and the co-presentation of "The Potluck" by César Álvarez in collaboration with Soho Rep.
  • Arts Professional Advocacy & Equity Initiatives 1 activity
    • Professional advancement support for early-career Latine theater artists
      Provides targeted support to early-career Latine artists to secure first professional theater credits, obtain union memberships, and gain press coverage, helping to launch sustainable careers in theater.
financials · form 990 · fy2024
revenue
Total revenue$713K
Contributions & grants$686K96%
Program service revenue$26K4%
Investment income$2030%
Other revenue$458
expenses
Total expenses$915K
Program expenses85%
Admin / overhead8%
Fundraising7%
Salaries & benefits$588K
Grants paid out$0
Largest expense lineCompensation
balance sheet
Total assets$662K
Cash$132K
Investments$0
Liabilities$28K
Net assets$634K
Liquid reserves1.7 mo
6 years on record · 2019–2024 · YoY revenue -52.6%
leadership · form 990 part vii · fy2024

Who runs it

paid leadership · 2
NameTitleHours/wkCompensation
NIDIA MEDINA EXECUTIVE DIRECTOR 40 $51K
LOU MORENO BOARD MEMBER/ARTISTIC DIRECTOR 40 $46K
board members · 9
  • AMY MADIGAN — TREASURER
  • C JULIAN JIMENEZ — BOARD MEMBER
  • DANNY WILLIAMS — BOARD MEMBER
  • ED HARRIS — BOARD MEMBER
  • IRACEL RIVERO — BOARD MEMBER
  • JULISSA CONTRERAS — BOARD MEMBER
  • KRISTEN GONGORA — BOARD MEMBER
  • LIAM TORRES — SECRETARY
  • LISA MARIA HARRIS — CHAIR
relationships · 11

Who they work with

  • Actors Equity Association Network — Engages with AEA through 29-hour workshops and collaborations involving non-union Latine actors.
  • Alliance of Latin Theaters NY Network — Member of a network supporting Latinx theater organizations in New York.
  • Ardesia Wine & Bar Partner — Provides accessible restroom facilities for INTAR Theatre patrons.
  • Civis Foundation Funder — Provided signal producing support for the production of "The Potluck."
  • LxNY, the Latinx Arts Consortium of NY Network — Member of a consortium dedicated to advancing Latinx arts in New York.
  • María Irene Fornés Partner — Founded the Hispanic Playwrights-in-Residence Laboratory at INTAR
  • Royal Exchange Theatre Partner — Presented the world premiere of "SPREAD" in association with INTAR.
  • SIXTY at INTAR Party Circle Partner — Named giving circle supporting the organization's programs
  • Soho Rep Partner — Co-presented the new musical "The Potluck" with INTAR.
  • Spirits Go Blah Partner — Collaborated with Civis Foundation to provide signal producing support for "The Potluck."
  • Wix Partner — Platform used to build and host the organization's website
strategies · 4

How they approach the work

Named approaches extracted from this org’s sources. Where others share an approach, follow it to see the full set of orgs running it.

  • Artist Autonomy and Unrestricted Creative Space
    methodology: artist_autonomy
    By creating space for Latine artists to develop and present work without industry-imposed constraints, the organization fosters authentic artistic expression, which in turn strengthens cultural representation and innovation in theater.
  • Intergenerational Incubation of Latine Theatre
    methodology: intergenerational-artistic-incubation
    By combining artistic incubation with intergenerational connection, the organization sustains Latine theatre practice over time, because knowledge transfer between veteran and emerging artists strengthens cultural continuity and artistic resilience.
  • Mentorship-Driven Artist Development
    methodology: artist-development-through-mentorship
    By providing free, mentorship-driven training to non-union Latine performers, the organization increases professional pathways into AEA and addresses systemic underrepresentation, because sustained guidance and skill-building produce more viable, confident artists ready for union engagement.
  • Narrative Elevation of Latine Identities
    methodology: narrative-elevation-of-latinidad
    By centering narrative storytelling that reflects Latine identities and intersectional experiences, the organization advances cultural equity and audience engagement, because authentic, community-rooted stories produce deeper resonance and representation in the arts.