What they call their work
What they do
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Archival Digitization and Preservation 1 activity
- Capacity-building through archival collaborationSupports film preservation efforts through funding and collaborative partnerships with institutions such as the Yale Film Archive, enhancing institutional capacity to preserve culturally significant works.
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Film Distribution and Screening Programs 1 activity
- Distribution of restored and independent filmsReleases and supports the distribution of restored and independent films, ensuring digital access and availability for booking by arthouse cinemas nationwide.
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Documentary Film Production 1 activity
- Film production and co-productionProduces and co-produces independent films, including Video Heaven (directed by Alex Ross Perry), Hermia and Helena (by Matías Piñiero), and Dream of a City and Free Time (by Manfred Kirchheimer), often providing full production support and post-production services.
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Film Production Funding and Fiscal Sponsorship 1 activity
- Grantmaking for independent film projectsFunds independent film productions and creative projects, including Rodney Evans’ Vision Portraits and Tony Stone’s Peter and the Farm.
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Film Festival and Screening Programming 1 activity
- Theatrical re-release and exhibition of independent filmsOrganizes curated theatrical re-releases and nomadic exhibitions of independent and restored films, including works by the Hubleys, Jamel Shabazz, and films from the Black/African diaspora, primarily in Brooklyn and surrounding communities.
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Uncategorized 1 activity
- Film preservation and restorationFacilitates and financially supports the preservation and restoration of American independent films, including titles such as Nothing But a Man (1964), The Student Nurses (1970), and James Baldwin: From Another Place, often in collaboration with archives and cultural institutions.
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Who runs it
| Name | Title | Hours/wk | Compensation |
|---|---|---|---|
| ANDREW ADAIR | EXECUTIVE DIRECTOR | 40 | $40K |
| JAKE PERLIN | VICE PRESIDENT/DIRECTOR | 25 | $12K |
- HUNTER GRAY — TREASURER/SECRETARY/DIRECTOR
- JONATHAN REICHMAN — DIRECTOR
- PHILLIPP ENGELHORN — DIRECTOR
- SEYMOUR BURGESS — VICE PRESIDENT/DIRECTOR
Who they work with
- Cinereach Partner — Philipp Engelhorn, founder of Cinereach and board member of Cinema Conservancy, links the two organizations through shared leadership.
- Factory 25 Partner — Sells the DVD/Blu-ray and original soundtrack for the film For the Plasma.
- Goldcrest Post NY Partner — Provided sound finishing services for the film "Video Heaven."
- Independent Filmmaker Project (IFP) Network — Philipp Engelhorn, a board member of Cinema Conservancy, serves on the board of IFP.
- Kaktus Film Partner — Partnered to design and animate 3D characters for "This World is Not My Own."
- Kino Lorber Partner — Distributes the film Hermia & Helena on Blu-ray and DVD.
- Magnolia Pictures Partner — Provides video-on-demand distribution for the film Peter and the Farm.
- National Film Preservation Foundation Funder — Provided financial support for the preservation of "James Baldwin: From Another Place."
- OpenDox Partner — Collaborated on the production of "This World is Not My Own," including set design and integration of animated elements.
- Oscilloscope Partner — Collaborated on the distribution of Manfred Kirchheimer's films via DVD release.
- Sundance Institute Network — Philipp Engelhorn, a board member of Cinema Conservancy, is a Trustee of the Sundance Institute.
- THIRD WORLD NEWSREEL d/b/a CAMERA NEWS, INC. Partner — Supported organization receiving services and consultation from Cinema Conservancy Inc.
- The Criterion Collection Partner — Recognized in special thanks, indicating a professional relationship in film preservation or distribution.
- The Luminal Theater Partner — Collaborative partner presenting curated cinema exhibitions of the Black/African diaspora in Brooklyn.
- Yale Film Archive Partner — Collaborated on the preservation of "James Baldwin: From Another Place."
How they approach the work
Named approaches extracted from this org’s sources. Where others share an approach, follow it to see the full set of orgs running it.
- Access-Oriented Preservation and Distributionmethodology: access_oriented_distributionBy restoring and digitally distributing independent and historical films, we ensure lasting public access because preservation without distribution limits cultural impact, and wide availability amplifies reach and educational value.
- Integrated Support Model for Independent Cinemamethodology: integrated_film_supportBy combining production, preservation, exhibition, and financial/consultative support, we sustain and expand access to American independent films because holistic intervention strengthens the entire ecosystem of film culture, rather than isolated components.
- Shared-Audience Exhibition as Cultural Engagementmethodology: shared_audience_experienceBy presenting films in collective, shared-audience settings, we increase public engagement with Black and African diasporic filmmakers' work because communal viewing fosters deeper cultural connection and accessibility compared to isolated streaming or time-bound festivals.