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The Plimpton Foundation Inc

Rochester, NY · EIN 883201829 · Form 990EZ · FY2022 · NTEE A26 · Arts, Culture & Humanities · Micro (<$100K) · theplimptonfoundation.org
revenue
$32K
expenses
$20K
net assets
$12K
employees
mission · from form 990

The Plimpton Foundation promotes diversity, inclusion, and excellence in the performing arts by amplifying the voices of Native, indigenous and other under-represented Americans.

profile · synthesized from sources

The Plimpton Foundation supports Native, Indigenous, and other under-represented American voices in the performing arts through initiatives like the North American Indigenous Songbook, which highlights composers and performers from diverse tribal backgrounds. The foundation amplifies their work by producing publications and supporting performances that center Indigenous artistic expression. Based in Rochester, NY, it was co-founded by Randy Plimpton and conductor Timothy Long.

named programs · 1 · from sources

What they call their work

North American Indigenous Songbook
A publication and initiative highlighting the work of Indigenous composers and performers from North America, featuring volumes of composer profiles and musical contributions.
activities · 6 groups

What they do

  • Arts Professional Advocacy & Equity Initiatives 1 activity
    • Advocacy for Native and Indigenous representation in the arts
      Advocates for greater visibility and equity for Native, Indigenous, and underrepresented Americans in the performing arts, including media features such as the Martha Stewart Blog during Native American Heritage Month.
  • Commissioning New Musical Works 1 activity
    • Commissioning and publishing music by Indigenous and underrepresented composers
      Commissions, premieres, and publishes new musical works by Indigenous and underrepresented composers through The North American Indigenous Songbook initiative, including the release of Volume 1 in 2024 with public performances and external adoption of the material.
  • Arts Education Scholarships 1 activity
    • Funding scholarships and awards for Native and underrepresented musicians
      Provides financial support through scholarships and awards, including two annual $1,000 scholarships for Native American students studying voice, the Timothy Long Scholarship, the Timothy Long Prize, and the Lifetime Achievement Award, all aimed at advancing the creative development of emerging and accomplished musicians.
  • Nonprofit Music Recording and Distribution 1 activity
    • Producing and distributing digital recordings of Native American artists
      Offers digital music recordings for sale featuring Native American artists, increasing access to and dissemination of their work.
  • Musicological Research and Scholarly Editions 1 activity
    • Research and publication of Indigenous musical works
      Conducts research and compiles Indigenous musical compositions into published volumes, including Volume 1 released in 2024 and preparation of Volume 2 of The North American Indigenous Songbook, with works previewed in media such as The New York Times.
  • Professional Opera and Operetta Production 1 activity
    • Supporting contemporary opera productions and performances
      Produces and supports performances of contemporary opera, including conducting Brian Current’s opera *Missing* across multiple opera companies and orchestras in North America, and founding Rochester Summer Opera in 2021 to provide free performance opportunities for students and accessible opera experiences for the community.
financials · form 990EZ · fy2022
revenue
Total revenue$32K
Contributions & grants$32K100%
Program service revenue
Investment income
Other revenue
expenses
Total expenses$20K
Program expenses
Admin / overhead
Fundraising
Salaries & benefits
Grants paid out$11K
balance sheet
Total assets$12K
Cash
Investments
Liabilities
Net assets$12K
1 years on record · 2022–2022
leadership · form 990 part vii · fy2022

Who runs it

board members · 4
  • Christopher Herbert — Director
  • Karen Goldfeder — Director
  • Scott Ashley — Director
  • Timothy Long — Director
relationships · 26

Who they work with

  • Anna Louise Martin Partner — Contact for scholarship inquiries at The Plimpton Foundation
  • Anna Louise Martin Partner — Director of Operations providing administrative guidance to the Foundation.
  • CNN Partner — Conducted an interview with President Timothy Long on the day of the North American Indigenous Songbook Vol. 1 premiere.
  • Eastman School of Music Network — Multiple leadership and board members are affiliated with the Eastman School of Music.
  • Fort Lewis College Partner — Scholarship recipient attending institution
  • Hispanic Scholarship Fund Partner — Ella Torres volunteered as an alumni mentor for HSF scholars.
  • Humanities New York Funder — Funded in part the 2024 North American Indigenous Songbook.
  • Manhattan School of Music Partner — Scholarship recipient attending institution
  • Martha Stewart Blog Partner — Featured The Plimpton Foundation in a blog post honoring Native American Heritage Month.
  • NAIS Partner — Collaborates with NAIS to offer music recordings for sale
  • National Endowment for the Humanities Funder — Provided support for the funding of the 2024 North American Indigenous Songbook through Humanities New York.
  • National Sawdust Partner — Hosted the premiere of the inaugural commissions for The North American Indigenous Songbook on November 16, 2024.
  • Native American Composer Apprentice Project Partner — Collaborates with NACAP to mentor Native high school composers in creating new string quartets.
  • Native Arts and Cultures Foundation Partner — Danielle Jagelski is part of the LIFT cohort at the Native Arts and Cultures Foundation.
  • New York Times Partner — Published an article previewing the first volume of the North American Indigenous Songbook and featuring President Timothy Long.
  • Northeastern State University Partner — Scholarship recipient attending institution
  • Oklahoma City University Partner — Scholarship recipient attending institution
  • Oklahoma State University Partner — Scholarship recipient attending institution
  • Opera America Partner — Collaborates with Opera America through grant programs and advisory roles.
  • Randy Plimpton Partner — Co-founder who shared the vision for building a more inclusive future in the arts.
  • The Juilliard School Partner — Scholarship recipient attending institution
  • Tim Long Partner — Family member and namesake of the Timothy Long Scholarship; connection to Choctaw and Muscogee Creek tribes informs foundation's cultural focus.
  • Timothy Long Partner — Co-founder and namesake of the Timothy Long Prize, contributing artistic leadership.
  • University of Oregon Partner — Scholarship recipient attending institution
  • University of Tulsa Partner — Scholarship recipient attending institution
  • true Funder — Generous supporter of The Plimpton Foundation
strategies · 3

How they approach the work

Named approaches extracted from this org’s sources. Where others share an approach, follow it to see the full set of orgs running it.

  • Amplification of Underrepresented Voices in Performing Arts
    methodology: amplifying_marginalized_voices
    By centering Native, Indigenous, and other underrepresented artists in the performing arts, the foundation increases their visibility and impact, because systemic exclusion is actively countered through representation, funding, and repertoire development.
  • Creation and Ethical Integration of Indigenous Repertoire
    methodology: cultural-representation-and-ethical-repertoire-development
    By creating and promoting a new library of concert vocal works composed by Native American and Indigenous descendants, the foundation enables ethical performance and long-term cultural representation, because inclusion in permanent repertoires ensures sustained visibility and corrects historical exclusion.
  • Culturally Grounded Support and Capacity Building
    methodology: equity-centered-philanthropy
    By providing scholarships, mentorship, and financial support specifically tailored to Native and Indigenous artists, the foundation fosters sustainable artistic development, because targeted investment addresses systemic barriers and promotes intergenerational cultural continuity.